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Lou Grant

  • Serie TV
  • 1977–1982
  • TV-PG
  • 1h
VALUTAZIONE IMDb
7,3/10
2592
LA TUA VALUTAZIONE
Lou Grant (1977)
The trials of a former television station manager, turned newspaper city editor, and his journalist staff.
Riproduci trailer0: 26
1 video
99+ foto
CrimeDrama

I processi a un ex direttore di un'emittente televisiva, diventato direttore di un quotidiano cittadino, e al suo staff giornalistico.I processi a un ex direttore di un'emittente televisiva, diventato direttore di un quotidiano cittadino, e al suo staff giornalistico.I processi a un ex direttore di un'emittente televisiva, diventato direttore di un quotidiano cittadino, e al suo staff giornalistico.

  • Creazione
    • James L. Brooks
    • Allan Burns
    • Gene Reynolds
  • Star
    • Edward Asner
    • Robert Walden
    • Mason Adams
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,3/10
    2592
    LA TUA VALUTAZIONE
    • Creazione
      • James L. Brooks
      • Allan Burns
      • Gene Reynolds
    • Star
      • Edward Asner
      • Robert Walden
      • Mason Adams
    • 17Recensioni degli utenti
    • 2Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
    • Vincitore di 13 Primetime Emmy
      • 28 vittorie e 73 candidature totali

    Episodi114

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    Video1

    Teaser Trailer
    Trailer 0:26
    Teaser Trailer

    Foto103

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    + 96
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    Interpreti principali99+

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    Edward Asner
    Edward Asner
    • Lou Grant
    • 1977–1982
    Robert Walden
    Robert Walden
    • Joe Rossi
    • 1977–1982
    Mason Adams
    Mason Adams
    • Charlie Hume
    • 1977–1982
    Jack Bannon
    Jack Bannon
    • Art Donovan
    • 1977–1982
    Daryl Anderson
    Daryl Anderson
    • Dennis "Animal" Price…
    • 1977–1982
    Nancy Marchand
    Nancy Marchand
    • Mrs. Pynchon
    • 1977–1982
    Linda Kelsey
    Linda Kelsey
    • Billie Newman
    • 1977–1982
    Allen Williams
    Allen Williams
    • Adam Wilson…
    • 1977–1982
    Michael Irving
    • Jayson
    • 1977–1981
    Laurence Haddon
    Laurence Haddon
    • Foreign Editor…
    • 1977–1981
    Emilio Delgado
    Emilio Delgado
    • Rubin Castillo…
    • 1979–1982
    Barbara Jane Edelman
    • Linda…
    • 1978–1982
    Sidney Clute
    Sidney Clute
    • National Editor…
    • 1978–1981
    Ivan Bonar
    Ivan Bonar
    • Foreign Editor…
    • 1977–1982
    Charles Bracy
    • Leon…
    • 1977–1982
    Robert Rothwell
    Robert Rothwell
    • Cop #2…
    • 1977–1982
    Peggy McCay
    Peggy McCay
    • Marian Hume
    • 1978–1982
    Ray Oliver
    • Wayne Burroughs…
    • 1977–1981
    • Creazione
      • James L. Brooks
      • Allan Burns
      • Gene Reynolds
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti17

    7,32.5K
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    Recensioni in evidenza

    macpherr

    Excellent television series! Good shows like Lou Grant are not readily available.

    James L. Brooks (As Good as it Gets, Terms of Endearment) was one of the producers and acted as executive producer of the fabulous series. Edward Asner (Mary Tyler Moore Show, Down on the Waterfront) played Lou Grant in a spin off of the Mary Tyler Moore Show. The editor of the L.A. Tribune. Nancy Marchand (Dear God ) Margaret Pynchon was the big boss and owner of the newspaper. She would show up occasionally with her good advice, a walking cane, and wearing a very expensive suit. Although she was the head, she was very nice. Mason Adams (From the Earth to the Moon) was Charlie Hume, Managing Editor. Robert Walden (All the President's Men) Joe Rossi, was a reporter. Linda Kelsey (The Midnight Man) played Billie Newman McCovey who was a very smart reporter. The most interesting thing about this show was the serious journalism they engaged in providing for the audience. The issues raised on the show were very current. It raised some controversy which might have affected the future existence of the show. It was an outstanding series. It was nice to see Lou Grant more mature in his carrier as a journalist. The series was nominated for and won the most prestigious awards in the U.S. such as: Emmy, Golden Globe, American Cinema Editors, USA, Directors Guild of America, USA, Human Family Educational & Cultural Institute, USA, Won Humanitas. The series was done by very intelligent people and demonstrated that television can be good when the people doing the show are bright. Unfortunately this is not always the case. Good shows like Lou Grants are not readily available.
    8dansview

    Well Done Despite World View

    I try not to review old stuff from a present day perspective, because those films and shows were meant primarily for people at the time they were made.

    Having said that, I love to watch old stuff to revel in the cultural tidbits from bygone eras. L.A. from '77-'82 was still America. People all over town were born in America and were mostly white or black. It was not yet Tijuana , or some other Third World satellite.I love to see the typewriters, old phones, old cars, etc., but I realize that at the time, nothing was old, it was all state-of-the-art.

    I also enjoyed seeing the lifestyle of Reporters and Editors on salary. They were not chained to a desk. They could take a long lunch or go about town interviewing people at their leisure. As long as it relates to a story. I like to see how the show incorporates vignettes at restaurants and bars, because they used to play an important role in the Reporter lifestyle.

    The mission of a Reporter is to hold the feet of people in power to the fire, or keep them in check so to speak. So yes, investigative reporters would often be hunting down corporate types, cops, the military, etc. That would be the case whether they are liberal or otherwise. Of course this show was developed during the Carter administration and influenced by the general Liberal mentality of that 70s era.

    The first episode was more balanced than I expected. Cops are accused of sleeping with teen aged girls, but they claim that the girls looked like women. A reporter with a dad who is a cop, brings in a teenage girl whom everyone thinks is a grown woman. This shows that there was some truth to their claim.

    Say what you want about Asner being a blow-hard, but he did play this role with a good deal of intensity and compassion. I don't remember all the social issues brought up, but I don't doubt that they were presented from a Liberal perspective. It's all part of the Hollywood indoctrination process. They used T.V. and film to brainwash multiple generations. But you could say that conservative shows of the 50s and early 60s presented a world view too. The Rifleman comes to mind.

    I also loved the presentation of a Newspaper being enormously important as the heartbeat of a city. Again, I am saying this while watching old VHS reruns in the present day. When it was made, Newspapers were kings and no one knew that the Internet was coming in 20 years. So I am watching it as nostalgia. It was not meant as nostalgia when it came out.

    Overall, a good ensemble cast, a fun and interesting workplace setting, and some intellectual grit for subject matter. Nice job. It could have been worse.
    10DA-4

    What it was & where it stands

    An earlier reviewer's "bleeding heart" references suggest a right-wing orientation. Perhaps this explains his sweeping but unsubstantiated comments concerning how this show's episodes were developed. "Lou Grant" was created by James L. Brooks and Allan Burns, the writer-producers behind "Mary Tyler Moore," and Gene Reynolds, the force behind the TV incarnation of "M*A*S*H," who became the sole Executive Producer in the second year. Younger producers under Reynolds included Seth Freeman from "The Waltons" and Gary David Goldberg. However convenient it may be for people with an agenda to think otherwise the producers, not the star, dictated the content. There's no evidence Edward Asner ever suggested a single storyline, and plenty of testimony crediting others.

    The entire MTM library was sold several times after Grant Tinker divested himself in order to run NBC. The likelihood of ever again seeing this fine show, which won 16 Emmys, two Humanitas prizes, and the Peabody Award, is absolutely zilch. Write to 20th Century Fox Television if you'd like the chance to see it, but don't expect to get anywhere.
    8jtola-24404

    Standard fora good show

    Great iconic actors, writing of the highest caliber. Just good TV!
    10paulmccomas

    Simply the best

    Judged by 1977-82 standards, this show was peerless.

    Today, it's a bit "dated" in certain ways. But these elements actually make it a valuable portrait of its era.

    Talented cast, right down the line. Terrific writing. Skillful, sensitive directing. Highly relevant. Courageous. And one of TV's all-time-best role models in the lead.

    Every Emmy -- & there were MANY -- was fully deserved. Also the Peabody, the Humanitas, & all the other awards it won.

    Each season was as strong as or stronger than its predecessor; this is one show that was NOT running out of steam.

    In fact, during the Reagan Years, we needed it more than ever! (Would have loved to see its take on Iran-Contra.)

    Shame on CBS for bowing to pressure because of Asner's politics and the show's oft-controversial scripts.

    LOU still shines.

    Waiting impatiently for (legal) DVD release!

    Trama

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    • Quiz
      Mrs. Pynchon, the widowed owner of the fictional Los Angeles Tribune, was based on Katherine Graham, the real widowed owner of the Washington Post, and on Dorothy "Dolly" Schiff, owner and publisher of the New York Post. Schiff, for example, always carried her small dog with her, like Mrs. Pynchon.
    • Citazioni

      Billie Newman: I hate it when people tell me to calm down!

    • Connessioni
      Featured in The 30th Annual Primetime Emmy Awards (1978)

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    Dettagli

    Modifica
    • Data di uscita
      • 20 settembre 1977 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Gazeteciler
    • Luoghi delle riprese
      • The Title Guarantee & Trust Building, 411 West 5th Street, Los Angeles, California, Stati Uniti(Los Angeles Tribune Building)
    • Azienda produttrice
      • MTM Enterprises
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora
    • Colore
      • Color
    • Mix di suoni
      • Mono
    • Proporzioni
      • 4:3

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