Tir-na-nog: È vietato portare cavalli in città

`Into The West' is a beautifully made film: that it is also a wonderful children's move is only an added delight.

This film is a ghost story of love, loss, redemption, and the power of both myth and family to endure (if not exactly overcome) the twin bedevilments of a well-intentioned but meddling socialism, on the one hand, and privileged and greedy capitalism on the other. It is a modern fairy tale (with ties to traditional Irish mythology); but remarkably, it is also an honest, gritty look at the lives of not only the urban poor, but also of that most marginalized and enigmatic of socio-ethnic groups-the contemporary gypsies (or `travelers,' as they call themselves)--who eke out a meager but defiant existence in a world of the `settled.'

The movie is sympathetic to these people, but never over-romanticizes them. Around their campfire is not only joyous traditional Irish music and dancing, but also a television going full blast. And while their children are as happy as children anywhere, their camps are not idyllic picnics, but cold and grubby landfalls.

The story itself is not overly complicated. A strange white horse appears out of seemingly nowhere and is drawn to the two young sons of a widowed traveler, the death of whose wife has driven him to reject the gypsy life and embrace the bottle.

The horse, which has a preternatural jumping ability, is stolen and sold buy a corrupt police officer, then retaken by the boys, who then find themselves led westward by the horse, followed by both their father and the authorities.

All such journeys, of course, are journeys into both history and self knowledge; and it is here the film excels, gradually spinning out for us, with as few words as possible, the tale of a lost wife and mother, while showing us how the uncertain quest brings both father and sons to a better understanding of themselves, their history, and each other.

The film is painterly, well-acted (with especial kudos to the children) and splendidly edited--with no endless chase scenes (no more than necessary, anyway)--and with one of the most perfect and revealing climactic shots ever filmed--full of magic and metaphor--with never a word or a heavy-handed image.

`Into The West' is the perfect film for discriminating film lovers who want to watch some superb cinema with their kids-or without them.

P.S. My seven-year-old daughter loved it.

Don't let the cheesy video cover put your off. This is a gem of a family movie that uses a wee bit of magic to pull a dysfunctional Irish family back together. This is not a Disney film. The actors lack Hollywood's plastic sheen and cutesy appeal--they're real and honest, and good. You know from the start that this story will end happily, but there are some interesting surprises along the way, and at the end, you feel like you've just seen a piece of literature, not popcorn entertainment.

I give this film 9/10. My 12-year-old gave it 10/10, and my sometimes-cynical husband acknowledged "Yeah, it's a pretty good movie." That's high praise indeed.

This excellent movie deals with issues of identity, death and family. It is also a very funny and gentle fantasy (set in contemporary times) about two Irish boys and their magical horse.

This may sound silly to many. I wouldn't even fault anyone for having passed on it during its initial theatrical release or for passing it by in the video store. The marketing of this movie made it seem like a wacky, silly movie about kids getting into and out of several situations with their horse. The only reason I even saw it was faith in the cast and crew. I feel I was well rewarded.

The performances are exceptional. The two boys behave in a completely natural way without resorting to traditional "cutesy" mannerisms and expressions (which isn't to say the movie does not have its cute moments. ..it's just that they don't seem forced when they happen). Gabriel Byrne's performance is absolutely beautiful. Even though the movie is about the kids and the horse (at first glance) it really is about him and his character's denial of what he really is and how he is set right again.

The cinematography, direction and music are all superb. You won't be disappointed if you just give it a chance.

Ignore that stupid video cover up above, it does not in any way do this film justice, and why they decided to sell it as a kids adventure, when it is much more, I will never know. The film is a simple tale, yet its the supernatural undertones, and reference to Irish myth which adds a whole different dimension to the film, raising it above most films of this sort. Its funny and poignant, and by the time the climax is reached, you have been sucked in and are willing the lads along, to its fantastically touching, thought provoking ending. The acting is superb, music perfectly apt, visuals hauntingly bleak. Its a contemporary fairy tale, strangely reminiscent of Edward Scissorhands, due to the pure simplicity of its plot. Watch this film, and get carried along on the journey, of course, ignoring that stupid poster.

This film's title is forgettable, though the film is not. It also is a film that defies categories. (i. e., adventure, family, etc.)

The cast is marvelous, including the children, and not least of all the beautiful horse. It is this ensemble of actors that endows the film with a legendary quality that is hard to forget.

The modern, harsh, and unadorned setting makes the story all the more poignant because it is not a fairytale. We can relate to these characters because their problems are problems that confront all of us. It is a story about underdogs we can root for, and about how animals and children enrich our lives by reminding us to set aside our cynicism, have faith, and be true to ourselves.

This is a great, highly underrated film that I'd recommend to anyone, anytime. I loved it!