La baronessa e il maggiordomo

A charming movie, in particular for those whose film tastes are simple, requiring clean, wholesome entertainment, certainly something rare on the screen in the 21st Century. Powell was Powell, articulate, debonair, and likable. But this was my first view of Annabella; what a lovely creature; more accurately, stunningly beautiful, at least to me. The cast did well depicting the almost unbelievable etiquette that those of us born in or after WW II just do not understand. I guess this was the objective in the simplistic plots of the time--to bring only a sense of peace and pleasure to audiences in a time (WW II) when such peace and pleasures were thought to probably never exist again. I cannot find a lot of information on Annabella, but she apparently had a long and distinguished film career. Too bad I didn't know about her in my youth. The film is certainly another 'feather in the hat' of a time in films that many of us remember and enjoyed.

This is a most delightful movie in every sense. And one that deserves to be known far better than it is. The story of a conscientious butler who works for the Prime Minister of his country, Hungry, but, unknown to his employer, has political aspirations of his own.

This is a wonderfully witty script that never flags. And such a fine cast. William Powell is irrepressible as ever as the caring butler who however isn't afraid to speak his mind in parliament when leading his party in opposition to his employer played by Henry Stevenson, whose wry amusement when Powell's character criticises him in front of everybody in Parliament is hilarious.

But the real revelation here is Annabella, who is simply sparkling as the Baroness, who is also the Prime Minister's daughter. Not only is she very beautiful but also a fine actress. Annabella is so vibrant and expressive in this part that she is just a joy to watch in every scene she plays, especially in those with Powell. They had great chemistry. And it would have been nice to see more of them together.

It seems like Zanuck tried to wreck Annabella's career when she became involved with Tyrone Power. What a sad mistake on Zanuck's part as one can clearly see from this movie that Annabella had a style and panache that would surely have made her a great star. This movie is excellent entertainment and well worth seeing.

This is a fine film in the small category of butler and maid comedies. In most such films, a leading character assumes the identity of a butler for any number of reasons, with madcap comedy resulting. But, "The Baroness and the Butler" is different in that the butler here is a bona fide servant of the Hungarian prime minister. And, he's proud to be the head of the household staff, having followed in the footsteps of his father and ancestors before him. Small injections of satire occur here and there, especially with some subtle pokes at the aristocracy and politics of the period and place.

William Powell plays Johann Porok in the lead role. This is his second time as a butler - having played a wealthy Bostonian in disguise in "My Man Godfrey" of 1936. But, here Powell is a loyal servant who runs a perfect household for Count Albert Sandor and his family. Henry Stephenson plays the count who also happens to be the prime minister, as head of the ruling political party in Hungary.

The film has a talented cast that includes Annabella, the French star who was making her American film debut. She plays Baroness Katrina Marissey, daughter of the Count and Countess Sandor (played by Helen Westley). She is married to Baron Georg Marissey, who is played by Joseph Schildkraut. Nigel Bruce has a nice role as a pompous and bumbling Major Andros.

Porok is so well liked by the count and countess and their family, that he's almost one of the family. Well, not quite, because he's still not of their class. But they fret that Johann has no prospects of marriage, because they want his progeny to continue in the service to their family.

That's the setting when things begin to unravel as Johann wins a seat in parliament in the opposition party. He will continue to work as a devoted servant for the count, but in the parliament he is the leader of the forces that seek to wrest control of the country. Johann's speeches point to the ineptitude of the count and his party. All of this provides a fine mix of light drama and light comedy.

The best part is the relationship between Johann and the baroness. Her demeanor gradually changes from one of indignation at the thought of Johann's rise in status, to one of admiration. And, of course, love has been blooming underneath all of this. The count's role is one of an affable gentleman who admires Johann as well for his political enterprise.

The film has a nice outcome for all. It doesn't have the hilarity of the butler and maid films with mishaps and antics. But, even with a less frivolous setting and plot, this film has some very good humor and fun. It makes a nice addition to a small library of butler and maid comedy films. Here are some favorite lines.

Johann Porok, "This is the last day of parliamentary elections. Those of you who have not voted will be given time to do so today. That is all."

Klari, "Don't you ever get off your high horse and have fun?" Johann Porok, "Klari, don't let your imagination run away with you."

Count Albert Sandor, "Johann, will you kindly break my neck?" Johann Porok, "With pleasure, your excellency."

Baroness Katrina Marissey, "I'm giving a ball." Countess Sandor, "A ball? Oh, you poor child. Do we have to come?"

Baroness Katrina Marissey, "Would you like a smoke?" Johann Porok, "Thank you." Looking at the cigarette he has just taken from the box offered by the baroness, he continues, "Abdulla, with the rose leaf." Baroness, "Mother brought them back for me." Johann, "Yes, I know. I smuggled them across the border in my trunk." Baroness, "Oh."

"The Baroness and the Butler" is a 1938 film starring William Powell and the French star signed by 20th Century Fox, Annabella, who got the big star buildup from Fox. Little did Darryl F. Zanuck know that she was more interested in matters of the heart than career. When she met and fell in love with Tyrone Power on her next film, "Suez," Zanuck tried to get rid of her by offering her films in Europe. She refused to leave Power (and who could blame her) and the two married, becoming the Brangelina of their era. Zanuck blacklisted her, and there went the star buildup and the big film career.

This is a charming film set in Hungary, about a butler, Johann Porok (Powell) who works for the Prime Minister (Henry Stephenson). The prime minister and his family, particularly his daughter Katrina (Annabella) are shocked when Johann is elected to Parliament - by the opposition party. What's more, he wants to stay on as butler. Meanwhile, Katrina's philandering husband (Josef Schildkraut) has a few political ambitions of his own.

Powell does a smooth job in this film as the elegant butler who is known for his brilliant speeches in Parliament. Stephenson is great as his amused boss, and Schildkraut, who played so many slimeballs, is terrific as usual. Annabella was a wonderful actress, and when her film career took a nosedive thanks to Zanuck, she and Power did radio shows together. Annabella also had a great success on Broadway, did "Liliom" with her husband in Westport Connecticut, and worked tirelessly for the war effort before returning to France when she and Power divorced.

"The Baroness and the Butler" isn't a great film, but it has good performances and a breeziness about it. Enjoyable if predictable.

Hungarian Prime Minister "Count Albert" (Henry Stephenson) is having a family breakfast on the morning after the election when he hears news on the radio that his butler "Johann" (William Powell) has been elected to Parliament - and for the opposition party too! He's quite a savvy and decent old chap and offers his congratulations. In turn, "Johann" promises to continue to take care of his master whilst performing his new parliamentary duties. It turn out that he's quite an effective politician and that although they are not quite of the same social class, he and the "Baroness" (Annabella) - who is married to "Baron Georg" (Joseph Schildkraut) - start one of those love/hate relationships that can only end one way. With the odd, slightly confusing, appearance from Nigel Bruce and a Stephenson who looks like he's enjoying the mischief of it all, I found this to be an entertaining swipe at the principles of declining aristocratic rule and of the aspiring hope of the people in a new order with all of the same problems. Powell is on good form here but Annabella isn't very natural nor entirely at home with the English language. Still - as "Johann" says - "there are always difficulties"! I quite enjoyed this.