Il figlio di Montecristo

SON OF MONTE CRISTO, a swashbuckler with elements of ZORRO, ZENDA and SCARLET PIMPERNEL that, despite the familiarities, I found entertaining and watchable. However it would have been far less entertaining were it not for the performance of George Sanders as the villain, whose character is more than the two dimensional villains normally connected with films of this genre. He has human frailties in his makeup, yet comes across as a leader with charisma -- many would follow such a man. Really, I had forgotten over the years what a consummate actor George Sanders was. SON OF MONTE CRISTO is his film, and his film alone, no doubt about it. There are underlying political implications here, released as it was on the eve of World War II. The crew-cut Sanders with his military bearing and the ever present Iron Cross on his chest really represented Adolf Hitler; both of them highly ambitious self-made men from the lower class, contemptuous of aristocracy and fully determined to oust the old established order. Thru his determination and ruthlessness Sanders nearly accomplishes his goal. Louis Hayward turns in a fairly good performance as a Pimpernel-style hero with his best moments in scenes with Sanders, and the mental fencing between them both. I am always aware of Hayward's physical movements in his films; he moved like a cat. Heroine Joan Bennett, is, well, Joan Bennett. Enough said.

As an aside, I would like to comment on the fact that George Sanders hated dueling in his films, although when he had to, as here, he did well enough it seems. Later on in THE BLACK SWAN, he wore a red beard along with his dueling double to disguise the fact that it was not he with the sword against Ty Power, the latter incidentally, the second best duelist in Hollywood, in the footsteps of Basil Rathbone. One viewing of MONTE CRISTO will do for me, for it is not ZENDA, ZORRO nor the SCARLET PIMPERNEL.