Avvocati a Los Angeles

This was a seminal show -- probably the first "lawyer show" that wasn't really a detective program in disguise. L.A. Law introduced us to many of the particulars of a law firm: The staff meeting, administrative hearings, appellate court argument, as well as almost all aspects of criminal and CIVIL litigation. It was an amazing program that, when it focused on the intriguing cases that came to the firm, was arguably the best show on television in the late 80s and early 90s. If I recall correctly only Hill Street Blues, The West Wing, and L.A. Law won 4 Emmys for best drama (now maybe Mad Men?). There's a reason this show ranks in the upper echelon of television dramas.

To be fair to its critics, however, I can't remember ANY program that was this good that, almost abruptly, became so bad! Although I continued to watch it until the end, it was hit-and-miss at best, and sometimes just plain terrible after the fifth season.

It's the L.A. law firm of McKenzie, Brackman, Chaney and Kuzak. In the pilot opening, divorce lawyer Arnie Becker (Corbin Bernsen) and his secretary Roxanne Melman (Susan Ruttan) find senior partner Norman Chaney dead in his office. Leland McKenzie (Richard Dysart) and Douglas Brackman, Jr. (Alan Rachins) are the other senior partners. Michael Kuzak (Harry Hamlin) is the rising star partner. They and the other various characters over the years deal with court as well as life.

Steven Bochco created one of the most popular series of the '80s. It's a legal drama about a law firm in L.A. It featured some great actors who created some iconic characters. On top of that, they had great chemistry. Their interactions is half of the fun. It made a mythical sexual position an actual thing. Now that's popularity. With such a great large cast, a few defections do happen. And that is one of the reason for this show's demise. By 1992, some of the cast starts to disappear. At that point during its initial run, I lost interest. This show relies on its characters and it lost too many of them. This award winning show had 8 seasons and a movie.

Very excited to start binging LA Law. I watched it when it aired originally back when I was around 9 and 10. I always stayed up late to watch these dramas back then because my dad would watch them and he didn't mind me staying up. I was also a big St. Elsewhere fan as well. My favorite part of this show is the conference room meetings. Often funny, well written and well acted. Reminds me of Hill Street Blues roll call segments. So far, I find myself still chuckling at the comedic scenes so I guess they hold up better than the hairstyles. I don't know if this was the heyday of television, but it is to me. The nostalgic feeling it gives me, mid to late 80s tv like this, just brings me back to a much simpler time. And I sure had a boyhood crush on Michelle Green, too.

I absolutely loved the first few seasons of this show. The original actors were a great ensemble cast and each character was believable and likable. The story lines were unique and entertaining. But after they started leaving the show, the replacement characters just were not interesting and the storylines became silly and contrived. The acting suffered. When they added the religious character that was really the death knell. Not only was it illogical that the firm would have hired her, but her acting was subpar to say the least. Season 7 was awful. Thats as far as I got. I just didn't want to waste anymore time.

L.A.Law was a standout drama from '86-'94. At the end, as many drama's have happen, it became somewhat stale and may cause many to forget the gripping storylines Bochco, Kelley etc. created. The acting was superlative from the mainstays Dysart, Rachins, Tucker, Eikenberry, Ruttan, Bernsen, Hamlin etc. As the show expanded Law brought forth additional characters played by Dey, Smits, Greene, Underwood, Donohoe, Spencer, Drake, Muldaur etc. These actors made their roles and characters as unforgettable as the originals made there's.

Probably the best thing that can be said about this show is that no one player was the focal point. No one character had to be the "lightning rod" for the show to be great. In an interview for the 100th show Richard Dysart, who played Leland McKenzie, the paternal "glue" of McKenzie, Brackman, Cheney, Kuzack, and Becker, told Jane Pauley that the actors weren't the genius of the show...the writers were. Awful high praise from an actor at a very candid moment.

Catch it in syndication on A&E each Monday thru Friday. You'll love it the second time around.