On the surface, "On Edge" looks like a crazy mockumentary along the lines of the Christopher Guest masterpieces "Best in Show" (dog competition), "A Mighty Wind" (folk festival), or the one that started them all, "Spinal Tap" (dimensionally challenged heavy metal rockers). Certainly this merciless skewering of competitive figure skating has all the makings of an absurdist satire like those, but what distinguishes it--and possibly throws off audiences who are expecting just a silly romp--are some surprisingly powerful themes and dramatic subplots. And I'm not just talking about "fat girl shaming" which is actually just 1 element of the story.
For example there's one character, the bad girl "JC Cain" (excellently played by AJ Langer) who is introduced with the morbidly hilarious backstory of her father being accidentally canned to death in a tuna factory. (Look out, exploding drummers and bizarre gardening accidents, you've met your match.) Her character has all the makings of a total Tonya Harding caricature, but as the film progresses her story shifts to a very dramatic subplot of a person torn by imaginary loyalties, self-defeating dreams of mediocrity, and strangely disturbing voices in her head. And all of this is played straight, no satire, no ba-dum-ching punchlines and no amps that go to 11. If you're not ready for it, you may end up confused.
But I'm getting ahead of myself. The plot of "On Edge" revolves around a dysfunctional figure skating school run by a crazy alcoholic Russian ex-champion with the worst accent since Keanu Reeves doing Shakespeare, but (like Keanu Reeves doing Shakespeare) you gotta love him. We focus on the stories of a handful of skaters who are each vying for the title of regional champion, and orbiting around them are a few hilarious trainers, family members, judges, and our strategically placed storyteller "Zamboni Phil" (played by Jason Alexander of Seinfeld fame in a very non-Seinfeld role). Zamboni is the voice of reason in this crazy spectacle, and he's what bridges the gap between absurdist satire and the dramatic elements I mentioned. He's a bit like the Shakespearean fool who seems like a clown on the surface but is ultimately the wisest of the bunch.
Among the characters we meet are: (1) a sullen, perfection-obsessed diva with an eating disorder and a mother who bakes pies for everyone but her; (2) a somewhat larger-than-average yet phenomenally talented girl "Wendy" who, despite all the abuse she receives, has an unstoppably cheerful personality like Dorothy Hamill on crack; and (3) the aforementioned bad girl JC who defies description as her character arc has more spins than a Triple Salchow.
Peripheral characters provide the biggest laughs and certainly the most weirdness, like the disturbingly intense ex-judge whom you feel at any minute might jump off a rooftop trying to fly ("This is not a mind on drugs! This is a mind on figure skating!!"), or the 2 crazed Beavis & Butthead fanboys, as well as a host of other screwballs including notable cameos by Kathy Griffin and (you gotta be quick to catch it...) yes, one of the band members of Spinal Tap.
"On Edge" definitely has a lot going on, and in order to fully appreciate this flick you have to be prepared for the dramatic elements as well as the utter madcap absurdity. But now that you're forewarned maybe you'll have a great time. A final note about the actual figure skating performances: WOW. Those alone are worth the price of admission. I wasn't particularly a fan of figure skating before watching this movie, but I am now. Tuna sandwiches, not so much.
