Fools Rush In

Sometimes the mood one is in at a given moment is just right for the film you are about to see. This, obviously, has its setbacks. One night you are just not in the mood, and you write a film off as trash; another night, in a more favourable frame of mind, you lap up a film just loving it. This is of course pre-emptive and subjective: but we are all human. We all have our foibles and manias. So if you forgive me for dismissing out of hand all those delightfully dreadful romantic comedies with Richard Gere or Hugh Grant, whoever the delicious young lady may be playing with them, without forgetting Tom Hanks and Meg Ryan, as being pure unadulterated slush, we might meet on level terms and wade in where fools fear to tread.

I just love Salma Hayek.

She is not only superbly gorgeous to look at - those deep Mexican-Lebanese eyes just keep you enchanted throughout - but she is also pretty good at acting. That, together with a nicely-told story with intelligent directing and dialogues which do not fall flat on their face helps make `Fools Rush in' stand out above the rest of the ilk. Firstly the film does not try to be sickly funny. It does not make ireful bile rise into your throat. Perhaps Matthew Perry is not the exact partner for the role, but the chemistry between him and Salma Hayek seems to hold together fairly well. The story is also an indictment into situations which must be arising daily: especially in the United States of America where racial intolerance can become highly murky. A white New-Yorker falls in love with a Mexican girl. Well, if they are all like Salma Hayek, I would not be at all surprised. I would, too. But sociological barriers - in the Mexican family also, with a wonderful interpretation here by Angelina Calderón Torres - produce the logical but hypocritical obstacles which still persist in what for me should be classified as erstwhile societies.

A film I shall see again, which for me must be unique among films called romantic comedies. But there is just that something in the petite thirty-year-old Salma Hayek which lifts me heart and soul into clouds of surrealistic fantasy, that has me fascinated, enchanted.

Therefore any objective commenting on this film is out of the question for me. Tut, tut, my lad.

This movie has been accused of stereotyping its characters in some of the reviews I have read. "Fools Rush In," however, is anti-stereo- typical in a number of ways.

The movie concerns a one-night stand between a beautiful Latina photographer and an upwardly mobile young businessman from New York. They meet in Las Vegas, and the movie details the relationship that develops between them, since the one-night stand results in her pregnancy.

On one level, this is the story of what happens when two individuals with scarcely an idea of serious love and commitment are confronted with a relationship, in the pregnancy, that is more than they bargained for. That is not so unusual. There are many unplanned pregnancies that occur in the world. What is unusual is the way in which the movie handles this fairly conventional situation and the many unconventional issues it brings up.

The reversal of stereotypes begins when Isabel arrives at Alex's house and tells him she plans to keep her baby. This is after he tells her that he is pro-choice. When most people today say "pro-choice," they usually mean allowing for clinical abortion. They don't mean "I plan to keep this baby." Yet, this latter choice is also "pro-choice." This is just one of the ways in which this movie challenges the conventional stereo- types of our time.

There is another important way in which "Fools Rush In" challenges stereotypical thinking. It presents, as a very serious and viable option, the possibility of an intercultural or even interracial marriage. That is

a topic which may still disturb some people, but which should become

more accepted if we are really serious about welcoming a multicultural world and an end to racism.

The movie uses the Grand Canyon and its environment as a metaphor for this and I believe that the attitudes of Isabel's and Alex's family to their budding relationship are exaggerated for this reason: a kind of culture shock. I don't think the movie's director is interested in perpetuating conventional stereotypes.

"Fools Rush In" is charming and truly romantic because it shows how Isabel and Alex--against long-standing cultural opposition and even their own expectations--are inexorably, metaphysically drawn to spend the rest of their lives in love together.

This is an exceptionally strong role for Salma Hayek. She displays a kind of relational integrity in the role of Isabel that is independent of her supposed sex symbol status. She takes control in this movie. Of course, the attitudes and reactions of the other characters are credible, even if slightly caricatured.

In summary, "Fools Rush In" is nothing to rave about, but it is rare enough to award three stars. It is well worth watching!

This was a fun movie to watch. It is about an American who falls for a Mexican girl. After they are married a lot of humorous situations arise due to their cultural differences. I am a Canadian married to a Portuguese lady so a number of these differences I have experienced first hand. For example, when you meet the "family" it is not just three or four people it is half the town. Also when you sit in the sun all day, some people tend to melt (I do) and others do not. In the movie, I also found her father's line "Presbyterian is not a religion" a nice summary of why the parents didn't think the marriage could work.

The movie has nice scenery of the grand canyon, the hoover dam, the desert and the great grandmother's Mexican "casa". The surround sound is very enjoyable. It includes a great many songs all of which blend in nicely with the movie. The Elvis songs near the end of the movie are quite touching.

Finally the two leads are sensational. Matthew Perry's body language is superb for the kind of light comedy role he plays. He also did the emotional stuff really well. Although not quite certain about his feelings, his heart pulled him head-first into marriage.

Salma is very cute and her tan does her wonders. She also is a good actress and adds a lot to the humor.

I've seen this movie six times in the last year. It is a nice relaxing watch.

RELEASED IN 1997 and directed by Andy Tennant, "Fools Rush In" is a romantic dramedy about a casual night of passion between a successful New Yorker (Matthew Perry) and a Mexican immigrant (Salma Hayek), but they learn that love is more than a Vegas marriage & an Elvis impersonator when dealing with conflicting families and traditions.

This is a generally amusing "chick flick" focusing on Gringo/Latino relations, albeit formulaic. Some jokes fall flat, but they're well intended. Perry makes for a likable male protagonist while Salma Hayek is winsome in her physical prime; and Suzanne Snyder in secondary role is nothing to sneeze at. Meanwhile Jon Tenney appears as the protagonist's best friend. The Las Vegas area locations are picturesque.

THE MOVIE RUNS 1 hour, 49 minutes and was shot in Nevada/Arizona (Las Vegas, Henderson, Hoover Dam, Lake Mead and Grand Canyon) and Rancho de las Golondrinas, New Mexico (standing in for central Mexico).

GRADE: B-/C+

Matthew Perry's films haven't been great successes but for what its worth I think that this is one of his best.

Although we see many of the elements of his character from the hit show "Friends" this is what we love to see from Perry and he plays it to perfection. He has good chemistry with Hayek and the overall plot of this film is strong. It has elements of comedy and also a lot of drama which is unusual for a romantic comedy.

This element means that Perry is allowed to play some scenes with depth and we see that he is also a fine dramatic actor.

Overall although this film was not overly well reviewed and hasn't made much of an impression on the world it is well worth seeking out as it is a good film and showcases the talent of Perry perfectly.