The Mauritanian

I had modest expectations going into "The Mauritanian," a screen adaptation of the book "Guantanamo Diary," which blew the whistle on the U. S. treatment of prisoners of Guantanamo Bay. Usually, if a movie as Oscar-baity as this one fails to receive a single nomination, it's because it's not very good. So call me pleasantly surprised when I discovered the film to be the exact opposite.

To some, "The Mauritanian" will likely be too heavy handed. It's one of those liberal Hollywood diatribes (and I say this as a self-identified liberal progressive) that can be too much even for those who've already bought what the movie is selling. I might have been turned off if I'd been in a different mood when I watched it. But sometimes, the commitment of the people making the movie can overcome its excess earnestness, and that was the case for me here. Among the usual Liberal Activists = Good, U. S. Government and Military = Bad tropes, the film does try for some nuance in its characters. Jodie Foster gives a sensational performance as the attorney dedicated to freeing the film's protagonist, played in an equally wonderful performance by Tahar Rahim, and we're allowed to see that she's unlikable and conflicted. Likewise, Benedict Cumberbatch, as the prosecuting attorney, is introduced as what we're sure is going to be a macho Southern military goon stereotype, complete with unacceptable accent, but the movie subverts our expectations and shows that he's capable of letting personal and patriotic feelings be outweighed by humanitarian ones. Granted, the film does none of this elegantly or delicately, but I just appreciated a story that at least attempted to populate a liberal/conservative issue movie with characters that are more than easy ciphers. The film could probably be criticized as yet another white savior story, and those criticisms would be justified. But it's a damn good one.

Shailene Woodley rounds out the cast as Foster's assistant, and she's excellent as well. The director is Kevin Macdonald ("The Last King of Scotland"), who has a knack for making blisteringly entertaining movies out of gruesome true event subject matter.

Grade: A.

Wow, really amazing and inspiring film. True story, Great acting and wonderful cinematography. Tahar Rahim must be nominated for the Oscars as best leading Actor!!

This is a very very powerful film, that brings a very dark page of history to light. My heart is so heavy from the horror I saw. When the credits rolled, I didn't want to stop the film. I'm amazed by how he keeps his positivity, or even the will to live through years of darkness.

I think The Mauritanian gives a very insightful look at the extent governments will go to coverup how the treat prisoners. Here in the United States and other countries around the world. Doing all that can be done to get false witness against anyone. The end does not justify the means, which is something brought to light in this movie. This is a true story from the story told in the book Guantánamo Diary, written by Mohamedou Ould Slahi. It tells of his experiences in Guantanamo Bay. Maybe one day we will learn to treat each others as humans and respect deserved until the facts are proven.

Mohamedou Ould Slahi (Tahar Rahim) gets picked up by the Mauritanian police after 9/11. It's the start of his odyssey to Guantánamo Bay. Three years later, New Mexico defense attorney Nancy Hollander (Jodie Foster) gets recruited to be his lawyer. She is joined by junior associate Teri Duncan (Shailene Woodley). Meanwhile, Marine lawyer Stuart Couch (Benedict Cumberbatch) is recruited to be the prosecutor to give the prisoner a death sentence. He is eager for the job after losing a close friend in one of the planes. Former classmate Neil Buckland (Zachary Levi) is involved with the interrogation.

Director Kevin Macdonald delivers a clear-headed dissection of the case against Mohamedou who is known here as The Mauritanian. The power of this movie comes from a straight forward telling of his story. I am uncertain about portraying the torture but somehow it has to be laid down on film. I would consider a less direct approach to give the audience some space. There are a few lines of dialogue that I wish Nancy would say. The performances are beyond reproach. All in all, this is a powerful truth seeking missile of a film.