Halloween III - Il signore della notte

I've read almost all of the reviews here and honestly, I cannot argue with many of the negative points that are raised here. The movie DOES use the "Halloween" name while having only one tiny thread of connection to the Michael Myers movies that came before it and would come later (and that thread, involving a lab technician, can be charitably described as really lame). It is boring in stretches, the idea of Tom Atkins hooking up with Stacey Nelkin is pretty ridiculous, and the plot makes no sense if you think about it for more than 5 seconds.

But I don't hate this film. Why? That's very simple. The first rule of a horror film is to scare the viewer and HALLOWEEN III has scared the hell out of me every time I've seen it! It's hard to pinpoint why, exactly, but the atmosphere of the movie is a huge factor. This film is jammed with ominous synthesized music (very 80's touch), cold and sharp-looking camera work, and a feeling of overwhelming dread and fear. It's very hard to establish atmosphere in any movie or TV show; I was talking about this movie with my brother--who said that he didn't think it was scary at all--and I compared it to THE X-FILES. Both that show and this movie were able to quickly drag me into their bizarre and frightening worlds.

I don't think I could flat-out recommend a movie with this many huge problems, but I'd say it might scare the viewer, and that's not so bad considering how many abysmal horror movies do nothing else right and cannot get that deceptively simple task completed, either.

Film-makers can't seem to be able to do anything right. Instead of churning out the same old tired sequels, which they get criticised for, they have tried to be creative here and get abused for that.

Most comments I have read have said that this is a bad film because it doesn't include the old 'favourites', but then they call the rest of the series for being very similar to each other.

I will concede that this film, with the exception of the first ten minutes, is NOT scary; but it's still an ok film. It's different than any other film I can recall seeing, and does have a few surprises and a good ending.

I would say that if you were going to watch with an open mind you may well enjoy this

Let me begin by saying that I hated this film as a kid. After viewing it the other day on a whim however, I was surprised at how much better I liked it now. The story centers around an evil mask-maker planning to use ancient technology to murder millions of children on Halloween night by selling them masks with a nasty little secret inside. I found the story very interesting, though plenty of plot holes ultimately keep this film from being all it could have been.

The biggest obstacle in this film's way is the fact that it has nothing at all to do with the other "Halloween" films made either before or after it. That's certainly no reason not to give it a chance, though. Perhaps it should have been called only "Season of the Witch" or something so as not to anger the purists out there who demand the presence of Michael Myers in anything with the word "Halloween" in the title. That said, let's take a look at the good and not-so-good elements of this film, shall we?

Like the previous entries in the series, this film has some creepy and effective music. It is also buffered by some evil synthesizer sounds at every turn. The little jingle set to "London Bridge" is annoying, and I'm sure it was supposed to be.

There are some interesting deaths, to say the least. Early on, we see a robotic henchman pull apart a victim's skull, then blow himself up in a car. One hapless woman gets an energy beam projected through her face, leaving her mouth much larger than normal. (a bug then crawls out of her head, foreshadowing later events) Another man gets his head ripped completely off for threatening to torch the bad guy's factory. Later on, a family is murdered in a test demonstration of what happens when someone wearing one of these masks watches a certain commercial on TV. Bugs and poisonous snakes form inside the mask and attack anyone in the room. It seems the masks have some tiny pieces from one of the blocks from Stonehenge implanted in the factory seal. Something about the commercial triggers the effect within the mask. And just how does this happen, you ask? "A good magician never explains," the mask-maker points out in one scene. Sigh.

Some gigantic holes are present as the story unfolds. Tom Atkins, who plays our hero, has a useless love affair with the daughter of an early victim. If these two are so intent on solving a deadly mystery about the death of her father, and bad guys are all around, would they really stop to have sex? He is also much older than this woman. I guess since Atkins plays a doctor, the young woman finds that sexy. Maybe I'd better go to medical school if I want to score with hot young women when I'm his age.

Another problem concerns the time that these masks are supposed to go off. We are told by the mask maker that when the commercial airs at 9:00 pm on Halloween night, all the masks will react and kill the children. However, if it's 9:00 in California (where this takes place) it would be 11:00 where I live or midnight on the east coast. Children would mostly be in bed by then! Few parents would allow their kids up that late to watch any "big give-a-way". The plan is to wipe out kids all over the country, but it looks like only kids on the west coast would be up when the commercial airs. If there was an explanation about how this problem would be overcome, I missed it. I guess once again, "A good magician never explains."

And just how in the hell did this guy steal a piece of Stonehenge, anyway? He admits it was difficult, but again offers no explanation of how it was done!

And how many freaking times did the female robot attack Atkins at the end? I lost count.

Well, it's not a total loss. It was a neat idea for a film, but they shouldn't have glossed over so many things.

I'll give it 5 of 10 stars.

Happy Happy Halloween Halloween Halloween Happy Happy Halloween Silver Shamrock!

STOP IT!!!! STOP IT!!!! STOP IT!!!!!!!!!!!!!!!!!!!!!!!!!

So sayeth the Hound.

Let's get some things straight...

The only real reason people seem to hate this film is because Michael Myers was absent.

For those who don't know, John Carpenter and crew decided since Michael Myers was dead at the end of HalloweeN II, there was no reason to continue on with his story. The decision was to go ahead with the series making each new installment a different story revolving around the Halloween season. Personally, I think this was a wise decision. But after everyone saw it they were screaming 'That wasn't a Halloween movie! Where was Michael?'. Obviously the majority of the audience would rather more Michael Myers rampages than creepy stories set around Halloween time.

Oh well, this movie gives a taste of where the series could have and should have went, before the disappointing HalloweeN 4.

Overall, the acting is top notch. Tom Atkins is a great actor. The soundtrack is one of my favorite John Carpenter scores ever. It has themes, but it's more about synthesized mood and pulsating rhythms. The cinematography by the great Dean Cundey is fabulous. And the entire feel of the film is very unsettling. The film literally freaks me out.

I recommend all of you that diss the film, to check it out once more. Keep an open mind. If this hadn't been a part of the HalloweeN series you would probably like it.

As for myself, I'm glad that this carries the HalloweeN title. Th rest of the films didn't pick up until HalloweeN H2O which is a very worthy entry.

'Season Of The Witch' is the swiftly-ignored footnote in the 'Halloween' franchise - quickly forgotten evidence that 'Halloween' was meant to be more 'Creepshow' than 'Friday The 13th' in style. In retrospect, bringing back Michael Myers for 'Halloween II' was a possible mistake if the intention was for 'Halloween' to become an anthology series with a different tale in each installment. The sequel's success only cemented expectations in the viewer's minds that homicide in Haddonfield by a mask-covered psychopath was what they would see unfold each time on screen. And so by 1983, audiences clearly weren't prepared for 'Season Of The Witch' and made this fact abundantly clear at the box office, which is a great shame, because deeply-flawed as it is, 'Halloween III' is a lot of fun and does not deserve to be overlooked the way it often is.

The storyline, centred around a toy factory manufacturing murderous masks designed to bring nationwide doom at 9pm on October 31st, is built up very intriguingly. We have a 'Simon Van Gelder'-like madman trying to warn the world of the impending slaughter, chillingly-ruthless killers in business suits silencing anyone who tries to get the word out, and strikingly memorable death scenes - one of which might be described as 'facial origami', and that's only the first 15 minutes. Soon, our story's heroes are embroiled in the factory's strange machinations, where nothing and no-one is exactly what they seem. The script builds up a tense atmosphere, leading to a truly compelling end that will keep viewers guessing long after.

Yet 'Season Of The Witch' (a title not to be taken too literally) comes across as an intriguing second draft - full of good ideas, but lacking the kind of logic and key exposition that would have really brought the audience on board. Writer Tommy Lee Wallace's America, for example, seems to occupy one single time zone, in which it's possible to have the nation's children watching their televisions at the appointed hour. Likewise, we are expected to believe that the illegal appropriation of one of the world's largest and heaviest artificial landmarks - a key plot point at the climax - seems to be no more difficult than stealing a mattress from a bedding store and spiriting it away on a car's roof. Dr Challis, the lead character, is an obvious graduate of 'Action Hero Medical College', stitching up wounds one day and tackling the undead like Indiana Jones the next. The film's other two leads are also something of a puzzle, with their identities and ultimate fate never being satisfactorily explored. All of which leaves 'Halloween III' as a series of entertaining sequences that anyone attempting the most basic of critical analysis will be punished instantly with crushing bafflement. The lack of audience enthusiasm cannot be solely attributed to the absence of Michael Myers (who ironically, does enjoy a few seconds of screen time).

Nonetheless, it would have been interesting if 'Halloween' had become an anthology series of horror, and with 'Halloween III' not short on ideas, it's only a shame more care and attention wasn't put into the effort. All involved clearly failed to understand what they had set in motion with the first two outings, unable to see that any change in direction for the franchise would have to be very well-executed to win the fans over. However, it wasn't and Michael Myers would go on to make a respectable return five years later. For what it offers, I think 'Season Of The Witch' is definitely worth a look - arguably more creative than most of the 'Halloween' sequels, but seriously lacking polish.