भविष्य में जहां एक विशेष पुलिस यूनिट हत्यारों को अपने अपराधों को करने से पहले गिरफ्तार कर सकती है, उस यूनिट का एक ऑफिसर खुद एक भविष्य में होने वाली हत्या का आरोपी है.भविष्य में जहां एक विशेष पुलिस यूनिट हत्यारों को अपने अपराधों को करने से पहले गिरफ्तार कर सकती है, उस यूनिट का एक ऑफिसर खुद एक भविष्य में होने वाली हत्या का आरोपी है.भविष्य में जहां एक विशेष पुलिस यूनिट हत्यारों को अपने अपराधों को करने से पहले गिरफ्तार कर सकती है, उस यूनिट का एक ऑफिसर खुद एक भविष्य में होने वाली हत्या का आरोपी है.
- निर्देशक
- लेखक
- स्टार
- 1 ऑस्कर के लिए नामांकित
- 20 जीत और कुल 91 नामांकन
- Office Worker
- (as Vene Arcoraci)
फ़ीचर्ड समीक्षाएं
The concept of free will vs determinism from Philip K. Dick is amazing. The production from Steven Spielberg is terrific. The movie is so well made that it maintains its tension with all the crazy ideas being thrown at the audience. Tom Cruise is the perfect protagonist for this movie. He has a touch of that boy scout with a dark edge. He matches the intensity of the material. There is a good mystery, compelling performances, and expertly made all growing out of a great story. It does wrap up a little too neatly. I'm not sure a Spielberg movie could have gone that dark.
We learn all this in the first ten minutes of the movie. After this introduction, the plot really starts when Detective John Anderton (Tom Cruise) finds out that the precogs saw him kill someone, someone that he has never met. He finds himself in a race. With the forced recruitment of a precog, Agatha (Samantha Morton), he must clear his name before the predetermined murder. All the while, his old buddies, now helped with a special agent from the FBI (Colin Farrell), are trying to track him down.
Spielberg, with Janusz Kaminski, his cinematographer for many films, have crafted a visually stunning movie. The special effects are seamlessly incorporated of the world they created. The muted blues echo the style of black & white film noirs. John Anderton is similar to noir's morally ambiguous characters--a good cop with an illegal habit that is forced (by circumstances and desire) to betray the very things he loves.
But this is not just a special effects or mystery movie. The characters, all well drawn, are supremely acted by the cast. Tom Cruise is a good physical actor and he shows it here. By the way he sits or walks, we can intuit the grief and confusion that's going through him. Samantha Morton does a good job of portraying a haunted young lady who has seen too much. Colin Farrell skillfully balances the ambitious and professional sides of his character. As always, Max von Sydow authoritatively plays the respected father figure.
This is one of my favorite Science Fiction films. I would also recommend the following films. These (I think) influenced Minority Report.
"The Maltese Falcon" ~ film noir "A Clockwork Orange" ~ science fiction "Blade Runner" ~ science fiction (also based on a Dick story)
***** out of *****
The content is amazing - all the little details that put the audience firmly in the middle of the 21st century. Personally I can absolutely believe that technology will have advanced in the kind of ways portrayed in the film within 50 years. Just look back 50 years into the past and you should be able to see why. The lives of everyday people in the film, where they are scanned and advertised 'at' all day every day, apart from an excuse for product placement (and why not?), certainly make you think about a world where 'they' know your every move (a future towards which we are already hurtling with some speed).
The style is amazing - why the wooden balls? Because they're cool is why. I like to think that as we progress as a civilization we will keep a few such elegant idiosyncrasies knocking around. The plastic, chrome and glass sets, objects and architecture all looked clean and functional and the way that they suck the color out of a scene worked well and gave the film a distinctive palette. The cars are the best looking vehicles I have ever seen in a film. I have only one criticism here - why do all the computer displays look like Macs? Surely a touch unrealistic ;)
The story is amazing - complicated, yes, but also engrossing, exciting and scary. There are elements here that are only hinted at, but which give the plot a depth increasingly lacking in modern action flicks. And it asks the kind of questions about morality, justice, exploitation and society that'll keep you thinking for much longer that the film's two and some hours.
The direction and performances are amazing - the pre-visualization on this movie must have been a nightmare and yet all the incredible special effects blend perfectly into a visual style that is completely natural and assured, as might be expected from Spielberg and Michael Kahn. There are, of course, numerous references and homages to the work of Stanley Kubrick, which have given a hint of the edge and flair of 'Clockwork Orange' or '2001'. I hope it will continue to be a big influence on Spielberg.
Cruise delivers a first class performance as usual, but the discovery of this film is Samantha Morton as Agatha. Who saw the film and didn't share her terror and vulnerability? Little touches such as the way she clings to Cruise, almost like a baby's reflex, make her a character you immediately care about, innocent and tragic.
Anyway, if that's not enough to recommend the film, then you'll probably never find another one you like again. But if you need another reason, go to see it just for another fantastic soundtrack from the master, John Williams.
Full marks, five stars, a must see several times and buy the DVD movie.
In the year 2054 murders can be predicted and stopped before they happen. If you were about to kill but stopped you are locked. Tom Cruise is one of the agents who stops those murders. Then he discovers the next murder they have to stop will be committed by himself.
I will not reveal more of the plot. The story itself is great. It is intelligent, but also exciting with great action scenes. The visuals are truly beautiful and perfectly support the sci-fi story. If you like action thrillers and you don't mind they are set in the future (with some futuristic gadgets) this is your film. 9/10.
The good news is that Minority Report is a lot more enjoyable than the duo's H.G.Wells debacle, with an engrossing murder mystery plot, lots of great visuals, excellent production design, and some well executed and extremely fun action set-pieces, all of which help detract from the story's inevitable paradoxical issues and Spielberg's occasional, frustratingly unrestrained direction (Cruise leaping from car roof to car roof on a towering vertical road stretches plausibility a bit too far, but at least it's not 'nuke the fridge' bad).
7.5 out of 10, rounded up to 8 for the 'sick stick' a police baton that makes the victim projectile vomit.
क्या आपको पता है
- ट्रिवियाTom Cruise and Steven Spielberg both agreed to waive their usual salary to help keep the film's budget under $100 million. They agreed to take 15% of the film's gross instead.
- गूफ़(at around 38 mins) When the Leo Crow murder is first envisioned by the Precogs, Jad says that the "time of occurrence is 15:06 hours", which is 3:06pm. After Anderton sees that it's him in the prevision, he sets the alarm on his watch for 35 hours and 56 minutes. Counting backwards from 3:06pm this means that it is currently just after 3am when Anderton, Jad, Wally and the rest of PreCrime are at work. Also, when Anderton tries to escape on the MagLev and calls Lamar in his office, it is obviously in broad daylight and not 3am.
- भाव
John Anderton: Why'd you catch that?
Danny Witwer: Because it was going to fall.
John Anderton: You're certain?
Danny Witwer: Yeah.
John Anderton: But it didn't fall. You caught it. The fact that you prevented it from happening doesnt change the fact that it was *going* to happen.
- क्रेज़ी क्रेडिटThe DreamWorks and 20th Century Fox logos appear underwater, which ties into the opening shot of Agatha in the tank.
- इसके अलावा अन्य वर्जनSpencer Treat Clark was credited as "Sean at Nine" in release prints of the film, because he appeared in a scene that was deleted so close to the film's release that the credits had already been finalized and couldn't be changed. Clark played a grown-up version of Anderton's young son Sean, in a fantasy dream scene that took place after Anderton has been put in containment toward the end of the film. The entire scene was removed from the film just before release.
- साउंडट्रैकSymphony No. 8 in B minor D. 759 'Unfinished' I. Allegro moderato
Written by Franz Schubert
Conducted by Carlos Kleiber
Performed by Wiener Philharmoniker
Courtesy of Deutsche Grammophon GmbH, Hamburg
Under license from Universal Music Enterprises
टॉप पसंद
- How long is Minority Report?Alexa द्वारा संचालित
- Given that John Anderton admits that he thought of finding and killing the person who had taken his son every day, how does he not realize it is this hypothetical murder that his brown ball indicating premeditation must refer to?
- What music plays during the first precrime sequence?
- What is the song that the guard is playing on the organ?
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषाएं
- इस रूप में भी जाना जाता है
- Minority Report
- फ़िल्माने की जगहें
- Butter Island, Penobscot Bay, मेन, यूएसए(final panoramic shot of log cabin on desert island)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $10,20,00,000(अनुमानित)
- US और कनाडा में सकल
- $13,20,72,926
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $3,56,77,125
- 23 जून 2002
- दुनिया भर में सकल
- $35,83,72,926
- चलने की अवधि2 घंटे 25 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1