Teseo contro il minotauro

Theseus of Athens (Bob Mathias, an actual Olympian) and his companion Demetrio (Rik Battaglia) rescue beautiful Ariadne (Rosanna Schiaffino) from brigands, only to discover that she is the twin sister of wicked Phaedra, princess of Crete (also Rosanna Schiaffino), who has no filial love for this potential rival for the throne. The malignant princess' power in Minos is maintained by fear of the Minotaur, a fearsome beast imprisoned in a labyrinth beneath the palace in Minos, a God to whom Phaedra sacrifices dissenters and their families. As Italian sword and sandal quasi-epics go, this one is not too bad. Decathlete Matthias has a heroic physique (although not quite as impressive as that depicted in the posters), the fight scenes are entertaining (despite numerous unconvincing armpit stabbings), and the women, especially Ariadne have skimpy outfits and very big...hair. The final showdown with the titular monster comes very late in the film and is somewhat anticlimactic as the film's Minotaur does not much resemble homo-bovine hybrid of myth. The film is a simple adventure that would appeal to kids but does contain some grim scenes of torture. I watched an adequately English-dubbed version on TCM which was OK, but there were some very abrupt cuts (when a woman's blouse is pulled off during the attack on Ariadne's village or when a character gets a red-hot poker in the eye) that suggests that a more 'adult' version may have been lensed. Entertaining but not great (but 'great' is not what the genre is known for).

The legend of Theseus finding his way through the Cretan maze in order to battle the Minotaur and rescue Ariadne is one of the great tales in Greek mythology. Alas, this version takes the tale and dilutes it into the standard "sword and sandal" plot. You know how it goes. The coldly-beautiful but evil queen lusts after the handsome, muscular hero. He already has a girlfriend and is a foe of tyranny and so spurns the queen. She's outraged, has the girlfriend imprisoned, and subjects the hero to a torturous trial. He triumphs, frees the girlfriend, and overthrows the tyrant. Grateful citizens cheer the happy couple. The End.

Steve Reeves might have been able to lift this mixture to a higher level but in his place we have ex-Olympics champion, Bob Mathias. Mathias is an affable sort and he's given an opportunity to show off his athletic prowess by engaging in a display of javelin throwing, pole vaulting, and discus throwing. He also looks pretty good with his shirt off, though not quite as good as you'd hope and he seems a bit self-conscious about baring his chest. On a more troubling note, however, his personality is bland, his acting ability no more than passable, and he lacks the swaggering sexuality needed to give his character that necessary edge.

Rosanna Schiaffino gets to play the evil queen as well as her virtuous twin sister. She's good at being bad but bad at being good. As for the Minotaur, traditionally represented with the head of a bull, it's poorly depicted here as a stunt-man dressed in sort of a King Kong suit, and the climatic battle between Theseus and the Minotaur doesn't deliver the expected thrills. Also, little is made of the strand of yarn which leads Theseus out of the maze, and the Minoan culture is only vaguely hinted at in the sets and costumes.

And once again, the movie bungles the torture scene. Theseus winds up in the queen's torture chamber, chained to a wall, but he's modestly allowed to keep on the top of his tunic! So when the torturer approaches with the red-hot iron, he must reach out and make a discreet rip in the hero's shirt in order to expose a bit of bare flesh next to the hero's left nipple. Hey, this is a "sword and sandal" movie featuring a muscular actor as its star. Why not rip that shirt all the way off and put the hero's sweaty torso on proper display?

Dug up a copy of this overlooked, nearly forgotten Italian fantasy/adventure because I had the vaguest recollection of watching it on Super Scary Saturday with Grampa Al Lewis in the 1980s.

I had forgotten almost everything about the movie, and I was expecting one of those cheap peplum latter day Hercules films. The movie is actually much more. The story is interesting instead of just an excuse to move between various fight scenes (though there's plenty of those), large crowd and battle scenes, vivid colors, and above average special effects for 1960s Italian films. The scenes are all wonderful to look at, and there's lots of beautiful women.

Highly recommended.

Fanciful rendition of one of the most famous Greek myths.To write that the movie takes liberties with the tale is to state the obvious:first of all,Phaedra and Ariadne are twin sisters both played by Italian beauty(and an usual sword and sandal heroine of the era)Rosanna Schiaffino : the former is the villain ,a wicked princess ,whereas the latter is an innocent clueless good girl .Theseus is still the king of Athenes ' son but his father won't throw himself into the sea which bears his name (Aegean sea);and if my memory serves me well,he marries Phaedra after abandoning her sister on an island.

People who are eagerly waiting for the Minotaur will be disappointed for the monster looks like King Kong and would not scare a four -year- old .They did include Ariadne's thread and she is devoted enough to go and meet him in the labyrinth.

Closer to Robert Siomak's "Cobra woman" than to Greek tales.

In ancient Crete, a monster called the Minotaur can only be satisfied by virgin sacrifices. The evil ruler of Crete is determined to keep the monster happy by sacrificing as many of the island's virgins as he can, but a pair of friends determine to kill the monster and stop the sacrifices.

Director Silvio Amadio is unfortunately not well known, perhaps best remembered for "Wolves of the Deep" (1959), and even that is rather obscure. Star Bob Mathias has a much more fascinating biography -- he was a two-time Olympic gold medalist, a Marine Corps officer, actor and Republican Congressman representing the state of California.

For movie buffs, the most recognizable might be Paul Mueller, who would go on to appear in a few 60s and 70s horror films by Jess Franco, including his version of "Count Dracula".

Anyway, that was all just to full space. You should watch this.