Alieni morenti rapiscono il gruppo pop Toomorrow, le cui vibrazioni musicali sono necessarie per la sopravvivenza della loro razza.Alieni morenti rapiscono il gruppo pop Toomorrow, le cui vibrazioni musicali sono necessarie per la sopravvivenza della loro razza.Alieni morenti rapiscono il gruppo pop Toomorrow, le cui vibrazioni musicali sono necessarie per la sopravvivenza della loro razza.
- Regia
- Sceneggiatura
- Star
Roy Beck
- Concert audience - The Round House
- (non citato nei titoli originali)
Celestine Burden
- Art Student
- (non citato nei titoli originali)
Louis Cabot
- Shaving Student
- (non citato nei titoli originali)
Shakira Caine
- Karl's friend
- (non citato nei titoli originali)
Lindsay Campbell
- 2nd Policeman
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizOlivia Newton-John was told to strip to her underwear for a scene in the film, but she found the notion so humiliating that she burst into tears and refused to undress.
- BlooperAt the (live) lunchtime jam session, when the Professor cuts the power to the group's instruments, the music slows to a stop, as if on a record, instead of stopping immediately.
- Colonne sonoreYou're My Baby Now
Written by Ritchie Adams and Mark Barkan
Recensione in evidenza
Although admittedly a higher quality picture than I had expected it would be, "Toomorrow" is hopelessly(no...make that wonderfully) dated and rather short on ideas (in fact, the ideas that are in play are pretty weak).
Olivia Newton-John is lovely here, not yet having made her breakthrough in music or films, as the sole female member of a young and very ambitious music band called "Toomorrow" (oooh, groovy!) Their happening tunes are picked up through radiowaves by an extraterrestrial race who are desperate for "new audio vibes". The aliens then embark on a sinister mission...to "kidnap" the band in order to interrogate them for the secrets of their unique "vibrations".
Chock full of twee but catchy bubblegum music interludes, "Toomorrow" was possibly designed to create a public introduction to the manufactured band of the title, a la THE MONKEES (hmmm....I assume Miss Newton-John is not displeased that this marketing strategy failed).
Neither especially satisfying nor entirely unappealing, "Toomorrow" is mostly watchable from a hindsight of four decades as a novelty...a film of its time which nostalgic types might find amusing. Too, it features some fairly decent special effects for a lower-berth picture of 1970.
4.5/10
Olivia Newton-John is lovely here, not yet having made her breakthrough in music or films, as the sole female member of a young and very ambitious music band called "Toomorrow" (oooh, groovy!) Their happening tunes are picked up through radiowaves by an extraterrestrial race who are desperate for "new audio vibes". The aliens then embark on a sinister mission...to "kidnap" the band in order to interrogate them for the secrets of their unique "vibrations".
Chock full of twee but catchy bubblegum music interludes, "Toomorrow" was possibly designed to create a public introduction to the manufactured band of the title, a la THE MONKEES (hmmm....I assume Miss Newton-John is not displeased that this marketing strategy failed).
Neither especially satisfying nor entirely unappealing, "Toomorrow" is mostly watchable from a hindsight of four decades as a novelty...a film of its time which nostalgic types might find amusing. Too, it features some fairly decent special effects for a lower-berth picture of 1970.
4.5/10
- EyeAskance
- 27 ago 2004
- Permalink
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Toomorrow
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 35 minuti
- Proporzioni
- 2.35 : 1
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