20 वीं शताब्दी की शुरुआती दौर में ब्रिटिश अभिजात वर्ग क्रॉली परिवार और उनके नौकरों के जीवन की कहानी को दर्शाती है.20 वीं शताब्दी की शुरुआती दौर में ब्रिटिश अभिजात वर्ग क्रॉली परिवार और उनके नौकरों के जीवन की कहानी को दर्शाती है.20 वीं शताब्दी की शुरुआती दौर में ब्रिटिश अभिजात वर्ग क्रॉली परिवार और उनके नौकरों के जीवन की कहानी को दर्शाती है.
- 15 प्राइमटाइम एमी जीते
- 61 जीत और कुल 231 नामांकन
एपिसोड ब्राउज़ करें
कहानी
क्या आपको पता है
- ट्रिवियाCast members of the show have revealed that the costumes are, in many cases, actual articles of clothing from the 1910s and 1920s. They are so fragile that they cannot be laundered, and as a result, don't smell very good.
- गूफ़In episodes showing a Christmas tree inside Downton Abbey, classy all-white Christmas lights with tiny raisin-sized bulbs are lit; however, these impressive lights didn't appear for sale until the late 1960s and early 1970s. In the series' historical period, the smallest bulbs available were Mazda Lights, which are golf ball-sized.
- भाव
Mrs. Patmore: I'll have no swear words in here, thank you very much. Unless I'm doing the swearing.
- कनेक्शनFeatured in Breakfast: 24 सितम्बर 2010 को प्रसारित एपिसोड (2010)
फीचर्ड रिव्यू
What can i say? Since I saw the first season I've been an unconditional fan of Downton Abbey. I think it's one of the most historically accurate and refined series of recent years.
Over the course of six seasons, we have been following the life and adventures of the Crawley family, which has lived in Downton Abbey for generations. We also follow the lives of house servants, with all their quarrels, ambitions to rise in life, and leave behind service in the big house. And it is rare to find a series with as much respect and appreciation for historical rigor as it has shown over the six seasons. An enormous effort has been made to make real the historical period in which everything happens, which does not exceed fifteen years (1912-1926). A short time span between the six to seven years the show aired, which allowed the cast's natural aging to dispense with make-up gimmicks to forge the characters' aging.
The script, created and written by Julian Fellowes, is interesting and covers well hot topics from that historical period: the sinking of the Titanic, the First World War, the political turn of Russia, the rise of Nazism, the emancipation of women, the loss of influence of aristocratic families etc. We can really see how all this has changed society, political life, mentality. We felt transported to that time to see how this noble family had a way of life threatened with extinction by the rapid advancement of time. Serious themes, in fact, but lightly approached and with room for moments of perfectly British humor, in charge of strong characters like Violet, who is against everything modern, and Mrs. Pattmore, always with a sharp tongue. There are no villains here ... despite some classic antagonists appearing in certain seasons (such as Bates's ex-wife) the one who comes closest to a villain is first footman Thomas Barrow, although last season be a true redemption for the character. In addition to it, we have some situations where generally good or neutral characters antagonize each other. This is the case of the Crawley sisters, where rivalry and mutual grudge prevail, while blood ties unite them, or Violet and Isobel, who cherish mutual love and hatred.
The cast is excellent and congratulations. Maggie Smith, a veteran, never disappoints us by impersonating the perfect Victorian lady. Hugh Bonneville was perfect in the role of Robert. Laura Carmichael and Michelle Dockery are amazing in the roles of the Crawley sisters. Jim Carter is the perfect butler and makes a great pair with Phyllis Logan. A word of appreciation, too, for Elizabeth McGovern, Jessica Findlay, Brendan Coyle, Joanne Froggatt, Robert James-Collier, Sophie McShera, Lesley Nicol, Penelope Wilton, Kevin Doyle, Siobhan Finneran, Dan Stevens, Lily James, Jeremy Swift, Sue Johnston and Zoe Boyle.
With sleek production and smooth photography, magnificent scenery (Highclere Castle's choice was very wise and made the house an additional character to the plot, which proves that I am right when advocating location shooting rather than abusive use of the green screen Downton Abbey is a true time machine. Grand, magnificent, it is certainly one of the best period television series of this decade.
Over the course of six seasons, we have been following the life and adventures of the Crawley family, which has lived in Downton Abbey for generations. We also follow the lives of house servants, with all their quarrels, ambitions to rise in life, and leave behind service in the big house. And it is rare to find a series with as much respect and appreciation for historical rigor as it has shown over the six seasons. An enormous effort has been made to make real the historical period in which everything happens, which does not exceed fifteen years (1912-1926). A short time span between the six to seven years the show aired, which allowed the cast's natural aging to dispense with make-up gimmicks to forge the characters' aging.
The script, created and written by Julian Fellowes, is interesting and covers well hot topics from that historical period: the sinking of the Titanic, the First World War, the political turn of Russia, the rise of Nazism, the emancipation of women, the loss of influence of aristocratic families etc. We can really see how all this has changed society, political life, mentality. We felt transported to that time to see how this noble family had a way of life threatened with extinction by the rapid advancement of time. Serious themes, in fact, but lightly approached and with room for moments of perfectly British humor, in charge of strong characters like Violet, who is against everything modern, and Mrs. Pattmore, always with a sharp tongue. There are no villains here ... despite some classic antagonists appearing in certain seasons (such as Bates's ex-wife) the one who comes closest to a villain is first footman Thomas Barrow, although last season be a true redemption for the character. In addition to it, we have some situations where generally good or neutral characters antagonize each other. This is the case of the Crawley sisters, where rivalry and mutual grudge prevail, while blood ties unite them, or Violet and Isobel, who cherish mutual love and hatred.
The cast is excellent and congratulations. Maggie Smith, a veteran, never disappoints us by impersonating the perfect Victorian lady. Hugh Bonneville was perfect in the role of Robert. Laura Carmichael and Michelle Dockery are amazing in the roles of the Crawley sisters. Jim Carter is the perfect butler and makes a great pair with Phyllis Logan. A word of appreciation, too, for Elizabeth McGovern, Jessica Findlay, Brendan Coyle, Joanne Froggatt, Robert James-Collier, Sophie McShera, Lesley Nicol, Penelope Wilton, Kevin Doyle, Siobhan Finneran, Dan Stevens, Lily James, Jeremy Swift, Sue Johnston and Zoe Boyle.
With sleek production and smooth photography, magnificent scenery (Highclere Castle's choice was very wise and made the house an additional character to the plot, which proves that I am right when advocating location shooting rather than abusive use of the green screen Downton Abbey is a true time machine. Grand, magnificent, it is certainly one of the best period television series of this decade.
- filipemanuelneto
- 1 सित॰ 2019
- परमालिंक
टॉप पसंद
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