Manto nero

This film made major concessions to political correctness in its portrayal of the Indians, who are depicted in a considerably more flattering light here than they are in Brian Moore's novel. This could also be considered the romanticizing "Dances With Wolves" effect. The novel drew some (unjust) criticism here in Canada for its uncompromising approach.

The actual history is fairly readily available. "The Jesuits in North America in the 17th Century" by the great American historian Francis Parkman is the standard 19th c. work on the proselytizing efforts of the French Récollet and Jesuit fathers.

Still, if you are not very familiar with the subject, this film is a strong, and quite gruesome, introduction. I'm not aware of a lot of films about the colonial period which are as tough. Not "Last of the Mohicans", or the adult westerns from the '50's, in my opinion. "Little Big Man", perhaps. Or possibly "A Man Called Horse", which I haven't seen. The priest in the story is a composite of actual missionaries, and the impact of this historical adventure thriller is heightened for me knowing that everything in this film happened, and often a whole lot worse.

The rights and wrongs, the pros and cons, of the cultural collision of Europeans with the autochthonous peoples are still too contentious, so I would rather not get into them. There is a lot here to brood about afterwards, and chances are good that you'll seek out a copy of the novel -- it's not very long, and a lot easier to read than James Fenimore Cooper. If you're American or Canadian, this is an important part of our shared past.

"Black Robe" is one of the very best Canadian feature films, with a solid cast led by Lothaire Bluteau with August Schellenberg and Tantoo Cardinal in support. The presence of an Australian director, Bruce Beresford, perhaps kept the film from turning into a well-meaning but dry Canadian history lesson.

I'm a history student of second grade of a french canadian university. So, in a history point of view, I can assure you that this movie is simply amazing. The story is about a jesuite priest who wants to bring catholic faith to the Indians of the french colony Nouvelle-France (New France, the future Quebec of Canada) in the seventeen century. In fact, there was a lot of jesuite doing that by that time. The priest and his young translator ask the Algonquins natives to guide them to the Hurons natives. That is also exactly correct! But in their quest,they had some problems with the Iroquois natives. And that is exactly right! At the end, the priest reach the Hurons. The chief of the tribe tells that if they accept the god of the priest, they will become weak and their ennemies will kill them. And that's what's gonna happen! In fact, the Hurons were the first Indians of New France to accept catholic religion. I saw the movie with the french dubbing. The Indians of that time didn't knew how to prononce R. So, in the movie, they say : obe noie, instead of Robe Noire (Black Robe). I don't know if they said black obe in the English version. In one scence, the priest tells the Indian sorcerer that he is reading a breviaire (book of prayers). And the sorcerer said: beviaire, witout the R. The way the natives are dressed and wears their hairs is also very exact in an historical view. This is not only a great movie, but an amazing reconstitution. Natives actors are great, with August Schlleberg, the always good Tantoo Cardinal and the charming young Sandrine Holt. Lothaire Blutheau is one of the best french canadian actor (see him in Jesus of Montreal). This is absolutely a superb piece of work ! And some kind of perfect history book.

This film is the best attempt I have seen to make a true-to-life, culturally unbiased depiction of an early encounter between the white man and American Indian, in Eastern North America. In keeping with this aim, it unflinchingly depicts several incidents of what seem to European eyes to be shocking cruelty and 'barbarism' of the Indian.

Although the Indians appear from the point of view of the visiting priest, the white man's beliefs, appearance and customs are also shown from a startling, alien perspective.

All the same, it is a story of a heroic quest, that leaves you with a sense of the awesomeness of human courage and the mystery of the commonality of human nature across gigantic cultural boundaries. And, yes, the photography and the aboriginal landscapes are breathtakingly beautiful.

Movie depiction of Eastern Indians, and of this era in North American history, are so rare, that I have to give it extra credit for illuminating a culturally formative time.

_Black Robe_ is an under-appreciated gem. With fine acting, a strong, literate screenplay, beautiful visuals from the spare, cold Canadian wilderness, and a lyrical, dialogue-light storytelling style, this film is an absorbing experience. Viewers with less patience for visual storytelling, or who don't like having to pay attention to details, will probably find it slow-going.

Be forewarned: _Black Robe_ is a brutal film, by modern western standards. Gruesome torture is openly referred to; native americans, particularly the northern Mohawk and Huron peoples, are _not_ substantially idealized.

Nice ethnographic touches are preserved -- for example, the Alqonkian-speaking group who agree to guide the Black Robe are permitted to clearly express their perplexity at the Jesuit's rudeness for not sharing his tobacco. Similarly, a Mohawk war-leader keenly sees opportunity in permitting the French to live: they can be traded for muskets, and forced to teach the Mohawk how to use the powerful new weapons. No "simple savages", after all: The Iroquois did not come to control much of the northeast through stupidity.

While widely excoriated by some native american advocates for its depiction of Mohawk and Huron brutality, the film actually soft-pedals the reality (as noted by other reviewers). The southern, Five-Nations Mohawk may have abandoned ritual cannibalism by this time, but it's certain that ritual torture and cannibalism were practiced throughout the Iroquois sphere of influence up to the early contact period. It was an aspect of their culture, and really no stranger than similar practices as recorded among christianized Scandinavians circa 1060 AD.

This film is brilliant, because it defies conventional stereotypes of European settlers and American Indians. This movie strives and succeeds in its portrayal of Indians and whites as human beings, rather than as villains or saints. Those who feel this movie would show the Indians as noble savages will be gravelly disappointed. The Indians in "Black Robe" can be cruel, and have sexual mores that would disgust the more prudish viewers. The affect of the Jesuit missionaries among the Indians of Quebec is not romanticized or glossed over, nor are the Jesuits shown as evil white devils. All humans in this movie have their flaws and weaknesses and all act "morally" according to their own cultures' expectations. Beresford has crafted a marvelous film that ought to be required viewing in college history courses across the country.

The cinematography is beautiful, whether we are watching the gilded altars of the cathedrals of Renaissance France, the iridescent glow of a fire at an Indian village, the cramped quarters of an Indian longhouse, or the awesome and heavenly magnificence of the Canadian woodlands and what appears to be the St. Lawrance River. This movie does feature explicit sexual acts and gruesome violence, so I would not recommend this movie at all for very young children. I think most teenagers can handle this film. I suppose this film is very hard to find at your local video rental store, but do yourselves a favor and find it. Your efforts will be amply rewarded.