Un gruppo di soldati statunitensi passa di nascosto le linee nemiche per mettere le mani su una riserva segreta di oro nazista.Un gruppo di soldati statunitensi passa di nascosto le linee nemiche per mettere le mani su una riserva segreta di oro nazista.Un gruppo di soldati statunitensi passa di nascosto le linee nemiche per mettere le mani su una riserva segreta di oro nazista.
- Premi
- 1 candidatura in totale
Harry Dean Stanton
- Private Willard
- (as Dean Stanton)
Recensioni in evidenza
Kelly's Heroes does not try to trivialize war. It portrays a comedy within the boundaries of war's absurdity. (Quite frankly, I did not like the film MASH because I felt it did try to trivialize war).
What makes Kelly's Heroes a success is that the director never forgot that the point of comedy is to make us laugh. There's no message here; just pure entertainment.
The film is believable because it stretches, but never steps over, the line of plausibility. The story is preposterous, but in the confusion of war we can believe something like this could happen. Those who have served in the military have all met characters like the ones in Kelly's platoon, even Oddball. Yes, Donald Sutherland was clearly cast out of time, from the 60s, but he somehow personified the rebel in all of us, and that spans generations. If anything, Oddball subliminally told us it was okay to view the film from our vantage point of 1970. His character worked. And so did all the others.
On top of that, the filmmaker spent the extra time and expense to insure reasonable technical accuracy. The uniforms were authentic and I was most impressed by the fact that the vehicles and equipment, for both sides, were accurate. (My biggest gripe about 'Patton' was that it used M-41 tanks for both sides, just painted differently).
The structure of the film is excellent. We believe everything is real. The early scene where the platoon is sitting on the side of the road while a seemingly endless convoy of Sherman tanks passes is a perfect example. There may have only been a few tanks but the way they were looped about continuously gave the impression of 'a cast of thousands'. The Yugoslavian backdrop was reflective of WWII Europe.
Watch this film a few times and you'll catch the slight nuances not normally found the first time through. It's classic how seemingly unimportant early events or dialog enhance the humor of later scenes. For example, when Oddball first shows Kelly his tanks he says they have loud speakers to calm their nerves and paint in their shells to scare the Germans. Early Sherman tanks had a low velocity shell that was ineffective against German armor. Later we roar when Kelly catches a Tiger from its vulnerable rear, but Oddball forgets to fire an anti-tank round and instead splatters it with pink paint! The railroad yard attack scene, (which is superbly choreographed, and tactically accurate) becomes absolutely riotous when Oddball's crew plays 'I've been working on the Railroad' after destroying the place and rumbling away.
Don Rickles should have won a Best Supporting Actor Oscar for his portrayal of Crapgame. He congeals all the other elements and characters in the film.
The parody scene of 'The Good, the Bad and the Ugly' is superb. Like Oddball, its being out of time somehow enhances its own effect.
I read somewhere that Clint Eastwood was a bit disappointed with this film because he was not allowed to give it one more edit before its release. I don't know how on earth he could have improved on it.
What makes Kelly's Heroes a success is that the director never forgot that the point of comedy is to make us laugh. There's no message here; just pure entertainment.
The film is believable because it stretches, but never steps over, the line of plausibility. The story is preposterous, but in the confusion of war we can believe something like this could happen. Those who have served in the military have all met characters like the ones in Kelly's platoon, even Oddball. Yes, Donald Sutherland was clearly cast out of time, from the 60s, but he somehow personified the rebel in all of us, and that spans generations. If anything, Oddball subliminally told us it was okay to view the film from our vantage point of 1970. His character worked. And so did all the others.
On top of that, the filmmaker spent the extra time and expense to insure reasonable technical accuracy. The uniforms were authentic and I was most impressed by the fact that the vehicles and equipment, for both sides, were accurate. (My biggest gripe about 'Patton' was that it used M-41 tanks for both sides, just painted differently).
The structure of the film is excellent. We believe everything is real. The early scene where the platoon is sitting on the side of the road while a seemingly endless convoy of Sherman tanks passes is a perfect example. There may have only been a few tanks but the way they were looped about continuously gave the impression of 'a cast of thousands'. The Yugoslavian backdrop was reflective of WWII Europe.
Watch this film a few times and you'll catch the slight nuances not normally found the first time through. It's classic how seemingly unimportant early events or dialog enhance the humor of later scenes. For example, when Oddball first shows Kelly his tanks he says they have loud speakers to calm their nerves and paint in their shells to scare the Germans. Early Sherman tanks had a low velocity shell that was ineffective against German armor. Later we roar when Kelly catches a Tiger from its vulnerable rear, but Oddball forgets to fire an anti-tank round and instead splatters it with pink paint! The railroad yard attack scene, (which is superbly choreographed, and tactically accurate) becomes absolutely riotous when Oddball's crew plays 'I've been working on the Railroad' after destroying the place and rumbling away.
Don Rickles should have won a Best Supporting Actor Oscar for his portrayal of Crapgame. He congeals all the other elements and characters in the film.
The parody scene of 'The Good, the Bad and the Ugly' is superb. Like Oddball, its being out of time somehow enhances its own effect.
I read somewhere that Clint Eastwood was a bit disappointed with this film because he was not allowed to give it one more edit before its release. I don't know how on earth he could have improved on it.
I'm the first one to rant at ridiculous war movies. The history has to be right, the uniforms, and so on and so on. Plots have to be creditable or I'm the first one to cry foul. But then there comes along movies like Kelly's Heroes. It's violent and meaningless really...but funny and very exciting. The gear is accurate for the most part, which is far more than I can say about the bulk of so called serious war films. Even with the infamous Tiger tank the film makers attempted to at least make the Russian built Yugoslav T53s they were using look like Tigers. I think they were T53s, they did such a good job of making them look like Tigers it's hard to tell. The whole film is a 1960s anti-establishment slant thrown on a pretty standard WWII story about GIs on a mission behind the German lines. In this parallel universe John Wayne type mission, these guys are out for number one. It's their mission, not the US Army's or the Allies. With a headlines crazy General chasing behind them with his photographer looking to pin medals on "his boys" for piercing the German lines and apparently leading his "charge", they're heading for a town full of Germans guarding a bank with three Tiger tanks. Clint Eastwood has to pick up the means to complete this personal mission along the way without the secret leaking out. We even have 1960s Hippies in this silly war torn 1940s world. Donald Sutherland is a riot as a stoned Sherman tank commander who seems to have stepped into a timewarp and emerged in 1944 and found himself at the helm of an armored unit. Several then unknowns are in the film, including Harry Dean Stanton and Gavin Mcleod. Beautiful scenery and photography shot in what was then Yugoslavia. Excellent attention to equipment detail. Good, if over the top, performances all around. Suspense and excitement. Very funny. And possibly the silliest pothole laden plot to ever pass itself off as a war movie. If you're a war movie buff with a sense of humor you'll love it.
10ss5921
There will never be a cast of characters brought together for one movie which could compare to this one. Clint Eastwood shows that he can be good at being quite serious, humorous, and even let other people steal scenes without losing presence. The real difference though lies in the rest of the cast which is a group of All-Stars who excel at certain type characters the likes of which you can not find today. Examples: Telly Savalas showing why he would become a MAJOR TV star later, Don Rickles being Don Rickles but keeping his movie character true to the film, Carroll O'Connor showing that greatness was just around the corner for him, and Donald Sutherland is just too good for words. What really makes this movie though is unlike other movies which bring together a lot of big names and top character actors, Kelly's Heroes did not lose focus on the importance of the plot. THe story never gets lost to the characters. Absolutely great job!
Interesting enough, reading through the comments on this film, I noted only one detractor, some sorehead from Canada who completely missed the point of the film. No, Sr. Canadiense. This is not a serious film about WW2. Read some of the excellent commentaries here about the social and temporal context of this film, i.e., the height of the Vietnamese war. Yes, Sutherland, your fellow countryman, was an active anti-war protester and fully embraced the anachronistic hippie role. The mad-cap story which tweaks the nose of the "establishment," in this case, the military establishment, is plausible when you let go of the blood, guts and glory of the war film genre. And, it is a damn funny film. Eastwood is at his clenched jaw, cynical best; Savalas is great as the Sergeant big-guy; Carrol O'Conner is riotious as the general; Rickles is, well, Rickles. But, Sutherland steals the show. The scenes where they tanks come out blasting the Germans to the tune of twangy Country-Western music is hilarious. Sutherland's out-of-time-sync "...no negative vibes... hey, man...yeah, baby..." is side-splitting. The final confrontation scene between the three striding up to the German tank commander, with Sutherland loosening his side arm, ala Clint Eastwood in Fist full of Dollars is a riot. This film is full of funny stuff. And, you can see it again and again and find new business to laugh about. Buffs will delight at seeing Harry Dean Stanton in a pre-Repo Man role and Richard Davalos who played James Dean's doomed brother Aron in East of Eden. This is a great piece of satire that was overlooked, cast aside and has still survived to the delight of those of us who enjoy it again and again. But, hey, don't just take my word for it. Of the 30 or so commentaries here-- and do read them, as there are some excellent ones-- only one was a detractor.
It creates a specific time (mid July 1944), a specific unit (35th Infantry) and a specific place (near St Lo and Nancy)
The accuracy is top-notch, the cast is top-notch. "Oddball" is not a '70s character as he is the Bohemian in all of us and tank crewmen were and are that strange. One tank commander in France in 1944 was known for carrying a colt 38 rather than the issued 45 and wearing cowboy boots. Some did effect Aviation leather jackets like Oddball, and yes there are plenty of pictures of soldiers with beards.
I was in the amry for 11 years and a tank crewman, and we all quoted the movie and we loved the character of Oddball, and when off the line he was all fun and games, when in action, he was all business, just the way real tankers were and still are.
Armor rules!
The accuracy is top-notch, the cast is top-notch. "Oddball" is not a '70s character as he is the Bohemian in all of us and tank crewmen were and are that strange. One tank commander in France in 1944 was known for carrying a colt 38 rather than the issued 45 and wearing cowboy boots. Some did effect Aviation leather jackets like Oddball, and yes there are plenty of pictures of soldiers with beards.
I was in the amry for 11 years and a tank crewman, and we all quoted the movie and we loved the character of Oddball, and when off the line he was all fun and games, when in action, he was all business, just the way real tankers were and still are.
Armor rules!
Lo sapevi?
- QuizDonald Sutherland (Oddball) became seriously ill during filming on-location in Yugoslavia. His wife received a telegram telling her to come immediately but warning her that he would probably be dead before she arrived.
- BlooperThe gold bars in the film appear to be standard gold bullion, each weighing approximately 27.28 pounds (436.48 oz.). At the 1944 price of $34 per ounce, 14000 gold bars would have a value of over $207 million, not the estimated $16 million in the film.
- Versioni alternativeAn older video release has a very quick scene involving Germans trying to jump over a truck (after the group crosses the minefield). This scene isn't in the 1999 video; however, a scene with one of the American machine gun crews right after the deleted scene is inserted.
- ConnessioniEdited into Give Me Your Answer True (1987)
- Colonne sonoreSunshine
Written by Mike Curb (uncredited), Harley Hatcher (uncredited) and Lalo Schifrin (uncredited)
Sung by Hank Williams Jr. (as Hank Williams, Jr.)
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Dettagli
- Data di uscita
- Paesi di origine
- Lingue
- Celebre anche come
- El botín de los valientes
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 4.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 5.200.000 USD
- Lordo in tutto il mondo
- 5.200.000 USD
- Tempo di esecuzione2 ore 24 minuti
- Colore
- Proporzioni
- 2.35 : 1
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