Il coraggio della paura

... where he recycled some aerial footage from "Hell's Angels" in what he meant to be a comedy. One of the writers was the witty Robert Benchley, and a director of at least part of the film was comedy director Edward Sedgewick, and yet this thing lands with a thud.

It is just ridiculous without being funny and it is completely disjointed to the point where it could have been one or several two reel shorts and it might have worked or at least worked better.

It starts out being centered on two guys faking and blustering their way through life, Wilkie (Spencer Tracy) and Mitchell (George Cooper). They at first get jobs as lifeguards though they can't swim, mainly so they can brag and get girls. When someone needs rescuing in the water, they let Hogan (William "Stage" Boyd) rescue the guy and then take the credit. Then they show up at a Red Cross benefit fight in two stolen suits. Hogan, billed as "One Punch Hogan" is supposed to fight. He sees Wilkie and Mitchell and starts a fight with them over the beach incident. Wilkie knocks out One Punch Hogan with one punch and then runs. Wilkie and Mitchell then end up in the army but decide to desert and stow away on a ship to South America. Instead the ship is on its way to Europe with a bunch of Army Air Corp pilots onboard. Note that these two don't even know Hogan at this point.

It is here they meet Hogan again when they are caught stowing away and are put in the brig, as it turns out Hogan is actually a sergeant. But Wilkie talks his way out of trouble saying that the two deserted the army so they could fly under the colonel who is in charge of their court martial. Strangely enough this actually cuts some ice with him. So now teaching these two stowaways to be pilots is Hogan's problem. Complications ensue, most of them complete nonsense.

It seems that Spencer Tracy is going for the kind of vibe that James Cagney displayed in similar roles over at Warner Brothers at the time, except Cagney had much better scripts than this as well as those fabulous Warner Brothers contract players. Tracy is really the only reason to watch this. It is the same basic wise guy role he had over at Fox until the precode era ended. His initial straight man, George Cooper, has the screen presence of a peeled potato, so the plot manages to edge him out of that role and Boyd into it, and he does work better but then that is a low bar.

I'd say it is probably only worth it for Spencer Tracy completists. Tracy is the only reason I managed to sit through it to the end.