Dopo aver lasciato una ricca famiglia belga per diventare suora, suor Luke, lotta con la sua devozione ai suoi voti durante la crisi, la delusione e la seconda guerra mondiale.Dopo aver lasciato una ricca famiglia belga per diventare suora, suor Luke, lotta con la sua devozione ai suoi voti durante la crisi, la delusione e la seconda guerra mondiale.Dopo aver lasciato una ricca famiglia belga per diventare suora, suor Luke, lotta con la sua devozione ai suoi voti durante la crisi, la delusione e la seconda guerra mondiale.
- Regia
- Sceneggiatura
- Star
- Candidato a 8 Oscar
- 11 vittorie e 23 candidature totali
- Rev. Mother Emmanuel (Belgium)
- (as Dame Edith Evans)
- Mother Mathilde (Africa)
- (as Dame Peggy Ashcroft)
Recensioni in evidenza
anyone who thinks she was only a fashion model is well advised to see this film. I first saw it in a theatre, in 1959. I went in about five minutes before the end--and the theatre was completely sold out. At the end of the movie, no one moved--everyone remained seated for about thirty seconds. Then the audience got up and filed out--without a single sound. I stayed through to see the ending again. The audience behavior was the same. I have never seen an audience reaction like this.
Hepburn should have received an Oscar for this performance, as well as another for "Two for the Road," for which she wasn't even nominated. She has been sadly underrated and undervalued as an actress. Her high placement in many Best Actress Ever polls has been entirely justified and very pleasing.
Director Fred Zinneman struck a correct balance of fine pace and sensitivity in the mesmerizing tale of a young Belgian girl who becomes a religious missionary and is sent to the Belgian Congo to work at a hospital . Finely starred by a luminous Audrey Hepburn as a dedicated nun who subsequently comes to question her vocation , as she is struggling to reconcile her free spirit and philanthropic wishes with the religious rigors ; Hepburn chalked up another hit in this long but always interesting flick based on Kathryn Hulme's novel , being rightly adapted by screenwriter Robert Anderson . Spectacular settings and well staged scenes , in fact , members of the Rome Opera ballet corps were hired to play some of the nuns, and complex convent rituals were literally choreographed for them . This agreeable flick packs an exciting screenplay , thought-provoking drama , fine interpretations and intelligent filmmaking . It's surprising that the movie didn't achieve any of the six Academy Award for which it was nominated ; however , it won NY Film Critics to best actress and director and British Academy gave prizes to best actress and support cast . Casting is frankly well . Good acting by Audrey Hepburn as a beautiful missionary nurse who gains the trust of the locals , not only providing medical care but dealing with African people ; this was one of Audrey Hepburn's favorite of her films and it was also one of her most financially successful . Excellent Peter Finch as a good surgeon , he doesn't quite hit it off with Gabriella at first but soon starts to develop deep affections for her . Furthermore , a nice support cast formed by notorious secondaries such as Edith Evans , Peggy Ashcroft , Dean Jagger ,Beatrice Straight ,Rosalie Crutchley , Ruth White , Barbara O'Neil , Lionel Jeffries , Colleen Dewhurst and Niall MacGinnis , among others . ¨Nun's story¨ consolidated a sub-genre about nuns or religious people in far countries , going on ¨Heaven knows , Mr Allison¨ by John Huston with Robert Mitchum Deborah Kerr , ¨The Sins of Rachel Cade¨ also produced by Henry Blanke and directed by Gordon Douglas with Angie Dickinson , Roger Moore and Peter Finch , too , and ¨A Nun at the Crossroads¨ with Rosanna Schiaffino and John Richardson , among others.
Appropriate as well as sensitive musical score by the classic Franz Waxman . Glamorous and evocative cinematography by Franz Planer , though mostly filmed on real African exteriors , in fact , the film was shot on location in Rome, Bruges, Stanleyville and a real leper colony in the Congo . The motion picture well produced by Henry Blanke was stunningly directed by Fred Zinneman. This is one of various and pleasant works , some major and minor successes of his long career as a filmmaker . He was a Hollywood veteran director, directing early movies and a long career until the 80s . With ¨The nun's story¨ Zinnemann chalked another major hit in this overlong but always absorbing tale . After acquiring the rights to Kathryn Hulme's bestselling novel, Fred Zinnemann found that no one in Hollywood had any enthusiasm towards turning it into a film, citing it as being devoid of action , but all that changed when Audrey Hepburn expressed a desire to take the lead role . Rating : 8 , Above average , well worth seeing .
This is an utterly fascinating story of a young nun (Audrey Hepburn), and a non-believing doctor (Peter Finch). Sister Luke (Hepburn) is constantly challenged in sticking to her vows, especially the one of obedience.
She chaffed at the rules that did not leave room for common sense. Is it better to strictly obey or to do more good in disobedience? It is a question asked over and over.
Things become more difficult as WWII starts. Now, the rules must be set aside to help the war effort. Eventually, the conflict between the rules and her need for independence is resolved.
Hepburn was fantastic, as was Finch. Well worth seeing.
Anyone who has tried to live a perfect life, to please God and never offend Him with sins of any nature, knows it is impossible. It is a noble pursuit, but an exercise in futility that can lead to utter frustration. That is the dilemma we witness here in this film through the life of a well-meaning and sweet-as-can-be Belgian lady: "Gabrielle van der Mal" who is renamed "Sister Luke" after completing her training as a nun in the 1930s. Audrey Hepburn is superb as this woman, who has the greatest of spiritual intentions and a heart not only for God but to be a great nurse and follow in her father's footsteps, a famous physician in his country.
Can't she be both? The answer, of course, is "yes," but that's not the answer she receives periodically at the convent, or interprets because she's so tough on herself, and it causes great inner conflict.
Hepburn doesn't have tons of dialog in here and doesn't require it. The different looks on her face during this long story, especially when there is disappointment, are priceless. They are so subtle, but so telling. I am one who would vote for this film as Audrey's best performance, which is saying a lot.
Lo sapevi?
- QuizThe role of Sister Luke was suggested for Ingrid Bergman but Bergman herself said she was too old for the role and instead proposed Audrey Hepburn.
- BlooperWhen the patient in the Congo hospital is being attended by several people, the voice of the actor playing the patient is obviously dubbed over by actor Dean Jagger, who plays Sister Luke's father in the film.
- Citazioni
Sister Luke: You can cheat your sisters, but you cannot cheat yourself or God.
Rev. Mother Emmanuel: Have you struggled long enough to say surely that you've come to the end?
Sister Luke: I think I've been struggling all these years, Reverend Mother. In the beginning each struggle seemed different from the one before it. But then they began to repeat, and I saw they all had the same core: obedience. Without question, without inner murmuring. Perfect obedience as Christ practiced it. As I no longer can.
Rev. Mother Emmanuel: Yes?
Sister Luke: There are times when my conscience asks which has priority. It or the Holy Rule? When the bell calls me to chapel, I often have to sacrifice what might be the decisive moment in a spiritual talk with a patient. I'm late every day for chapel or refectory or both. When I have night duty I break the Grand Silence because I can no longer cut short a talk with a patient who seems to need me. Mother, why must God's helpers be struck dumb by five bells in the very hours when men in trouble want to talk about their souls?
- ConnessioniFeatured in Hey Dad..!: Testing Time (1990)
- Colonne sonoreVoi Che Sapete
from "The Marriage of Figaro"
Written by Wolfgang Amadeus Mozart (as W. A. Mozart)
Played by Gabi and her father on the piano, and recurring throughout the film's score.
I più visti
Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- The Nun's Story
- Luoghi delle riprese
- Brugge, West-Vlaanderen, Belgio(Convent exteriors, other exteriors)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 3.500.000 USD (previsto)
- Tempo di esecuzione2 ore 29 minuti
- Colore
- Proporzioni
- 1.85 : 1