Il principio del domino: la vita in gioco

Run-of-the-mill crime thriller resulting in a muddle , so-so flick in which lunkhead Gene Hackman is coerced in recruitment by a mysterious organization bent on politican assasin . Stars a Vietnam War veteran , named Tucker (Gene Hackman) , he is a doltish , chronic underachiever , and a real loser who's imprisoned for murder , along with his colleague Spiventa (Mickey Rooney) . The only thing Tucker to be aware of the Vietnam war was his skill with a rifle . But one day an elegant person (Richard Widmark) visits him in prison, a man he has never seen earlier , and informs him that he can walk out of prison as a free man if he will carry out a perilous assignment , no questions asked about this risked mission . As he is offered his freedom if he accepts to undertake a sinister , risked contract for a shady organization. Trust no one. No one.

An average , predictable thriller stars Gene Hackman as a tough convict sprung from the joint by a government organization to do some dirty work , working as a political assassination , including noisy action , double-crosses , romance and violence , but never have so many been wasted on so little . It is cloaked in mystery , though hardened thriller enthusiasts should have have little trouble in guessing pretty well what's going on. Even the always excellent Gene Hackman as a Viet vet can't do anything playing a confused convict busted out of prison with the intent to kill somebody . Along with Gene Hackman as an inmate Vietnam war appears the attractive Candice Bergen as a lower-middle-class housewife , but both of whom fail to convince on their respective roles . They are accompanied by a distinguished cast , these are following ones : Richard Widmark who contributes the best portrayal as a mysterious contractor , Edward Albert as a violent agent , Eli Wallach as a suspicious General and Michael Rooney offers his customarily pugnacious acting . And brief appearances from Neva Patterson , Majel Barrett, Ken Swofford, Joseph Perry and Jay Novello.

It contains an atmospheric and evocative cinematogaphy by two great cameramen : Fred J. Koenekamp and Ernest Laszlo . As well as thrilling and moving musical score by composer Billy Goldenberg . The motion picture was heavily-handed and regularly directed by Stanley Kramer and lack of intrigue and suspense make it less than it should be . Prestigious producer/director Stanley Kramer was consequently tagged as a "message film maker" and "Hollywood's Conscience" . Among his most popular films are : The pride and the Passion¨, ¨On the beach¨, ¨¨ Judgment at Nuremberg¨, ¨Ship of fools¨, ¨World is mad , mad ,mad¨ . And , of course , being ¨Guess Who's Coming to Dinner¨ his biggest hit ; however , ¨Oklahoma crude¨ and ¨The Domino Principle¨resulted to be flops at box office . The Domino Principle (1977)rating : 5/10 , very average and frustrating movie ; only for Gene Hackman's hardcore fans.

This is one of those films which stars a great movie actor, Gene Hackman. The premise is from the Adam Kennedy novel called " The Domino Princiiple. " Roy Tucker, (Gene Hackman) a Viet-Nam veteran who is serving time in prison for murder is visited by a strange, and apparently powerful man Richard Widmark) who offers to get him released if he will use his special abilities. Having nothing to lose, Tucker agrees, with a single condition, to have his wife Ellie (Candice Bergen) released as well. The organization grants his request and promises much more. After a few weeks, Tucker is given the secret assignment and he quickly realizes the job has no future for him or his wife. However, he also knows to fight the organization will not be easy. If you have already seen the earlier version called 'The Paralax View' you'll realize this is a less convincing version. Despite the fact, top notch director, Standly Kramer, Mickey Rooney, Edward Albert, Jay Novello and Eli Wallach, were all involved in this project, it fails to match the earlier movie with Warren Beatty. Still, with Hackman doing his best, it remains interesting. ***

I actually did enjoy this movie and the premise, Richard Widmark and Eli Wallach were very good. The main problem with this movie is Gene Hackmans character and performance. Don't get me wrong. Gene Hackman is a terrific actor but even he said his performance was not good, to me he seemed bored. But the main issue was his character kept making choices that just made me facepalm and that were so obviously bad which is pretty bad writing. Which was pretty aggravating because all in all it was a very decent film to pass the time, not spectacular but passable. Mickey Rooney also did a terrific job in this film I loved his role. Decent film as long as you go into it knowing it's flawed.

Kramer, first as a producer and then a director, had been at the forefront in dealing with important social themes in Hollywood (THE DEFIANT ONES [1958], ON THE BEACH [1959], INHERIT THE WIND [1960] and JUDGMENT AT NUREMBERG [1961] were his best films); by the late 60s, however, his particular brand of investigative style went out-of-date. In its place – largely in the wake of the Kennedy and Martin Luther King assassinations – the Kafkaesque political thriller became fashionable; unsurprisingly, Kramer decided to try his hand at this as well – but the end result proved middling at best.

He certainly had his heart in the right place by choosing Gene Hackman, one of the finest actors of his generation, for the lead role – having already appeared in such superb pieces of alienation and paranoia as Francis Ford Coppola's THE CONVERSATION (1974) and Arthur Penn's NGHT MOVES (1975). His supporting cast looks impressive enough on paper, but they're given little to do: Candice Bergen (who's supposedly decorous here but is saddled with a highly unbecoming wig!), Richard Widmark (appropriately craggy in the role of a leading member of the secret organization), Mickey Rooney (amusingly cantankerous as Hackman's prison pal), Edward Albert (playing Widmark's young, ambitious and confrontational sidekick, thus making an interesting foil for the world-weary Hackman) and, in perhaps the least rewarding part of the lot, Eli Wallach (as Hackman's 'job' co-ordinator).

The film looks good but is bogged down by a rather icky central romance and the deliberate obliqueness of its narrative (starting with the hokey credit sequence). The effectively ironic revelation, then, is unfortunately followed by a number of other less convincing (not to say unwarranted) plot twists in quick succession – the last of which even rips off GET CARTER (1971)!

"The Domino Principle" has all but been forgotten today. Seeing it, it becomes clear why it hasn't become a cult movie to any degree. I will admit that it's not a terrible movie; in fact, it has some positive attributes. Gene Hackman is, as usual, solid. And Candice Bergen, who has been criticized many times for her bad performances in this time of her life, actually gives a decent performance. The movie also starts off fairly well, with quite a bit of mystery that slowly unpeels. But the movie ultimately unfolds TOO slowly. It takes forever for Hackman to get out of prison, and takes much longer for Hackman to understand what the mysterious organization wants from him. And we never really learn who the target is, and why he is targeted! I never would have guessed a famous filmmaker like Stanley Kramer was behind this movie, not just for its unusually slow pace but also for the fact that aside from some bad language and some violence, the movie feels exactly like a made-for-TV effort.