Le donne e il desiderio

Never in my life has any film made me regret buying the ticket. Wasilewski's movie is so badly executed the visit in the cinema is an excruciating experience. There is no script (how come did it get an award in Berlin? it doesn't make any sense), the cinematography sucks (what happened to the colors?), the direction is terrible (Wasilewski can't make use of terrific cast - they all seem lost in this story) and the score is non-existent. I will not mention intentional and over the top nudity (I don't mind nudity, but the number of penis and vagina shots is inexplicable taking into consideration movie's theme) and a final scene, which sums up my experience in the cinema. That puking woman (that's not really a spoiler - the scene doesn't fit the movie whatsoever) is like the director puking on the audience. Definitely not recommended.

Thanks to the crew, cast and director for making this movie. It's not too often the audience see a movie like this one, and i am happy i saw it just now. It's a beautyful portrait of the truth of the human condition.

Thanks again. I will remember this movie and the caracters.

I am sure this is not the easiest movie for many,but I find it brutally expressive, overwhelming and especially original. I don't know the fancy words for a review but I can tell you, most of the movie I will probably remember for a very, very long time.

I love the very Eastern European picture and most of the characters - the play of the school director is so powerful that she is almost iconic.

This is pure realistic art against the grain, shallow and mediocre entertainment going on in cinemas.

Given the distinctive quality of Polish cinema, we don't see enough Polish movies in Australia, and I was happy to catch a one-night stand, as it were, from this one.

Intelligent, well cast, beautifully shot, church-ridden, grey, and typically unsettling. As Polish as anything, this is definitely not a date and popcorn movie. Even the first and 'happiest' dinner party scene is shot in washed out blues and greens. From there on, all four female protagonists are bound for sexual grief, although the lesbian character does win a weird kind of satisfaction at the end.

I'd go see this director's next outing, and I wouldn't mind seeing his previous. For me, his observations are vigorous, expanding to give comment on life as we live it, and not just dispensing gloom for the sake of gloom. The gratuitous moments - like Madame Principal's rough-trade encounter with a former student - can be overlooked.

Astonishingly mature work written and directed by the young Polish director Tomasz Wasilewski. It's stuffed full of amazing images and superb performances.

The individual, overlapping stories of four women in a quiet town are presented in compelling scenes in which it's impossible to anticipate what will happen next. Meanwhile, in the wider world, discussions are taking place about the unification of Germany, the nail in the coffin of Eastern European Communism, which had effectively collapsed the year before, liberating Poland from what had been the Soviet Union. The counterpointing of these private and public themes is brilliantly accomplished by Wasilewski, who has blossomed as an artist with this film.

The quartet of actresses are Julia Kijowska,Magdalena Cielecka, Dorota Kolak and Marta Nieradkiewicz, with Ms Kolak particularly moving as a bewildered teacher thrown on the scrapheap. There is strong support by an equally accomplished quartet of men: Tomasz Tyndyk, Andrzej Chyra, Marcin Czarnik and Lukasz Simlat.