VALUTAZIONE IMDb
7,3/10
2934
LA TUA VALUTAZIONE
Attraverso una musica favolosa, ripercorre tre generazioni di musicisti e ballerini provenienti da Russia, Germania, Francia e Stati Uniti, da prima della Seconda Guerra Mondiale, attraverso... Leggi tuttoAttraverso una musica favolosa, ripercorre tre generazioni di musicisti e ballerini provenienti da Russia, Germania, Francia e Stati Uniti, da prima della Seconda Guerra Mondiale, attraverso la guerra e l'Olocausto, fino agli anni Ottanta.Attraverso una musica favolosa, ripercorre tre generazioni di musicisti e ballerini provenienti da Russia, Germania, Francia e Stati Uniti, da prima della Seconda Guerra Mondiale, attraverso la guerra e l'Olocausto, fino agli anni Ottanta.
- Premi
- 1 vittoria e 6 candidature totali
Recensioni in evidenza
Just viewed this movie on a DVD from Netflix. This movie is what a motion picture can be in the hands of an intelligent and talented director.
The photography was wonderful, the use of color was spectacular, the sound was excellent, and the music and performances were top notch. I especially liked the full symphony orchestra segments and the American big band segments. The Folies-type musical numbers were also done with flair, and Geraldine Chaplin proved herself to be a classy cabaret singer (assuming her voice wasn't dubbed). Michel Legrand I believe was responsible for the music, which was first rate throughout.
All production values were of the highest order.
The final dance sequence, which lasted far longer than anything Hollywood would permit, was phenomenal; the late Jorge Donn was not Nureyev, but spectacular all the same. The robustness and uncompromisingly balletic style of the finale put the ballet sequences in a couple of American movies--American In Paris and Carousel-- in the shade.
Released in the U.S. as Bolero, apparently. Without car chases, explosions, etc., I doubt if it did very well at the box office over here.
The photography was wonderful, the use of color was spectacular, the sound was excellent, and the music and performances were top notch. I especially liked the full symphony orchestra segments and the American big band segments. The Folies-type musical numbers were also done with flair, and Geraldine Chaplin proved herself to be a classy cabaret singer (assuming her voice wasn't dubbed). Michel Legrand I believe was responsible for the music, which was first rate throughout.
All production values were of the highest order.
The final dance sequence, which lasted far longer than anything Hollywood would permit, was phenomenal; the late Jorge Donn was not Nureyev, but spectacular all the same. The robustness and uncompromisingly balletic style of the finale put the ballet sequences in a couple of American movies--American In Paris and Carousel-- in the shade.
Released in the U.S. as Bolero, apparently. Without car chases, explosions, etc., I doubt if it did very well at the box office over here.
I happened to be in Paris when this film was released. I was able to see it three times in 2 weeks at a theater who did English Subtitles. What an incredible movie. Unfortunately, it was released within months of Blake Edwards "10" which also used "Bolero" as it's main theme and that movie went over big time in the US, so distributors had a problem getting this film out. I wish they would re-release it. The thing I enjoy the most about it is the director's multiple uses of the actors. Many play their characters children and grandchildren. It is also an incredible look at a time when the world was trying to blow each other up and it shows that people everywhere just want the same things. A brilliant film.
10ericibe
I may not remember everything, but this film has been on my mind since I saw it 23 years ago. I was in high school in a small town in Iowa. One of our band directors had a large collection of film on tape and laser disc. He would have movie parties for kids he taught. I showed an interest in film and he would screen some films I would have otherwise never have seen. I remember watching Bolero. (I do not think I knew it was known by any other name) I was in absolute awe of this film. The music, the story, the pacing - everything you couldn't get from popular American films.
I have avoided seeing it again in the intervening time because I did not want my more grown up sensibilities to have a different opinion of the film. After reading some of the comments here I can feel safe to view it again.
I have avoided seeing it again in the intervening time because I did not want my more grown up sensibilities to have a different opinion of the film. After reading some of the comments here I can feel safe to view it again.
10tj-moore
I am a professional musician. This film, in VHS, was presented to me by friends after my comments on the music I listened to on a cassette tape. I do not know how they did it as we were living in Southern Mexico at the time. I thank them profusely. All the music and, that dance at the end, is just simply outstanding. I do not know how any music lover could ever lessen a 10+ rating. I hope to find it on DVD someday. My two VHS tapes are good but what a blast it would be on DVD. The cast includes some great actors who seem to actually perform their musical parts. I get emotional with the story line, particularly the return of James Cahn to his Sarah. I recommend this to all.
I saw this film when it first came out in Paris. It was a great experience! An epic sweep, not unlike *Gone With the Wind* or *Children of Paradise*. But the American release, titled *Bolero*, had about 20-30 minutes cut from it and it was a disjointed mess. Small wonder it bombed here. The video release is of the American version. If at all possible, try to see the original, 3 hour release.
Lo sapevi?
- QuizFrancis Lai: The composer appears as the blind accordion player.
- Blooper(at around 1h 21 mins) The soldiers are playing cards on the train and the game they are playing changes between shots.
- Curiosità sui creditiThe grand majority of the opening credits are spoken by the narrator. The narrator stops after crediting the choreographer. Only the film's production company, title and the name Claude Lelouch appear in writing before the Bolero dance at the opening (when the writing is onscreen, the orchestra is warming up). Also, a quote by Willa Cather appears at the very beginning.
- Versioni alternativePresented on French television in a 6 hours version quite clearer then the shortened American release. Richard Bohringer and Fanny Ardant's characters, for example, are better developed.
- ConnessioniEdited into Les uns et les autres (1981)
- Colonne sonoreFolies Bergère
Music by Francis Lai
Lyrics by Boris Bergman
Performed by Catherine Russell and Ginette Garcin
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Bolero: Dance of Life
- Luoghi delle riprese
- Garancières, Yvelines, Francia(Railway crossing and station scene)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione3 ore 4 minuti
- Colore
- Proporzioni
- 2.35 : 1
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