Un giovane e ambizioso pilota tedesco nella Prima guerra mondiale, disprezzato per le sue umili origini, insegue ossessivamente la medaglia assegnata per 20 vittorie aeree.Un giovane e ambizioso pilota tedesco nella Prima guerra mondiale, disprezzato per le sue umili origini, insegue ossessivamente la medaglia assegnata per 20 vittorie aeree.Un giovane e ambizioso pilota tedesco nella Prima guerra mondiale, disprezzato per le sue umili origini, insegue ossessivamente la medaglia assegnata per 20 vittorie aeree.
- Regia
- Sceneggiatura
- Star
- Ha vinto 1 BAFTA Award
- 1 vittoria e 5 candidature totali
- Elfi Heidemann
- (as Loni Von Friedl)
- Feldmarschall von Lenndorf
- (as Friedrich Ledebur)
Recensioni in evidenza
This movie tells the story of Bruno Stachel, an ordinary infantry soldier who has been turned into a fighter pilot. His colleagues aren't happy with him, not only because he isn't an aristocrat like they are, but also because he's extremely ambitious. He will do anything to win him his country's most honored medal, the Blue Max. But to win it, he'll have to shoot down 20 enemy aircrafts, which will all have to be confirmed by his comrades, without getting killed himself. And while being hated by his fellow pilots, he's seen as the people's hero and perfect propaganda material by the general and as the ideal lust object by the general's wife...
"The Blue Max" shows very well how the pilots during WWI were almost always noblemen (I guess the most famous one of them all was Manfred Freiherr von Richthofen, better known as the Red Barron), who considered the concept of an honorable death at the hands of a "worthy" opponent still as one of the most important things during their fights. Even at the end of the war in 1918, while on the ground troops had been anonymously slaughtered by the thousands with machine guns and gas, they still considered chivalry as one of the highest goods.
Next to the historically correct situation of the story, I also admire the rest of the movie. I know, if you aren't interested in WWI, than this might not be the most spectacular movie you've ever seen, but even than the movie has plenty of good and interesting things to offer. The story on itself is nice, the acting is very good and the airplanes are magnificent to watch, on the ground as well as in the air. This is one of those movies that has stood the hands of time, but that is known by only a small audience, which is really a shame. Personally I'm a big fan of this movie and that's why I reward it with an 8/10. My advice: don't call "Top Gun" the ultimate fighter pilot movie before you've seen this one.
The image is sharp and the colors are vivid. The sound is a bit conventional, but since the story is all-encompassing and well developed you will probably forget all technicalities and just sit through an excellent movie as I did.
The story deals with a simple German infantry soldier, stuck in the horror of the trench warfare, who dreams to fly and become an ace.
Well, he doesn't have to wait long and soon he's a flyer. he also becomes an ace.
Unfortunately, his modest social origins, keep him from the Sun, the Blue Max in fact. The Blue Max is the highest ranking medal given to pilots in WWI.
Knowing that, Stachel (Peppard) decides to fight all the odds and becomes totally ruthless and opportunistic.
Unluckily for him, two can play at the same game. The German Reich needs a hero, an example to play its cards right, in order to have more draftees to send to the front.
Stachel becomes such a hero, but to a price...
It is a crude and cruel depiction of the rise and fall of someone who came from nothing and through war, thought he could make it in society, only to find out that certain games are better left alone.
A very good morals and ethics lesson, from which many people could still learn something.
I can only suggest it. The rest is up to you.
Big-budget extended adventures produced by Elmo Williams about a maverick pilot and his partners undergoing risked feats on air and bombing on earth . Based on a novel by Jack Hunter and being well adapted by Franchina and Ben Barzman . Very good aerial actioner plenty action , steamy romance , drama , fantastic cloudy scenes and spectacular dogfighting . George Peppard shows professionalism as crack fighter pilot named Stachel , an ambitious youth assigned to dangerous missions . Top-notch support cast gives excellent performance as Jeremy Kemp as astute contender , Anton Diffring , Derren Nesbitt , Peter Woodthorpe , Loni Von Friedl and Carl Schell as Von Richthofen , the famous Red Baron . Rousing aerial scenes staged by Squire , being wonderfully photographed by Douglas Slocombe and marvelous musical score by the great Jerry Goldsmith are the chief assets of this spectacular film . This lavish airplane movie is professionally directed by John Guillermin , habitual of disaster films ( Skyjacked , King Kong , Kong lives ) , adventures ( Tarzan in India , Tarzan's greatest adventure , Sheena ) , Wartime ( Bridge of Remangen , Guns at Batasi , I was Monty's double ) and intrigue ( Death on the Nile , Shaft in Africa , The whole truth ) . John Guillermin usually worked with George Peppard in various films ( such as P.J , House of cards and Blue Max) and Peter Sellers (Never let go , Walz of the Toreadors) . 'Blue Max' is a rehash of the former airplane movie clichés in which the splendid casting stands out . Rating : Good and entertaining , it's a fairly watchable and breathtaking film and results to be a good treatment of WWI flying aces .
Since the release of "Flyboys" it seems amazing that a movie made forty years ago has a more polished, advanced, and contemporary look than one made today. This will amaze people who compare films of the twentieth century one hundred years from now."The Blue Max" has better cinematography, special effects, acting, storyline, etc. In the end its a disappointing fact that today's films have taken giant steps backwards compared to those of the '60s.
The flying sequences and scenes of aerial combat in "The Blue Max" have never been surpassed or equaled. Even in "Flyboys" with millions of dollars of CGI effects no movie has ever captured the feel of flying and aerial fighting like this one. The planes all look authentic, too.
The big scope of World War One does not swallow up the intense personal stories here either. This is one of the only films that explores the psyche of successful fighting men. The arrogance they need to maintain their bravery and aggression can also be their downfall. Here we also can see the politics behind the combat, both on a personal and national level. This is a very thrilling history lesson.
The actors are so good, and the characters so complex I forgot they were supposed to be my (supposed) enemy. Peppard does a good job of acting, playing a guy who is meant to be both likable, admirable, irritating and repulsive at the same time. The only problem is he looks too American for the role. Imagine if Brando had done it, but he had a hard time choosing really good parts. My favorite is James Mason, who played German generals better than they could play themselves off-screen. If you like flying, history, or personal drama you can't miss this one.
The Blue Max is a rare old thing, a flying ace picture that not only is in colour, it's also rather good. Perhaps a touch too long {as Stachel's romantic character arc gets over fleshed}, but a ripper of a movie harking back to genre greats back in the 30s and 40s. The vintage planes recreated are majestic, and joyously the aerial sequences in the picture do them much credit, stunts and dogfights flow with almost operatic ease. The story is a good one, based on the best selling novel from Jack Hunter, it's tale of a man who's determination is admirable but ultimately it's his undoing, will winning The Blue Max really make him feel he belongs with the aristocratic crowd?, are the sacrifices he makes worth it?. The ending here is excellent, its point is made, and closes the film with a sort of uneasy incredulity, it takes a good few minutes for the final sequence to really hit home, but when it does you know you have just been sold a highly inventive story.
Technically the film scores high, the direction from John Guillermin is safe, tho if at times guilty of filler scenes, the score from Jerry Goldsmith is perfectly blood pumping, whilst Douglas Slocombe's cinematography pleases the eye. The acting is fine, George Peppard puts guts and honesty into the role of Stachel, Ursula Andress smolders and oozes sexuality as the cheating Countess Klugerman {one bedroom scene had this viewer particularly hot under the collar}, whilst James Mason {sadly underused} owns the film as chief string puller General Klugerman.
Open a bottle of wine on a Sunday afternoon and enjoy, 7.5/10.
Lo sapevi?
- QuizFox wasn't able to rent any of he surviving WWI planes still extant, so they built their own. The aircraft were later used in "Darling Lily" and "You Can't Win Them All."
- BlooperThe German award called the "Pour le Mérite" (a.k.a. the Blue Max) was awarded at the beginning of the war to pilots who shot down 8 enemy aircraft; that was later raised to 16. The requirement was never 20 as depicted here.
- Citazioni
Willi von Klugermann: By the way, Stachel... there's an impression around that... you care more about your unconfirmed kill than you do about Fabian's death.
[long pause]
Bruno Stachel: Perhaps it's force of habit. In the trenches, we couldn't even bury the dead; there were too many of them. I've never had the time... to discuss them over a glass of champagne.
- Versioni alternativeIt is believed that this film was at one time released in a 70 mm version (because of its six channel soundtrack), but this has never been confirmed.
- ConnessioniFeatured in The Amazing Howard Hughes (1977)
- Colonne sonoreDeutschlandlied
(uncredited)
Music by Joseph Haydn
Lyrics by August Heinrich Hoffman von Fallersleben
Played at Stachel's medal presentation
I più visti
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Dettagli
Botteghino
- Budget
- 5.000.000 USD (previsto)
- Tempo di esecuzione2 ore 36 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1