VALUTAZIONE IMDb
6,7/10
2246
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaTwo producers are putting together a wartime charity show with an all-star cast, but the egotism of radio personality Eddie Cantor disrupts their plans.Two producers are putting together a wartime charity show with an all-star cast, but the egotism of radio personality Eddie Cantor disrupts their plans.Two producers are putting together a wartime charity show with an all-star cast, but the egotism of radio personality Eddie Cantor disrupts their plans.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 1 vittoria e 1 candidatura in totale
S.Z. Sakall
- Dr. Schlenna
- (as S.K. Sakall)
Recensioni in evidenza
Thank Your Lucky Stars (1943)
*** (out of 4)
Pretty much plot-less "musical" doesn't need a plot when you have guests stars that include Humphrey Bogart, Bette Davis, John Garfield, Errol Flynn, Olivia de Havilland, Jack Carson, Dinah Shore, Ann Sheridan, Dennis Morgan, Ida Lupino and many, many more. What plot the film does have centers around a benefit show where a couple new to Hollywood tries to get on to make a name for themselves. We also have Eddie Cantor playing not only himself but the role of another man trying to break into the business. If you want any type of story then you're going to be disappointed but if you come to a film like this wanting a story then I'm not sure what to tell you. One must remember that the country was at war when this was made and in the end the studio just wanted to deliver something fun and that's what they did. With so many great A-list stars you can't help but have fun even when they're either making fun of themselves or making a fool out of themselves by singing. Flynn and Davis are really bad to listen to but at least they both are having fun with it. Bogart has a funny bit as the "tough guy" who gets pushed around by a nobody. Bogart's reply to this is priceless. Garfield is also quite good as he's the first one to appear in the film and he gets it off to a great pace. Character actor Richard Lane also appears as a character and does fine work as does the rest of the supporting cast. Cantor really seems to be having a blast with some great songs as well as making fun of himself as a boob throughout. All in all, this is a very entertaining movie even if the 127-minute running time goes on a bit too long but there's no way to deny the charm of seeing all these stars in one film.
*** (out of 4)
Pretty much plot-less "musical" doesn't need a plot when you have guests stars that include Humphrey Bogart, Bette Davis, John Garfield, Errol Flynn, Olivia de Havilland, Jack Carson, Dinah Shore, Ann Sheridan, Dennis Morgan, Ida Lupino and many, many more. What plot the film does have centers around a benefit show where a couple new to Hollywood tries to get on to make a name for themselves. We also have Eddie Cantor playing not only himself but the role of another man trying to break into the business. If you want any type of story then you're going to be disappointed but if you come to a film like this wanting a story then I'm not sure what to tell you. One must remember that the country was at war when this was made and in the end the studio just wanted to deliver something fun and that's what they did. With so many great A-list stars you can't help but have fun even when they're either making fun of themselves or making a fool out of themselves by singing. Flynn and Davis are really bad to listen to but at least they both are having fun with it. Bogart has a funny bit as the "tough guy" who gets pushed around by a nobody. Bogart's reply to this is priceless. Garfield is also quite good as he's the first one to appear in the film and he gets it off to a great pace. Character actor Richard Lane also appears as a character and does fine work as does the rest of the supporting cast. Cantor really seems to be having a blast with some great songs as well as making fun of himself as a boob throughout. All in all, this is a very entertaining movie even if the 127-minute running time goes on a bit too long but there's no way to deny the charm of seeing all these stars in one film.
Before I comment on the film, I just have to say that Dinah Shore's songs in this film are as bad as the "bad" song Joan Leslie is supposed to have written. I think she called it "Moondust" or some such thing.
While the stars occasionally shine in this Warner Bros. musical tribute, it's Eddie Cantor who deserves the most praise for providing most of the laughs. Cantor's dual role as a taxicab driver and an Eddie Cantor lookalike gives him some hilarious moments as he helps Joan Leslie and Dennis Morgan crash the studio gates with his Cantor impersonation. The Warner stock company (including S.Z. Sakall, Edward Everett Horton and many others) is on hand in supporting roles while the stars are given some amusing skits to appear in.
Errol Flynn is amusing in a cockney song-and-dance routine in a pub, Bette Davis talk-sings her way through 'They're Either Too Young Or Too Old', Ida Lupino and Olivia de Havilland do a jive number, mugging outrageously while chewing gum and mouthing words to a song called 'The Dreamer', Dinah Shore warbles an undistinguished song or two, Alexis Smith dances with style and grace, Ann Sheridan does a rather tiresome song number and Jack Carson and Alan Hale struggle through a less than witty routine that defeats both of them.
Humphrey Bogart, John Garfield (obviously tone deaf when he renders "Blues in the Night") and Sydney Greenstreet make fleeting appearances. Hattie McDaniel appears in an unusual novelty number. As one reviewer pointed out, "It's more like amateur night at the studio." But thanks to Cantor, the perky charm of Joan Leslie despite some awful songs and the appealing Dennis Morgan, it all comes together--silly, but lots of fun. Must have been a big hit with the servicemen during the war years, but just don't expect Grade A entertainment.
While the stars occasionally shine in this Warner Bros. musical tribute, it's Eddie Cantor who deserves the most praise for providing most of the laughs. Cantor's dual role as a taxicab driver and an Eddie Cantor lookalike gives him some hilarious moments as he helps Joan Leslie and Dennis Morgan crash the studio gates with his Cantor impersonation. The Warner stock company (including S.Z. Sakall, Edward Everett Horton and many others) is on hand in supporting roles while the stars are given some amusing skits to appear in.
Errol Flynn is amusing in a cockney song-and-dance routine in a pub, Bette Davis talk-sings her way through 'They're Either Too Young Or Too Old', Ida Lupino and Olivia de Havilland do a jive number, mugging outrageously while chewing gum and mouthing words to a song called 'The Dreamer', Dinah Shore warbles an undistinguished song or two, Alexis Smith dances with style and grace, Ann Sheridan does a rather tiresome song number and Jack Carson and Alan Hale struggle through a less than witty routine that defeats both of them.
Humphrey Bogart, John Garfield (obviously tone deaf when he renders "Blues in the Night") and Sydney Greenstreet make fleeting appearances. Hattie McDaniel appears in an unusual novelty number. As one reviewer pointed out, "It's more like amateur night at the studio." But thanks to Cantor, the perky charm of Joan Leslie despite some awful songs and the appealing Dennis Morgan, it all comes together--silly, but lots of fun. Must have been a big hit with the servicemen during the war years, but just don't expect Grade A entertainment.
8tavm
This is the second of the "war musicals" I'm reviewing for the next few days, the first having been Something for the Boys. This was Warner Bros. initial contribution of an all-star extravaganza to the war effort. I mean, seeing non-singing stars like Errol Flynn and Bette Davis warble entertaining tunes and having fun doing them are special treats to watch even today. And seeing Humphrey Bogart get shouted down by S. Z. Sakall is hilarious. In fact, the screenplay by Melvin Frank and Norman Panama (both of whom were natives of my birthtown of Chicago, Ill.) provided non-stop laughs for most of the time especially when the plot was focused on Joan Leslie, Dennis Morgan, and especially on Eddie Cantor who plays both himself as an egotistical jerk and a down-on-his-luck actor-turned-bus driver named Joe. And Sakall and Edward Everett Horton make a wonderful team when they have to deal with Cantor. The songs, by Frank Loesser and Arthur Schwartz, are highly entertaining especially Davis' "They're Either Too Young or Too Old" and Cantor protégé Dinah Shore sings a couple of their ballads wonderfully. Also a treat was a performance by Spike Jones and the City Slickers doing their funny stylings on a classical piece. Okay, not everything clicked and the movie, at a little more than two hours, may have been a little long. But I was so entertained, I mostly didn't care. So of course, Thank Your Lucky Stars gets a high recommendation from me. P.S. I found out that three players from my favorite movie, It's a Wonderful Life, appeared though I only noticed one, Mary Treen as an Eddie Cantor fan who encounters Joe, while watching. Perhaps Frank Faylen, as a sailor, and Virginia Patton, as one of the girls in Ann Sheridan's number, didn't appear long enough for me to recognize them.
See all of your favorite 1940s Warner Bros. stars as you've never seen them before!
This star-studded WWII morale-booster is not unlike similar star-studded WWII morale-boosters put out by other studios, featuring the big names in brief cameos sprinkled throughout a thin "let's put on a benefit" plot. Here the WB stars perform little vaudeville sketches, singing and dancing, as part of a charity show. And we're talking some big names here: Bette Davis, Errol Flynn, Olivia de Havilland, John Garfield, Ida Lupino, Ann Sheridan, Jack Carson, etc.
The real star, however, is Eddie Cantor. Much of the movie is about how annoying and overbearing Cantor is, with Cantor in a dual role as both a parody of himself and his resentful look-alike. In an exhibit of good-humored self-deprecation, Cantor allows his name to be dragged through the mud by critics of his corny jokes and swollen ego (his alternate character among them). As one character or the other Cantor moves the screwy plot along.
This movie is simply a star-studded, feel-good musical. And it is a lot of fun. The stars who really shine in this are John Garfield, Bette Davis, and Cantor. Dinah Shore is featured prominently in her first screen appearance and we even get to see Spike Jones and His City Slickers in action. Errol Flynn has a nice number and Alexis Smith shows off her dancing background. S.Z. Sakall is hilarious as always and the young romantic couple (Joan Leslie and Dennis Morgan) make sure to plug recent WB successes. (Leslie lets go with impressions of Lupino and James Cagney.)
It's interesting, in the scene where Olivia de Havilland and Ida Lupino dance on either side of George Tobias (in a slightly awkward jive routine), to note the contrast in the actresses' performances. Both de Havilland and Lupino are in the frame, basically playing clones of each other. But it seems like de Havilland just put so much more into her performance, particularly with her facial expressions.
It's a treat to see all of these stars in one movie and it's a treat to see them do something fun and different. The songs won't always blow you away, but they're pleasant enough. The finale is a medley of all the songs we've heard, with the welcome return of the stars we've seen. It's a fitting cap to the viewer's journey, and should leave everyone in a good mood. I think I liked the music more after hearing it all reprised in the finale.
Top-billed Humphrey Bogart has about a minute of screen time and, though he leaves an impression, he doesn't do any singing or dancing.
This star-studded WWII morale-booster is not unlike similar star-studded WWII morale-boosters put out by other studios, featuring the big names in brief cameos sprinkled throughout a thin "let's put on a benefit" plot. Here the WB stars perform little vaudeville sketches, singing and dancing, as part of a charity show. And we're talking some big names here: Bette Davis, Errol Flynn, Olivia de Havilland, John Garfield, Ida Lupino, Ann Sheridan, Jack Carson, etc.
The real star, however, is Eddie Cantor. Much of the movie is about how annoying and overbearing Cantor is, with Cantor in a dual role as both a parody of himself and his resentful look-alike. In an exhibit of good-humored self-deprecation, Cantor allows his name to be dragged through the mud by critics of his corny jokes and swollen ego (his alternate character among them). As one character or the other Cantor moves the screwy plot along.
This movie is simply a star-studded, feel-good musical. And it is a lot of fun. The stars who really shine in this are John Garfield, Bette Davis, and Cantor. Dinah Shore is featured prominently in her first screen appearance and we even get to see Spike Jones and His City Slickers in action. Errol Flynn has a nice number and Alexis Smith shows off her dancing background. S.Z. Sakall is hilarious as always and the young romantic couple (Joan Leslie and Dennis Morgan) make sure to plug recent WB successes. (Leslie lets go with impressions of Lupino and James Cagney.)
It's interesting, in the scene where Olivia de Havilland and Ida Lupino dance on either side of George Tobias (in a slightly awkward jive routine), to note the contrast in the actresses' performances. Both de Havilland and Lupino are in the frame, basically playing clones of each other. But it seems like de Havilland just put so much more into her performance, particularly with her facial expressions.
It's a treat to see all of these stars in one movie and it's a treat to see them do something fun and different. The songs won't always blow you away, but they're pleasant enough. The finale is a medley of all the songs we've heard, with the welcome return of the stars we've seen. It's a fitting cap to the viewer's journey, and should leave everyone in a good mood. I think I liked the music more after hearing it all reprised in the finale.
Top-billed Humphrey Bogart has about a minute of screen time and, though he leaves an impression, he doesn't do any singing or dancing.
This is a great movie.Dinah Shore sings beautifully and Eddie Cantor is hilarious!Dennis Morgan and Joan Leslie are sweet together and sing "I'm riding for a fall" and "No You,No Me". Jack Carson and Alan Hale do a cute routine and Alexis Smith dances wonderfully.Bette Davis and Errol Flynn sing!Any person who likes star-filled movies with lots of songs and comedy should see this film!I recommend it!!
Lo sapevi?
- QuizWhen Conrad Wiedell takes Bette Davis and does the jitterbug, she felt he was holding back in rehearsals and told him to treat her like an experienced dance partner. When the cameras rolled, Wiedell--a national jitterbug champion hired specifically for this dance--pulled out all the stops and swung her around and she fell on her knee. As she finishes her song, she is seen limping out of the nightclub set and leaning against a post, rubbing her knee. This was a real injury, but she finished the song despite the pain. When director David Butler asked Davis to "try it once more," she replied, "No! No! I said one take, and that was it." She then turned to the press who had shown up to watch her number, telling them "Show's over, gentlemen. Now get the hell out."
- BlooperIn one of the scenes, Eddie Cantor dressed as an American Indian, is being chased by other men dressed as American Indians, the film negative has been flipped; the signs on store windows are backward/mirror images.
- Citazioni
Humphrey Bogart: [after an effort at being tough has no effect whatsoever on S.K. Sakall] Hey, I must be losing my touch! I hope my movie fans don't hear about this!
- Curiosità sui creditiAt the end, the words "THE END" are sewn into the curtains.
- ConnessioniFeatured in Arena: Bette Davis: A Basically Benevolent Volcano (1983)
- Colonne sonoreThank Your Lucky Stars
(1943) (uncredited)
Music by Arthur Schwartz
Lyrics by Frank Loesser
Performed by Dinah Shore on a radio show
Reprised by a chorus at the end
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Thank Your Lucky Stars
- Luoghi delle riprese
- Beverly Hills, California, Stati Uniti(tour of stars' homes)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 1.568.000 USD (previsto)
- Tempo di esecuzione2 ore 7 minuti
- Colore
- Proporzioni
- 1.37 : 1
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By what name was Sotto le stelle di Hollywood (1943) officially released in India in English?
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