Silenzio sublime

TCM's print of Frisco Jenny benefits from being in near pristine condition, and luckily the film itself is pretty good, too. Director William Wellman never settles for static shots, relying on almost constant camera movement to keep the story moving and culminating in a cleverly shot (though somewhat gimmicky) courtroom sequence. Ruth Chatterton looks somewhat younger than in most of her features but by film's end she's reverted to her more natural (and to my mind, more attractive) look. It's unfortunate that a Caucasian actress who specialised in ethnic roles, Helen Jerome Eddy, was cast in the important role of Amah, Chatterton's Chinese housekeeper and confidante, but that shouldn't be taken as criticism of Eddy's performance, which is quite fine. Throw in a decent recreation of the great quake of 1906, and you have an entertaining and ultimately very moving household drama that doesn't pull its punches.

I love William Wellman's films. Frisco Jenny is a beautifully sad film played brilliantly by Ruth Chatterton. I'm gonna keep this review short and sweet. Give it a watch. It will keep you enthralled until the end.

Another Pre-Code Entertainer from Prolific Director William Wellman. This One Stars an Actress that is Virtually Unknown Today but has a Fan Following, Ruth Chatteron. The Recycled Soap Opera Plot is for those who like Weepy Melodrama with Strong Female Sufferers in Tragic Situations.

It Spans a Generation of Time in its 70 Minutes and is Another Example of Movie Making Magic in its Most Concise Form. The Opening is the Year of the San Francisco Earthquake and the Barbary Coast is the Backdrop for that Natural Disaster as the Story Begins to Unfold a Natural Disaster of it Own.

The Pre-Code Only "Bastard Child" to a Woman of Ill Repute who must Relinquish Her Son because to Society its a Sin to Sell Your Body and the Baby must be Taken Away. But the Heart of Gold Mother Fights, in More Ways than One, to make Sure the Child is Cared for.

Overall, this is a Classic Tale Told with Class. The Costuming is Excellent, the Acting Acceptable, the Camera Work Outstanding. The Earthquake Scenes are Exceptional. It is Not Edgy like a Lot of Pre-Coders but it Makes Up for it with Style and Story.

Not as 'notorious' a Pre-Code, as Chatterton's 'Female', released the following year, but anyway a highly entertaining film, that tells the story of 'fast-talking' 'Jenny Sandoval', who after the big San Francisco 1906 earthquake (great special effects in these sequence), 'rises' from the slums to the 'heights' of being the most powerful Brothel Madam of the whole city, with all kinds of 'useful' connections.

Nice to watch a 'young' Louis Calhern as a politician who is Chatterton's pal (23 years before his highly amusing role as Grace Kelly's bon-vivant uncle in MGM's 'High Society'). Also good performances by Helen Jerome Eddy as Chatterton's Chinese maid and Donald Cook as Chatterton's grown-up illegitimate son.

Somewhat reminiscent of Chatterton's 1929 MGM flick 'Madame X' aka as Absinthe, but better, and much swifter.

At this writing, Ruth Chatterton has been gone nearly 50 years but, as someone else here wrote, she deserves to be rediscovered.

She gives a marvelous performance in this gritty down-to-earth film that offers several lessons: Wild Bill Wellman was a great director; Ruth Chatterton was a superb actress, a woman of a different appeal than the fluffier types; vices ought not to be made crimes.

Nearly all of the problems suffered by the characters in "Frisco Jenny" would not have been there if the rowdy Barbary Coast character of San Francisco had not been changed by the blue-noses.

"Nearly all" because the terrible earthquake of 1906 wreaked its own havoc, and I believe "Frisco Jenny" presents the best motion picture version of that particular killer. Some of the footage must have been from newsreels taken at the time. Spectacular and horrifying.

Yes, some of the premises of "Frisco Jenny" had been used before and have been since, but that in no way detracts from the drama and heartbreak presented here.

There is a superlative cast, including such greats as Harold Huber and Louis Calhern in a great and mostly sympathetic role.

Two wonderful actresses don't get screen credit, but will always live in my heart: Dorothy Granger and Gertrude Astor; and Wild Bill himself also has an uncredited bit, as does Syd Saylor who is more readily identifiable.

And listen for the legendary Clarence Muse.

This is one you ought to see.