Con tanti cari... cadaveri detective Stone

His significant charisma and commanding presence are about all that keep this afloat, but Fred Williamson has done far better urban action films including many of his later, vid-released fare. The big studios' Williamson films of the early-to-mid 70's rarely had the punch of their mid-level counterparts, and this is a prime example. Clumsy action, little violence, and the PG rating is nowhere near questionable. Worth a look for Hammer completists in any case.

So it's now years after previously watching the other movie director Jack Arnold and star Fred Williamson did together which was Boss N!gger which they actually made after this one. That one I found a lot of fun. This one is also pretty exciting but it may disappoint anyone who expect some nudity or really intense action for a '70s Blaxploitation picture. Fred is a private detective who gets mixed up in a porno ring and religious cult because of some cane from a late movie star. All I'll mention now is that I mostly enjoyed this one especially when Williamson encounters such familiar faces like Richard "Oscar Goldman" Anderson, Teresa "Laugh-In" Graves before then starring in "Get Christie Love", and Teddy "Sweet Daddy" Wilson which he would play on "Good Times" a little later in the decade. So that's a recommendation for Black Eye.

Fred Williamson ('Black Caesar', 'Vigilante', 'From Dusk Til Dawn') was one of the coolest and most charismatic blaxploitation stars of the 1970s, but 'Black Eye' is by no means one of his best movies. Williamson himself is pretty good as always, but the pedestrian script and lacklustre direction (by Jack Arnold, who later worked with Williamson on the lame Western comedy 'Boss N*igger') don't do him any favours. Arnold directed 1950s classic 'Creature From The Black Lagoon' and 'The Incredible Shrinking Man', but had been mainly working in TV, and I think it really shows. 'Black Eye' feels like a TV pilot. It's like blaxploitation-lite. Williamson plays an ex-cop investigating the murder of a call girl and the theft of a walking stick she had stolen from a recently deceased Hollywood movie star. The trail leads him to a drug ring, porno movies and a religious cult, which sounds very Dashiell Hammett and interesting, but it isn't. It's very dull and never picks up steam. The supporting cast includes two actors familiar to 70s TV viewers, Richard Anderson ('The Six Million Dollar Man's Oscar Goldman), and the foxy Teresa Graves ('Get Christie Love'). Graves had previously co-starred with Fred Williamson in 'That Man Bolt', which may not be my favourite Williamson vehicle, but it was a damn site more entertaining than this! I say give 'Black Eye' a miss unless you're an obsessive fan of "The Hammer". If you haven't seen it, you really aren't missing much. Newcomers to Williamson are advised to go directly to Larry Cohen's brilliant 'Black Caesar' which features a dynamite Williamson performance, and a super cool score from The Godfather Of Soul James Brown.

I've read a lot about how Fred Williamson was one of the primary blaxploitation stars back in the '70s. His sideburns give him an extra cool look. He also appeared in "The Inglorious Bastards" (whose title Quentin Tarantino famously borrowed) and "From Dusk Til Dawn". "Black Eye" doesn't really come across as a blaxploitation flick. It's got some of the things generally associated with the genre, but it's too low-key to authentically belong in the same category as "Shaft" and "Superfly". Maybe it's just in the wrong hands: director Jack Arnold notably directed movies like "The Incredible Shrinking Man". It's not a bad movie but I don't think it correct to call it blaxploitation.

(1974) Black Eye THRILLER

The first of two movies Fred Williamson made with director and producer Jack Arnold, adapted from the novel "Murder on the Wild Side" by Jeff Jacks, he stars as ex-cop turned private eye, Shep Stone employed by Mr. Dole (Richard Anderson) to look for his daughter, Amy (Susan Arnold). And by the time he tracks her down, it turns out she may be part of a cult ring that involves drugs and prostitution. And like the movie "The Maltese Falcon" he also finds out several people are interested in an unique walking cane that used to belong to silent movie star. This is the African American equivalent of a Philip Marlowe movie.