IMDb रेटिंग
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आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA look at several legendary 'exploitation' film-makers from the golden days of drive-in movies, and how they had a lasting effect on the movie landscape in general.A look at several legendary 'exploitation' film-makers from the golden days of drive-in movies, and how they had a lasting effect on the movie landscape in general.A look at several legendary 'exploitation' film-makers from the golden days of drive-in movies, and how they had a lasting effect on the movie landscape in general.
Maila Nurmi
- Self - Horror Host
- (as Vampira)
Harry H. Novak
- Self - Exploiteer
- (as Harry Novak)
Joseph McBride
- Self - Film Historian
- (as Joseph P. McBride)
Michael J. Bowen
- Self - Film Historian
- (as Michael Bowen)
Pat Barrington
- Self
- (आर्काइव फ़ूटेज)
फ़ीचर्ड समीक्षाएं
No one documentary could reasonably encompass the full range of the Exploitation Cinema, though SCHLOCK! gives it a decent go. By focusing in on just a few key figures, Director Greene gives us some depth into their careers, but limits the overall breadth of the subject.
For those familiar with AIP & Roger Corman, the first section will probably contain nothing new. The dry, academic narration doesn't help matters. Countless articles, books and interviews with and by Corman and Sam Arkoff leave little room for anything fresh to be said. Some of their "discoveries" such as Peter Bogdanovich and Dick Miller also appear. The ID's on the clips are sketchy during this section as well (But improves for some reason during the rest of the film. The one glaring exception there is that the only example of early sexploitation in the cinema are excerpts from METROPOLIS of all things - AND, they're not ID'd).
The Documentary kicks into gear with the long middle section focusing on David Friedman, Doris Wishman and Harry Novak and the less well known Nudist, Nudie Cutie and Roughie Sexploitation era. Friedman too has made the rounds the past couple of decades, but he's the consummate showman. The Documentary springs to life whenever he's on screen. Though there is a brief afterword on the post-Sexploitation era, the Documentary seems to take the point-of-view that Exploitation cinema ended in the early 70's when mainstream Hollywood began making the pictures that these pioneers had been making for decades (an opinion oft echoed). This short-changes the period of Drive-In Exploitation cinema that flourished in the 70s' and then had a brief revival during the VCR boom of the 80's and early-90's (This despite the fact that Corman was and IS active throughout this latter period. The film dismisses Corman's post-AIP career in a few seconds).
A note on the DVD. The behind the scenes "tour" of Novak's studio/office is a fascinating peek at an era long-gone, and David Friedman shows off his best Carnival barker routine. Both pieces are fully worth the price of the DVD. In just the few years since this doc was made, the Cinema has lost both Doris Wishman and Samuel Z. Arkoff, making their inclusion here even more valuable.
For those familiar with AIP & Roger Corman, the first section will probably contain nothing new. The dry, academic narration doesn't help matters. Countless articles, books and interviews with and by Corman and Sam Arkoff leave little room for anything fresh to be said. Some of their "discoveries" such as Peter Bogdanovich and Dick Miller also appear. The ID's on the clips are sketchy during this section as well (But improves for some reason during the rest of the film. The one glaring exception there is that the only example of early sexploitation in the cinema are excerpts from METROPOLIS of all things - AND, they're not ID'd).
The Documentary kicks into gear with the long middle section focusing on David Friedman, Doris Wishman and Harry Novak and the less well known Nudist, Nudie Cutie and Roughie Sexploitation era. Friedman too has made the rounds the past couple of decades, but he's the consummate showman. The Documentary springs to life whenever he's on screen. Though there is a brief afterword on the post-Sexploitation era, the Documentary seems to take the point-of-view that Exploitation cinema ended in the early 70's when mainstream Hollywood began making the pictures that these pioneers had been making for decades (an opinion oft echoed). This short-changes the period of Drive-In Exploitation cinema that flourished in the 70s' and then had a brief revival during the VCR boom of the 80's and early-90's (This despite the fact that Corman was and IS active throughout this latter period. The film dismisses Corman's post-AIP career in a few seconds).
A note on the DVD. The behind the scenes "tour" of Novak's studio/office is a fascinating peek at an era long-gone, and David Friedman shows off his best Carnival barker routine. Both pieces are fully worth the price of the DVD. In just the few years since this doc was made, the Cinema has lost both Doris Wishman and Samuel Z. Arkoff, making their inclusion here even more valuable.
10Gafke
"Schlock" is a fascinating, feature length documentary about the "exploitation" films of the 50s and 60s and their lasting impact upon the film industry. It also provides an insightful look into what the word "exploitation" really means.
"Schlock" introduces the viewer to the world of art-house and grindhouse flicks, everything from Nudie Cuties and Roughies right up to the Gore of Herschell Gordon Lewis. Few of these films ever saw a major theatrical release, but nevertheless managed to lure in viewers by the thousands...and dollars by the millions, influencing a whole new generation of filmmakers including Francis Ford Coppola, Peter Bogdonovich and Sam Peckinpah. Among the interviewed are Roger Corman, the legendary Doris Wishman, Forrest Ackerman, Samuel Arkoff and Maila Nurmi, all of whom provide fascinating glimpses into a world of skin, sin and blood which not even the censors could stop.
Films featured and discussed include "The Defilers" "Bucket of Blood" "The Terror" "The Immoral Mr. Teas" "Carnival of Souls" "Kiss Me Quick" and "Bad Girls Go To Hell" to name only a few. The clips themselves are bright with candy colored lights and lots of healthy T&A, or dark with menacing shadows and splattered with blood. Either way, the viewing experience here is much like indulging in a rich feast, and is almost as good as seeing the original films themselves. From the lasting effects of World War 2, the threat of nuclear annihilation and the bloody upheaval of America in the 1960s, "Schlock" shows us the sometimes ugly, sometimes funny but always entertaining truth about the origins of these powerful films and their own lasting influence upon modern day Hollywood.
Absolutely engrossing!
"Schlock" introduces the viewer to the world of art-house and grindhouse flicks, everything from Nudie Cuties and Roughies right up to the Gore of Herschell Gordon Lewis. Few of these films ever saw a major theatrical release, but nevertheless managed to lure in viewers by the thousands...and dollars by the millions, influencing a whole new generation of filmmakers including Francis Ford Coppola, Peter Bogdonovich and Sam Peckinpah. Among the interviewed are Roger Corman, the legendary Doris Wishman, Forrest Ackerman, Samuel Arkoff and Maila Nurmi, all of whom provide fascinating glimpses into a world of skin, sin and blood which not even the censors could stop.
Films featured and discussed include "The Defilers" "Bucket of Blood" "The Terror" "The Immoral Mr. Teas" "Carnival of Souls" "Kiss Me Quick" and "Bad Girls Go To Hell" to name only a few. The clips themselves are bright with candy colored lights and lots of healthy T&A, or dark with menacing shadows and splattered with blood. Either way, the viewing experience here is much like indulging in a rich feast, and is almost as good as seeing the original films themselves. From the lasting effects of World War 2, the threat of nuclear annihilation and the bloody upheaval of America in the 1960s, "Schlock" shows us the sometimes ugly, sometimes funny but always entertaining truth about the origins of these powerful films and their own lasting influence upon modern day Hollywood.
Absolutely engrossing!
What a weird and revealing documentary this is! Lots of clips from old exploitation sci-fi and Russ Meyers-ish nudie movies, but with interviews and commentary that makes you stop laughing at the pictures and then start reflecting on them. A truly unique and evocative experience, and one that will be full of surprises for anyone who isn't already a big cult movie watcher.
It says a lot about my movie collection that I could identify the movie before it was mentioned, and I own the vast majority of them. This probably wasn't meant to be a promotional piece for Something Weird Video, but if you like the movies talked about in this excellent documentary, the vast majority are available from SWV.
Schlock! The Secret History of American Movies (2001)
**** (out of 4)
Only God himself knows how many documentaries I've seen on "B" movies because I've really lost count over the years. However, I do know this here is probably the best of the bunch as it sinks its teeth into the exploitation flicks of the 30's, the low-budget teenage films of the 50's and more explicit sexploitation films of the 60's. Roger Corman, Forrest J. Ackerman, Samuel Z. Arkoff, Peter Bogdanovich, Doris Wishman, David Friendman, Dick Miller, Harry Novak and even Vampira are interviewed among others. The documentary does a great job at telling how the studio system was bombing at the box office and the likes of Corman were making millions by spending very little. The doc also does a great job at showing how difficult it was to make these films with some of them coming in in just three days. Clips from various classics are shown as well.
**** (out of 4)
Only God himself knows how many documentaries I've seen on "B" movies because I've really lost count over the years. However, I do know this here is probably the best of the bunch as it sinks its teeth into the exploitation flicks of the 30's, the low-budget teenage films of the 50's and more explicit sexploitation films of the 60's. Roger Corman, Forrest J. Ackerman, Samuel Z. Arkoff, Peter Bogdanovich, Doris Wishman, David Friendman, Dick Miller, Harry Novak and even Vampira are interviewed among others. The documentary does a great job at telling how the studio system was bombing at the box office and the likes of Corman were making millions by spending very little. The doc also does a great job at showing how difficult it was to make these films with some of them coming in in just three days. Clips from various classics are shown as well.
क्या आपको पता है
- ट्रिवियाThe cover illustration used for Schlock! was influenced by Agony of Love (1966).
- कनेक्शनFeatured in Corman's World: Exploits of a Hollywood Rebel (2011)
- साउंडट्रैकYour One and Only Original Lizard Brain
Arranged and Produced by Johnny English
Words and Music by Ray Greene
Greene/Protagonist Productions
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विवरण
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- La historia secreta del cine estadounidense
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- 1.33 : 1
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टॉप गैप
By what name was Schlock! The Secret History of American Movies (2001) officially released in Canada in English?
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