Alieni morenti rapiscono il gruppo pop Toomorrow, le cui vibrazioni musicali sono necessarie per la sopravvivenza della loro razza.Alieni morenti rapiscono il gruppo pop Toomorrow, le cui vibrazioni musicali sono necessarie per la sopravvivenza della loro razza.Alieni morenti rapiscono il gruppo pop Toomorrow, le cui vibrazioni musicali sono necessarie per la sopravvivenza della loro razza.
- Regia
- Sceneggiatura
- Star
Roy Beck
- Concert audience - The Round House
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Celestine Burden
- Art Student
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Louis Cabot
- Shaving Student
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Shakira Caine
- Karl's friend
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Lindsay Campbell
- 2nd Policeman
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Recensioni in evidenza
This thing is a mess but a fun mess. A strange hybrid of sci-fi aliens, lame rock music and counter culture message film. Yes, a very young and darling Olivia Newton-John stars as the lone girl in a band called Toomorrow and they play the softest, non-threatening "rock" you've ever heard and yet the hippies and the stoners go crazy for them like they are hearing Hendrix at Monterey. The "special" effects are ridiculous and the movie really is entertaining for all the wrong reasons - jaw dropping dialogue (like when the band is zapped aboard an alien UFO "Hey man, I don't dig space!") and lame attempts to inject Beatles/Monkees type comedy with a few of them sharing bathwater and changing clothes in the car on their way to a big gig. So of it's time, so dated and yet real fun. Hard to find - the DVD we got had Japan subtitles and as someone else mentioned - when the movie ended - it also had Olivia appearing on Johnny Carson as a big new singing sensation in America (no mention of Toomorrow though - hmmmm). The whole script has that feeling of fifty year old writers typing away what they think "the long hairs" are saying and doing. Laff riot.
Toomorrow is definitely not as bad as has been reported. It is actually an enjoyable movie. It is no "Grease" but definitely better than "Two of a Kind." It is equal to "Xanadu" and probably better.
To me Olivia was being natural with her perky personality. Her acting did not seem like acting as it did in Xanadu when she tells Sunny that she is a muse. Instead everyone in the Toomorrow group seem to be enjoying themselves as they go through the film.
Granted the movie is not Oscar material but considering how bad so much is today, I would love to see Toomorrow on the big screen or at least come out on DVD.
Definitely worth a look.
To me Olivia was being natural with her perky personality. Her acting did not seem like acting as it did in Xanadu when she tells Sunny that she is a muse. Instead everyone in the Toomorrow group seem to be enjoying themselves as they go through the film.
Granted the movie is not Oscar material but considering how bad so much is today, I would love to see Toomorrow on the big screen or at least come out on DVD.
Definitely worth a look.
Although admittedly a higher quality picture than I had expected it would be, "Toomorrow" is hopelessly(no...make that wonderfully) dated and rather short on ideas (in fact, the ideas that are in play are pretty weak).
Olivia Newton-John is lovely here, not yet having made her breakthrough in music or films, as the sole female member of a young and very ambitious music band called "Toomorrow" (oooh, groovy!) Their happening tunes are picked up through radiowaves by an extraterrestrial race who are desperate for "new audio vibes". The aliens then embark on a sinister mission...to "kidnap" the band in order to interrogate them for the secrets of their unique "vibrations".
Chock full of twee but catchy bubblegum music interludes, "Toomorrow" was possibly designed to create a public introduction to the manufactured band of the title, a la THE MONKEES (hmmm....I assume Miss Newton-John is not displeased that this marketing strategy failed).
Neither especially satisfying nor entirely unappealing, "Toomorrow" is mostly watchable from a hindsight of four decades as a novelty...a film of its time which nostalgic types might find amusing. Too, it features some fairly decent special effects for a lower-berth picture of 1970.
4.5/10
Olivia Newton-John is lovely here, not yet having made her breakthrough in music or films, as the sole female member of a young and very ambitious music band called "Toomorrow" (oooh, groovy!) Their happening tunes are picked up through radiowaves by an extraterrestrial race who are desperate for "new audio vibes". The aliens then embark on a sinister mission...to "kidnap" the band in order to interrogate them for the secrets of their unique "vibrations".
Chock full of twee but catchy bubblegum music interludes, "Toomorrow" was possibly designed to create a public introduction to the manufactured band of the title, a la THE MONKEES (hmmm....I assume Miss Newton-John is not displeased that this marketing strategy failed).
Neither especially satisfying nor entirely unappealing, "Toomorrow" is mostly watchable from a hindsight of four decades as a novelty...a film of its time which nostalgic types might find amusing. Too, it features some fairly decent special effects for a lower-berth picture of 1970.
4.5/10
Like many Olivia Newton-John fans, I sought out TOOMORROW to catch an early film performance by Olivia (and also because I enjoy seeking out "lost movies"), and while the film is certainly lightweight and contrived I'll admit I enjoyed watching it. The concept here was to take a prefabricated rock group (sort of a British take on The Monkees), inject a sci-fi story line and tie everything together with a groovy pop music soundtrack (with the requisite soundtrack LP and singles). History has told the story: the "aliens desperately looking for new musical vibes" plot was way out there, the tunes were too lightweight and the resulting film opened and closed quickly then promptly disappeared. Despite all that TOOMORROW is still worth viewing for those fortunate enough to come across it. Olivia is absolutely charming here as a college student/band member, and while she later admitted in interviews that she literally resorted to shouting in order to project her voice it really doesn't detract from her performance or the film. Her interaction with her bandmates is lighthearted and carefree. The music is pretty much by-the-numbers pop bordering on bubblegum (perhaps Don Kirshner leaned a little too close to his musical creation The Archies here) and it's a bit of a stretch imagining an alien race finding just the thing they're looking for in these tunes. Hugo Montenegro's musical interludes are definitely dated but they're in context with the time and setting, and the special effects are also decent considering the age of the film. There's also an amusing bit of light farce when a female Alphoid named "Johnson" is summoned "to seduce Vic Cooper"; problem is, Johnson apparently wasn't informed as to which one was Vic Cooper and her crash course in the art of seduction came from viewing a couple of nudie flicks. I'll concur that while TOOMORROW isn't exactly top-rate, it's worthy entertainment (if approached with the mindset of a "midnight movie") and it certainly deserves to be rescued from obscurity. I'm not holding my breath, but if by some miracle "the powers that be" who are keeping TOOMORROW from being officially rereleased have a change of heart, I'd love to see a genuine DVD issue with some cool bonuses to do the film justice (especially if Anchor Bay is given that chance).
I absolutely love ONJ. She has always brought a smile to me and can't whisk me into a good mood. I was so excited to find a bootleg of this on Ebay (soundtrack disk included!) and rushed to watch it.
Ummm, It felt longer than Gandhi, the music was uber cheesy but catchy..i vaguely recall rolling in bed later that night, having nightmares to the tune of "Taking Our Own Sweet Time", one of the films stickier jams. The drummer has swing, Olivia feels underused and the music is competent, if uninspired.
Toomorrow's special effects were good though. Xanadu is my favorite of ONJ's films and this definitely pre-dates some of that neon blue post disco vibe with its trail effects.
My Disk came with some extra gifts, one being the CD soundtrack to the film. This thing is gonna collect some serious dust. If Aliens need the music of Tomorrow to survive, there surely isn't intelligent life out there.
My disk came with an Extra of her performing "Have You Never Been Mellow" on the Tonight Show with Johnny Carson. That was the point when I really felt I got my money's worth.
If you liked Grease and are curious about an older film of hers, don't bother. If you are a completest, feel free...but you have been warned.
Ummm, It felt longer than Gandhi, the music was uber cheesy but catchy..i vaguely recall rolling in bed later that night, having nightmares to the tune of "Taking Our Own Sweet Time", one of the films stickier jams. The drummer has swing, Olivia feels underused and the music is competent, if uninspired.
Toomorrow's special effects were good though. Xanadu is my favorite of ONJ's films and this definitely pre-dates some of that neon blue post disco vibe with its trail effects.
My Disk came with some extra gifts, one being the CD soundtrack to the film. This thing is gonna collect some serious dust. If Aliens need the music of Tomorrow to survive, there surely isn't intelligent life out there.
My disk came with an Extra of her performing "Have You Never Been Mellow" on the Tonight Show with Johnny Carson. That was the point when I really felt I got my money's worth.
If you liked Grease and are curious about an older film of hers, don't bother. If you are a completest, feel free...but you have been warned.
Lo sapevi?
- QuizOlivia Newton-John was told to strip to her underwear for a scene in the film, but she found the notion so humiliating that she burst into tears and refused to undress.
- BlooperAt the (live) lunchtime jam session, when the Professor cuts the power to the group's instruments, the music slows to a stop, as if on a record, instead of stopping immediately.
- Colonne sonoreYou're My Baby Now
Written by Ritchie Adams and Mark Barkan
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Toomorrow
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 35 minuti
- Proporzioni
- 2.35 : 1
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