Le pornoinfermiere della clinica del sesso

I was originally not planning to say much about this movie, pro or con, except to tell you what my only reason was for wanting to see it -- which I'll come back to later. My thinking was that it wouldn't be fair to pick on this movie for being merely a sophomoric sex comedy when it was never meant to be anything more. But there WAS an attempt to make it something more -- which succeeded only in making it something less. NURSES attempts to surgically graft two serious dramas onto the sex comedy, and IMHO, the graft didn't take. The end result doesn't even begin to qualify as serious drama, but has probably frustrated many folks who were looking for a sex comedy.

To be fair, I should mention that the DVD edition includes an interview with Roger Corman, who produced the movie, in which he says NURSES was an experiment, and admits it might not have the same appeal as a movie that stuck strictly to formula. So if it was meant to be an experiment, I still shouldn't pick on it, but I have to say the experiment was a failure.

Now, to get back to my reason for watching this movie, it seems there's a connection between NURSES and the controversial rape and revenge movie I SPIT ON YOUR GRAVE (a.k.a. DAY OF THE WOMAN). That connection is actor Eron Tabor, who played one of the four rapists (Johnny, the service station worker) from GRAVE, and co-wrote the rock music for NURSES. (My source is the feature-length commentary on the Millennium Edition DVD of GRAVE.) Unfortunately, there's no way to tell how much of the music was written by Tabor, because the opening credits attribute the music simply to `Thompson & Tabor.' There are a few vocal numbers, and I'm wondering if it could be Mr. Tabor singing.

This is the kind of thing that passed for a skin flick in the '70's. They do a lot better job these days. The title is a lot more titillating than the film itself. Candice Rialson and Robin Mattson, both veterans of this type of mild fare, star in this forgettable entry in a series of "Nurse" movies that Roger Corman put out, which doesn't even have a lot of funny '70's fashions and hairstyles to laugh at. Only for those serious students of the history of drive-in movies.

A sex-comedy following the exploits of three volunteer nurses, or 'candy stripers'.

Marisa, who has been ordered to do volunteer work as a punishment for assaulting her teacher, falls for a young man who has been accused of knocking over a gas station, and does some investigating to try and clear his name.

Sandy, on the other hand, has taken the job in order to be with her doctor boyfriend, but also takes up with a few of her handsomer patients as well before transferring to a sex clinic.

Dianne, meanwhile, falls for a basketball player, whom she tries to talk into giving up drugs for good.

I actually expected this to be more of a sexploitation flick. It was comic in nature ( I imagined it would be that) but many parts were like a straight drama. You had 3 stories going on at once---switching from one to the other---involving dramas that were happening to 3 of the nurses (high school age girls). One out of the three was somewhat interesting. There were action things in the film, but despite this the film moved slow and felt long. There was the required nudity but it wasn't a big deal. The comedy was corny. Yet overall there was entertainment value. If somebody asked me, "Would you rather have watched this title or not watched it," I would reply in the negative.

Roger Cormans' wife Julie produced this final entry in his "Nurses" sex comedy series. It's actually got a decent enough, easy to follow story (by director Alan Holleb), and even though it might not be trashy enough for some people, it serves up the expected sex and nudity in adequate fashion. Certainly Holleb does a commendable job at following the established formula.

Once again, the magic number of nurses whom we follow is three. Candice Rialson is Sandy, who is intrigued when an insufferable rock star (Kendrew Lascelles) is brought to the hospitals' sex clinic for some sort of dysfunction. Robin Mattson, sporting an appealing pixie cut, is Dianne, who is turned on by a jock (Rod Haase). And Maria Rojo is Marisa, a trouble making girl who's given a volunteer job as a candy stripe nurse to keep her occupied. Marisa is moved by a young man who is implicated in a service station robbery, and determines to clear him.

Overall, not as memorable as earlier entries in the series, which had more developed social commentaries, but it's very easy to take, very sexy, (with an attractive female cast showing off the goods to great effect), and well paced, with Holleb cramming a fair amount of action and exposition into the final act.

Rialson, Mattson, and Rojo are sufficiently appealing, and ably supported by a cast including some old pros (Bill Erwin, Don Keefer, and the great Dick Miller, who once again works his magic as a basketball spectator) and an up and comer (Sally Kirkland makes an appearance as a wife in a clinic).

An entertaining romp, with bouncy music by Eron Tabor (the head rapist in the rape-revenge classic "Day of the Woman") & Ron Thompson, and slick photography by Colin Campbell.

Seven out of 10.