अपनी भाषा में प्लॉट जोड़ेंIn a near-future city where soaring opulence overshadows economic hardship, Gwen and her daughter Jules do all they can to hold on to their joy together, despite the instability surfacing in... सभी पढ़ेंIn a near-future city where soaring opulence overshadows economic hardship, Gwen and her daughter Jules do all they can to hold on to their joy together, despite the instability surfacing in their world.In a near-future city where soaring opulence overshadows economic hardship, Gwen and her daughter Jules do all they can to hold on to their joy together, despite the instability surfacing in their world.
- पुरस्कार
- 7 जीत और कुल 3 नामांकन
- Soon Yang
- (वॉइस)
- Spokesperson Candidate
- (as Rebecca Pitkin)
फ़ीचर्ड समीक्षाएं
Advantageous do approach the latter, although nuanced, and more subtle than most films in this genre do. First and foremost, Advantageous focus on what defines the parent/child-relationship through portrayals of emotions and behavior that feel real. Not overly dramatic, not "scripted" like in most movies, but like the breathing dialectics of how those mechanics do work in real life.
The stage is set in a dystopian future. There are elements of class conflict, and philosophical approaches to defining the Id and the Ego. But these are still all secondary to the parental element. I didn't feel that the topics were rushed, too complicated, pretentious or superficially presented in any way, but that might be a matter of my approach as a viewer; my focus on the movie while it ran, and my general interest in the subjects in my own life.
I also found Advantageous to be stylistically excellent. From the general designs, locations, wardrobe, make-up, CGI. The lead actors did a great job, and the directing was superbly executed. Same goes for both editing and the atmospheric soundtrack; technical elements that I find myself often annoyed at in many a modern movie.
I'd put Advantageous under the same banner as Her and Ex Machina, for comparison. Although it should be noted that the melancholic joyfulness from Her, and the enigmatic suspense from Ex Machina are both lacking completely here as Advantageous is a lot more of a subtle epic, with a focus on the humane interrelationships much more than what both those movies do. And to me, that was exactly what made Advantageous such a brilliant, unique gem, although I dearly love both Her and Ex Machina as well.
It wasn't until the very last scene that tied it all together for me and then it hit me like a ton of bricks that the whole movie was an elaborate setup of this clincher. And it's not what you think. I burst out in tears as the credits began to roll as I wondered at the brilliance I just witnessed. It was so unexpected. Anyway, I'm probably blowing it out of proportion, but I recommend watching this.
The first is the deceleration of time for background objects while objects in the foreground continue to move at a regular speed. This mixture of various speeds becomes a motif for understanding the futuristic world she presents to the audience.
The second technique is the compression of space achieved by using telephoto and zoom lenses. The human eye perceives depth of field in three dimensions. Objects farther away are small and objects closer to us are big. This is normally replicated with a dolly shot in films where the camera physically tracks forwards or backwards. However, in Advantageous, the zoom lens is used to compress the space in front of us. The camera stays still and we simply get closer to the subject. This causes a flattening of space to the point our eyes are no longer able to perceive the distance between the foreground objects and background objects.
The third technique Phang uses to create a believable science fiction world is silence. Yes I talk about silence a lot, but it does wonders. Our ears are not used to hearing complete and utter silence. In every moment, even at the quietest moments, we are subjected to some level of constant ambient noise. Whether it's coming from the Air Conditioner, the Fridge, the Wind, there's always something preventing us from experiencing complete silence. However, when we do finally get the chance and we see a character on a big screen screaming and crying in complete silence, our ears are hit with a new level of sensory experience. The new sensory experience is foreign to our ears and forces the audience to take the character he or she is watching out of his assumption of the character's world. This means, the audience finally recognizes that the character he or she is watching does not have the same sensory understanding of the world as he or she does.
These three techniques were vital in Phang's ability to successfully create a sophisticated and at the same time genuine science fiction world on a low-budget.
As one reviewer described it, the deliberate choice of everything - from color, to music, to lighting was so well thought out, it was truly watching moving artwork.
And yes, I used the word film to describe this work rather than movie. The two have a definite distinction.
क्या आपको पता है
- ट्रिवियाWas first released as a 21 minute short, an episode on the PBS show "Futurestates" in 2012.
- भाव
Gwen 2.0: What's wrong?
Jules: I don't really know why I'm alive.
Gwen 2.0: Doesn't matter. Whatever you do will be wonderful and worthwhile.
Jules: How do you know?
Gwen 2.0: I know because you're kind.
Jules: People say being kind is being weak.
Gwen 2.0: You're alive because of energy, and empathy. Your mother had so much of it inside of her, she needed to get it out. So she made you.
Jules: You're starting to sound like her.
- कनेक्शनEdited from Futurestates: Advantageous (2012)
टॉप पसंद
- How long is Advantageous?Alexa द्वारा संचालित
विवरण
- चलने की अवधि1 घंटा 30 मिनट
- रंग