La casa rossa

I first heard of this film when Scorcesse mentioned it on his documentary, "A Journey Through American Cinema"...always wanting to see something new, I found a copy of it at work and took it home....WOW!!! This is one of the greatest low budget thriller/melodramas I have ever seen...definately up there with Jacque Tourner's "Cat People" and Edgar Ulmer's "Detour"...Daves conjures up a moltov cocktail of sexual frustration, psychological S&M, and pubescent curiosity that seems primed to explode at any minute, and the volatility of it all is what keeps you in suspense. Even if you do figure out the secret of the red house half way through (I did), the performances of everybody involved (especially Edward G Robinson) keeps your eyes glued to the screen from beginning all the way to the bitter and somewhat ironic end....if you ever run across it, please check it out....sadly, the prints that are available are a bit scratchy at best (which is what happens when a film is forgotten), but the film is an experience everybody should see for themselves.....

This film-noir may look like a B-film, but it contains two powerful pieces of work, that of actor Edward G. Robinson and composer Miklos Rozsa.

A strange tale, "The Red House" benefits from one of Robinson's most flavorful performances, as a man harboring a dark secret past which returns to haunt him. Ably supporting Robinson is the strong Judith Anderson as the sister, the fine Lon McCallister as a callow but earnest youth, and the striking Rory Calhoun in one of his most impressive roles.

Directed in a somewhat standard fashion by Delmer Davis, interest is maintained by uniformly strong performances, and an extensive, full orchestral score by Miklos Rozsa. As in countless other films, Rozsa, inspired by Ravel (and the generic Debussy) weaves a wall-to-wall tapestry of psychological tension, further raising this enactment above its ordinary production design.

Devotees of Robinson can enjoy their favorite actor in his 53rd film, made at the peak of his powers. His unique film presence boasted a career of 99 films in 57 years, which was preceded by a 15-year stint on the New York stage. Robinson proved that one doesn't have to be unusually handsome to be a star, nor be relegated to minor character parts. Indeed, Robinson played leads in countless classics, with nary a weak performance. Few actors can make that claim.

The DVD transfer is not a restored print, and contains several stretches of poor audio and scratchy images. On a series called, "Hollywood Tough Guys," put out by Madacy Entertainment, one can still be grateful that "The Red House" is available, as respresentative of both Robinson's and Rozsa's unique contribution to film.

This is my second time around commenting on this movie.

All I can say is wow! Whatever parts of this movie that seemed bizarre the first time I saw the move all came together the second time around and made sense.

The psychological drama works and the characters do give nuanced performances which I appreciated more the second time around. I adore the rural setting. The Red House is nothing short of an engrossing film with strong performances. Edward G. Robinson, Lon McAllister, Allene Roberts, Julie London, Rory Calhoun, Judith Anderson and Ona Munson are perfectly cast. Edward G. Robinson's and especially Judith Anderson's performances which seemed bizarre to me the first time came alive with depth and subtlety on a second viewing.

I agree with the folks who are saying this is a must see film. Watch it twice if your are like me and you need to in order to understand just how good it is! And I cannot stress enough how fine the Miklos Rosa score for The Red House is. This one is a keeper. If they make a restored DVD of this movie, I'll buy it (hint).

Thrilling Film-Noir written and directed by Delmer Daves. A crippled farmer(Edward G. Robinson)living with his sister(Judith Anderson) and adopted daughter(Allene Roberts)is hard pressed to deal with a young man(Lon McCallister)that comes to help out with chores. The young man is a friend of the daughter, but has romantic feelings for the school "hottie" Julie London. Robinson becomes deeper obsessed with keeping everyone away from a mysterious red house hidden in the woods that surround his property. Not only is London very young at this time in her career, but so is Rory Calhoun who hunts the woods and discourages trespassers. This is a passionate and atmospheric mystery that is supported by the haunting music of Miklos Rozsa. I especially enjoyed the scene of McCallister trying to go through the woods in the hard driving rain storm with the creepy music background. If you get the chance to see this on TCM, AMC or PBS...don't pass it up.

Edward G. Robinson doesn't want his adopted daughter to go near "The Red House" in this 1947 film which also stars Judith Anderson, Lon McAllister, Allene Roberts, Julie London and Rory Calhoun. Robinson is Pete, who lives with his sister Ellen (Anderson) on a self-sufficient farm. They have a daughter they both adopted, Meg, who is now a teenager with a crush on Nath (McAllister) so she arranges for him to work for Pete. Nath is interested instead in the gorgeous Tibby (London), a tramp in training who flirts with a randy local (Calhoun). When Nath decides to go home via the woods, Pete becomes very agitated and tries to dissuade him. Meg and Nath decide to find out what's in those woods and start investigating. What they uncover is life-changing.

Directed by Delmer Daves, "The Red House" is one scary noir with lots of night scenes that take place in the woods and a haunting ending. The story is also an allegory for growing up and going out into the world, which Meg and Nath are determined to do. Nath urges his mother to marry her long-time boyfriend and go north with him because it's time he was independent, and Meg wants to be treated like a young woman - not only by a young man, but by the people she sees as her parents. The more Pete tells her not to go into the woods, the more she rebels.

There are several unsettling things in this film - the secret Pete is keeping, for one, as well as very unhealthy obsession with Meg. That is handled subtly for the most part, but is still there. That may seem an ambitious subject for 1947, but it is also an obvious part of the plot of "In This Our Life," as an example. We learn as the film continues that Ellen had a chance at having her own home and happiness with the local doctor, but because Pete would not allow her to take Meg with her, she never married and stayed on the farm. The fact that she wasn't willing to leave Meg alone with Pete is quite telling. As Pete becomes more unbalanced at the thought of anyone trespassing in the woods, we can understand her motives. Another interesting feature of the film is the blatant sexuality of Tibby as opposed to the naiveté of Meg.

All the performances are good, but Robinson is a standout. He could be convincing as both a villain and a lovesick fool, a great man or a coward. Here he slowly fleshes out his character from that of a nice, gentle man to one who is becoming unhinged to complete disintegration in a truly frightening performance. Judith Anderson, so menacing in "Rebecca" underplays beautifully here and is perfectly convincing as Pete's sister. It's a sign of a great actress when she can be at home in Shakespeare and as a farmer's sister. London is stunning and does well as a gal trying to hedge her bets. Roberts and McAllister are appropriately young and have the necessary naive quality.

The best way I can describe "The Red House" is to call it unsettling. The undertones and the end of the film are disturbing, and one can see the beginnings of the psychology and dark feelings that surfaced in film after World War II.