Ad Vitam

I found Ad Vitam an enjoyable watch with some good action scenes. Few movies are perfect are they? The retrospective scenes were maybe a little overdone but served to give a better picture of the main characters and did make me interested in them. Many action shows have too many shallow characters that never get hurt yet we are expected to care about them in order to create some tension and suspend disbelief. Ad Vitam did not do that although you do have to suspend disbeluef a bit at the climactic action scene. All in all , a good effort and I liked the actors and the general storyline worked well.

Rodolphe Lauga delivers a top-notch action movie that stands out in the genre. What makes French films so appealing compared to Hollywood blockbusters is their focus on realistic scripts, grounded action, and authentic characters, which result in true emotional depth and drama. These are the kinds of action films you want to watch because, unlike Marvel movies, you're not stuck watching the same superheroes in endless, exaggerated battles. In this film, the people, the situations, the locations, and the thrilling chases all feel incredibly lifelike, pulling you into the story and making you feel like you're right there with the characters. It's a refreshing change from the typical formulaic films where you're just watching the same A-list stars in the same predictable shootouts. This is an action movie with real substance-a film that no John Wick can quite match.

You wouldn't have expected a role like this from the French actor Guillaume CANET until now, but from now on you'll have to talk about a French Tom CRUISE. In German-speaking countries, Guillaume CANET was known primarily for his role in THE BEACH (2000) with Leonardo Di CAPRIO in the lead role and as the first husband of the German actress Diane KRUGER.

In AD VITAM by Rodolphe LAUGA, CANET plays a former member of the French elite unit GIGN who, after his release, is drawn into a confusing game of intrigue with very bad guys. When his pregnant wife Leo (Stephane CAILLARD, known from CHEZ NOUS (2017) by Lucas BELVAUX) is kidnapped, Franck Lazareff finally becomes a one-man army who can hit, shoot and climb so much that even Mr. CRUISE would be jealous. Fortunately, the elite fighter also has some good colleagues (Nassim LYES from SOUS LA SEINE and Alexis MANENTI from LES MISERABLES) who rush to help with their powerful skills.

Of course, this film has some weaknesses, such as the miserably long flashbacks at the beginning of the film, but NETFLIX has provided a budget that makes such a well-illustrated action film possible in France. The fights and chases on the street and in the air are well done. Breathtaking images of Sacre-Coeur and the Versailles Palace Park included! The film also does full justice to the French PolAr tradition (film policier and Argot). It is a lot of fun to watch and has so far been quite successful on the global streaming service.

In a small role, there is also a reunion with Stephane RIDEAU (in the sequence in Sacre-Coeur), who became known in 1993 with ROSEAUX SAUVAGES.

Ad Vitam (2025), directed by Rodolphe Lauga, is a thriller that follows Franck Lazareff (Guillaume Canet), who survives an attempted murder and embarks on a quest to find his kidnapped wife, Leo. As Franck delves deeper into a world of mystery, he is confronted by his past and swept into a state conspiracy that proves more than he bargained for. While the premise offers potential for a gripping and emotional story, the film fails to rise above the clichés of the genre.

Guillaume Canet, despite being a talented actor, feels miscast in this film. His performance, while competent, lacks the depth and complexity that might have made his character truly compelling. It's surprising that an actor of his caliber chose to take on a role in such a formulaic and uninspired narrative. The supporting cast, including Jamel Blissat and Rayan Bouazza, doesn't bring anything particularly noteworthy to their roles, with their performances often feeling wooden and lacking emotional engagement.

The film's biggest weakness lies in its screenplay. The story follows a predictable path, offering few surprises or twists. While it tries to combine elements of action, mystery, and conspiracy, it never fully commits to any one genre, leaving the narrative feeling disjointed. The pacing also suffers, with certain plot points dragging on too long, and the dialogue feels repetitive and uninspired, leaving little for the viewer to truly connect with.

Visually, the film offers some decent action sequences, but the cinematography doesn't bring anything fresh or innovative to the genre. The direction is competent but lacks the flair needed to elevate the film beyond its generic premise. Ultimately, Ad Vitam feels like a classic example of a film that is forgettable, offering only brief moments of intrigue before fading into obscurity.

Rating: 5/10. A passable thriller with little to distinguish it from others in the genre, despite a talented cast and a promising premise.

Ad Vitam is a French action thriller directed by Rodolphe Lauga and co-written by Lauga, Guillaume Canet, and David Corona. The film follows Franck, played by Canet, a former member of the elite French police unit GIGN, who must save his pregnant wife Léo (Stéphane Caillard) from kidnappers while evading the police.

The movie delivers some impressive action sequences, particularly the stunts filmed in Paris and Versailles. Canet's performance is solid, though some may find it lacking the intensity of other action stars like Liam Neeson or Jason Statham. The plot, however, feels somewhat underdeveloped, with the action scenes taking precedence over character development and narrative depth.

Overall, Ad Vitam offers a mix of thrilling action and a somewhat thin storyline, making it an entertaining watch for fans of the genre, but perhaps not a standout in terms of plot complexity.

Netflix, like other streaming platforms, has to meet certain content quotas in various regions, including Europe. These quotas often require a certain percentage of content to be locally produced . While it's possible that Ad Vitam was produced to meet such requirements, it's also common for streaming services to invest in a wide range of content to appeal to diverse audiences.