Un agente dell'FBI stravagante indaga sull'omicidio di una giovane donna nella città ancora più stravagante di Twin Peaks.Un agente dell'FBI stravagante indaga sull'omicidio di una giovane donna nella città ancora più stravagante di Twin Peaks.Un agente dell'FBI stravagante indaga sull'omicidio di una giovane donna nella città ancora più stravagante di Twin Peaks.
- Vincitore di 2 Primetime Emmy
- 17 vittorie e 45 candidature totali
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Riepilogo
Reviewers say 'Twin Peaks' is celebrated for its genre-blending narrative, combining mystery, drama, comedy, and supernatural elements. David Lynch's distinctive direction and Angelo Badalamenti's haunting soundtrack are frequently praised. The show's surreal atmosphere and eccentric characters contribute to its immersive experience. However, its unconventional pacing and narrative shifts are polarizing, with mixed reactions to the second season's divergence from the initial plot. Despite this, 'Twin Peaks' is often regarded as groundbreaking and influential in television storytelling.
Recensioni in evidenza
Angelo Badalamenti's sweet theme begins as smokestacks billow, and a robin assures the viewer of the presence of love in a little town located through the pines, just this side of sanity...or reality. Either way you choose to look at it (and the choice is yours), every episode of this groundbreaking television show grabbed the viewer in its seductive and destructive web... and wouldn't let go. "Twin Peaks" began a string of weird television shows in the early 90's, but, unlike those later shows, "Twin Peaks" would be beloved and remembered long after it was off the air. "Twin Peaks" has earned a spot next to "The Twilight Zone", "Night Gallery", and "Star Trek" in terms of pioneering television and in terms of a cult following deserving of conventions and fanzines. I believe that F.B.I. Special Agent Dale Cooper is one of the most enjoyable and inspiring characters in television history. His simple passions and quirky behavior was a welcomed sight in our living rooms every week during the shows very short run in the late 80's and early 90's. "Twin Peaks" started out on fire, gaining exposure during the pilot's multiple airings. The mystery of Laura Palmer's murderer practically invented conversations at the water cooler. However, the shows second season was scheduled to air on Saturday nights at 10:00, an advertiser's no-man's land. And, with the shows fan base out on the late weekend nights, the shows network decided to cancel it. David Lynch, the shows co-creator, directed a theatrically released film prequel to "Twin Peaks", showing all who missed the shows airings what really happened to Laura the week of her death, and, finally, her killer. As a huge fan of "Twin Peaks", I will tell you that the circle of events that occur within the story enable the viewer to relive the events over and over, each time around with more intensity than before. When you view the movie prequel, diving right back into the series becomes the natural path, allowing one to see things again for what they really are... or aren't. I highly recommend owning the entire series. Without a network messing up your viewing time, you can see the mystery unfold at your own pace. Viewing "Twin Peaks-Fire Walk With Me", along with the television pilot and the entire 29 episode series (about 33 hours all together), is the most fascinating and satisfying viewing experience that the entertainment industry has offered me so far. The music, costumes, editing, acting, and direction all received Emmy nominations, leading one to conclude that "Twin Peaks" not only satisfied the public, but the critics as well. An incredible achievement, "Twin Peaks" is my all-time favorite television show.
Possibly one of the best TV dramas ever, "Twin Peaks" managed to be a challenging and unique (not to mention intelligent) piece of television.
Daring and provocative, it shattered the boundaries of most standard soap operas/TV dramas.
Terrified of it by a child (and in particular by BOB) I have since returned to it on DVD, only to find myself just as terrified and intrigued by it as I was when I was twelve years old and crouching behind my late grandmother's couch.
A piece of groundbreaking television history... WATCH IT
Daring and provocative, it shattered the boundaries of most standard soap operas/TV dramas.
Terrified of it by a child (and in particular by BOB) I have since returned to it on DVD, only to find myself just as terrified and intrigued by it as I was when I was twelve years old and crouching behind my late grandmother's couch.
A piece of groundbreaking television history... WATCH IT
Nowadays it is commonly accepted that American television is becoming better than movies, with edgier stories and more complex characters, both in mainstream (CSI, 24, Lost) and cable shows (The Sopranos, Six Feet Under, Deadwood). Twenty years ago, on the other hand, such a thing was unthinkable, at least until Twin Peaks aired.
Created by David Lynch and Mark Frost, the series takes its name from a small American town where a grisly murder has been committed. The victim is local beauty Laura Palmer (Sheryl Lee), a girl who seemed to have a perfectly normal life, only it turns out that's not the case: she had a lot of secrets, and in one of them lies the key to finding her killer. That assignment is given to Special FBI Agent Dale Cooper (Lynch regular Kyle MacLachlan), who quickly earns the trust and friendship of Sheriff Truman (Michael Ontkean) and the rest of Twin Peaks'inhabitants thanks to his extraordinary deductive methods and fascination for the calm and peace around him. And he is going to need all the help he can get, as Laura's murder is just one of the many odd things causing trouble in the heavenly surroundings: there's Benjamin Horne (Richard Beymer) and his dangerous connection with a casino/brothel known as One-Eyed Jack's; there's his daughter Audrey (Sherilyn Fenn), whose interest in Agent Cooper might put her in a worse situation than she thinks; there's the dispute over the Packard sawmill between Catherine Martell (Piper Laurie) and Josie Packard (Joan Chen); and there are the bizarre creatures who populate Cooper's dreams, people like The Man From Another Place (a backwards-talking dwarf, played by Michael J. Anderson) or the terrifying Bob (Frank Silva), suggesting that most of the events in Twin Peaks may not have a rational explanation.
Back in 1990, a series like this had never been done before, so its success was a little unexpected (sadly, ratings dropped during the second season, leading to the show's premature cancellation). Now it can be seen as an anticipation of that great TV creation that is HBO: the dead interacting with the living (Six Feet Under), ambiguous characters and even more ambiguous relationships between them (Deadwood), a consistent balance between moving and funny, beautiful and shocking (The Sopranos), the seeds of all those elements can be found in Twin Peaks, a show that didn't hesitate when it came to playing with the format or crossing the line in terms of mature content (death, drug abuse, rape) or on-screen violence (the ending of Episode 8, where one of the villains is shown at the peak of his abilities, is still one of the most audacious scenes ever shown on mainstream television). More than any other series, it represents the seamless merger of big and small screen, a fact that is underlined by Lynch's decision to further explore the story in a feature film after the last episode had aired. Fans of the visionary filmmaker will find plenty of his recurring themes, some a direct reference to his previous works (the ugliness lying underneath the apparent perfection, as seen in Blue Velvet), others a hint of things to come (the duality of Lost Highway and Mulholland Drive, here embodied by Lee, who plays both the deceased Laura and her cousin).
As always with the Eraserhead director, the acting is exceptional: MacLachlan and Lee are the standouts, the former playing his best role to date, a cunning combination of palpable vulnerability and impeccable wit, the latter shining with a double performance that should have been the beginning of a great career (alas, apart from a minor role in John Carpenter's Vampires, she hasn't done much since). The supporting cast (Ontkean, Laurie, Lara Flynn Boyle and Ray Wise in particular) adds depth and emotion, making some episodes the most affecting ever seen on a TV screen. As for the guest stars, not all of them are well known, but every single one brings something special to the series: the most notable cameos include a then unknown Heather Graham, a pre-X-Files David Duchovny (a quite funny and ironic contrast to Fox Mulder) and Lynch himself as a half-deaf FBI Regional Chief (one of the show's best characters).
Those interested in American TV simply have to give Twin Peaks a look: it might be too weird or unsettling for some (but then again, that's always the case with Lynch's work), but it remains a landmark in contemporary television, and played a vital role in making the US small screen what it is today.
Created by David Lynch and Mark Frost, the series takes its name from a small American town where a grisly murder has been committed. The victim is local beauty Laura Palmer (Sheryl Lee), a girl who seemed to have a perfectly normal life, only it turns out that's not the case: she had a lot of secrets, and in one of them lies the key to finding her killer. That assignment is given to Special FBI Agent Dale Cooper (Lynch regular Kyle MacLachlan), who quickly earns the trust and friendship of Sheriff Truman (Michael Ontkean) and the rest of Twin Peaks'inhabitants thanks to his extraordinary deductive methods and fascination for the calm and peace around him. And he is going to need all the help he can get, as Laura's murder is just one of the many odd things causing trouble in the heavenly surroundings: there's Benjamin Horne (Richard Beymer) and his dangerous connection with a casino/brothel known as One-Eyed Jack's; there's his daughter Audrey (Sherilyn Fenn), whose interest in Agent Cooper might put her in a worse situation than she thinks; there's the dispute over the Packard sawmill between Catherine Martell (Piper Laurie) and Josie Packard (Joan Chen); and there are the bizarre creatures who populate Cooper's dreams, people like The Man From Another Place (a backwards-talking dwarf, played by Michael J. Anderson) or the terrifying Bob (Frank Silva), suggesting that most of the events in Twin Peaks may not have a rational explanation.
Back in 1990, a series like this had never been done before, so its success was a little unexpected (sadly, ratings dropped during the second season, leading to the show's premature cancellation). Now it can be seen as an anticipation of that great TV creation that is HBO: the dead interacting with the living (Six Feet Under), ambiguous characters and even more ambiguous relationships between them (Deadwood), a consistent balance between moving and funny, beautiful and shocking (The Sopranos), the seeds of all those elements can be found in Twin Peaks, a show that didn't hesitate when it came to playing with the format or crossing the line in terms of mature content (death, drug abuse, rape) or on-screen violence (the ending of Episode 8, where one of the villains is shown at the peak of his abilities, is still one of the most audacious scenes ever shown on mainstream television). More than any other series, it represents the seamless merger of big and small screen, a fact that is underlined by Lynch's decision to further explore the story in a feature film after the last episode had aired. Fans of the visionary filmmaker will find plenty of his recurring themes, some a direct reference to his previous works (the ugliness lying underneath the apparent perfection, as seen in Blue Velvet), others a hint of things to come (the duality of Lost Highway and Mulholland Drive, here embodied by Lee, who plays both the deceased Laura and her cousin).
As always with the Eraserhead director, the acting is exceptional: MacLachlan and Lee are the standouts, the former playing his best role to date, a cunning combination of palpable vulnerability and impeccable wit, the latter shining with a double performance that should have been the beginning of a great career (alas, apart from a minor role in John Carpenter's Vampires, she hasn't done much since). The supporting cast (Ontkean, Laurie, Lara Flynn Boyle and Ray Wise in particular) adds depth and emotion, making some episodes the most affecting ever seen on a TV screen. As for the guest stars, not all of them are well known, but every single one brings something special to the series: the most notable cameos include a then unknown Heather Graham, a pre-X-Files David Duchovny (a quite funny and ironic contrast to Fox Mulder) and Lynch himself as a half-deaf FBI Regional Chief (one of the show's best characters).
Those interested in American TV simply have to give Twin Peaks a look: it might be too weird or unsettling for some (but then again, that's always the case with Lynch's work), but it remains a landmark in contemporary television, and played a vital role in making the US small screen what it is today.
Just caught up and watched this for the first time. Damn... this is a straight up masterpiece of television!
The opening credits and music grabbed me right away. That sad, cool, reflective music. The log being cut in the mill. The bird.
This is a show that you know, as you are watching it, that it is special and destined to become a classic. What a wonderful memory. One of my favorite moments in the first episode is Andy crying, and later telling the girl not to tell the sheriff. It really brought humanity to Laura's death.
Can't wait to one day own the whole series on DVD, and one summer night, start watching the episodes one by one.
Another amazing aspect of the opening episode is the many types of characters and settings involved, just within the town of Twin Peaks. The school, the lodge, the sheriff office, the lake, the railroad tracks. It was almost as if several shows and genres were evident in one episode. Something for everyone. But it still tied together so amazingly.
This is a show that you know, as you are watching it, that it is special and destined to become a classic. What a wonderful memory. One of my favorite moments in the first episode is Andy crying, and later telling the girl not to tell the sheriff. It really brought humanity to Laura's death.
Can't wait to one day own the whole series on DVD, and one summer night, start watching the episodes one by one.
Another amazing aspect of the opening episode is the many types of characters and settings involved, just within the town of Twin Peaks. The school, the lodge, the sheriff office, the lake, the railroad tracks. It was almost as if several shows and genres were evident in one episode. Something for everyone. But it still tied together so amazingly.
Lo sapevi?
- QuizThe population of Twin Peaks was originally only supposed to be 5,120. However, there was a backlash against rural-themed shows at the time, as networks were fearful that the burgeoning urban and suburban population of America would not be able to sympathize with shows set in small farming or industrial towns, so ABC requested that the sign read 51,201. In a "Visitor's Guide to Twin Peaks" tie-in book authorized by creators David Lynch and Mark Frost, a note tells readers that the population was indeed 5,120, but that the sign had a "typo."
- Citazioni
Dale Cooper: Harry, I'm going to let you in on a little secret. Every day, once a day, give yourself a present. Don't plan it. Don't wait for it. Just let it happen. It could be a new shirt at the men's store, a catnap in your office chair, or two cups of good, hot black coffee.
- Curiosità sui creditiThere are some episodes that don't end with the usual Homecoming Queen photo of Laura Palmer and "Laura Palmer's Theme" in the credits: Episode 2 credits feature the Little Man from Another Place seen from above and dancing. Episode 8 features Gersten Hayward (Alicia Witt) playing the piano. Episode 14 shows Agent Cooper, the red curtains and the song "The World Spins" by Julee Cruise. Episode 18 features Ben Horne's old home movies seen in this same episode. Episode 29 features the coffee cup given to Cooper in the Red Room and Laura's face on it.
- Versioni alternativeRecent home media releases have removed the SPELLING logo from in-between the end credits and the Lynch/Frost Productions logo. This has caused the distinctive fall into the low-motif portion of the end credit theme ('Laura Palmer's Theme') during Season 1 to be lost, albeit it is partly retained in Season 2 due to the end credits being slightly extended and the low-motif portion beginning just as the credits section ends, rather than after.
- ConnessioniEdited into What Happened to Her (2016)
- Colonne sonoreTwin Peaks Theme
Written by Angelo Badalamenti
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- Twin Peaks
- Luoghi delle riprese
- Salish Lodge & Spa - 6501 Railroad Ave North, Snoqualmie, Washington, Stati Uniti(Great Northern Hotel)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione50 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.33 : 1
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