Cosby

Overall the short four-year run of this series was enjoyable. This is due in large part to an excellent cast, including (of course) Bill Cosby, Phylicia Rashad, and the late Madeline Kahn. The supporting cast, including Doug E. Doug and T'Keyah Crystal Keymah, was also wonderful. The show was clean, hip, and classic Cosby. Some classic moments in the beginning; after Madeline Kahn left the series (and sadly passed away shortly afterward), it was never the same. Darien Sills-Evans is a good enough actor, but he was no substitute for "Pauline." In addition, COSBY unfortunately became CBS's dumping ground for government-sponsored "public service messages" disguised as sitcom plots. In COSBY's last days, the scripts weren't as good anymore either; uneven writing in the end was what did the show in, leaving behind some classic moments from the first few years.

This is a great show, really not of it's time. While most modern sitcoms base a large amount of their humor on sex, this comedy is the kind that you could allow your youngest children to watch, and is still hysterical. Bill Cosby has always been a comic genius, and he continues to be just that on Cosby. Doug E. Doug, an underrated performer, is also a great addition to this show, and looks like he is having the time of his life in every scene that he performs with Cosby. Cosby had a solid run, but after 4 seasons, ended too soon. In another time, this dying breed of comedy may have been more appreciated.

CBS finally stumbled into a younger market several years ago, inspite of itself...before that, prior to '01, CBS bought and played place-holders, especially, played out staples from other networks.

Cosby was one of the best of these. Freely lifted, barely re-tooled, and name-changed from the NBC run, this show was a genial, even less wavemaking showcase than the 80s Cosby run (which made no waves in reality beyond Brady Bunch-style safety).

Stage-bound, and essentially a verbal play between 2.5 avg sets, this was Cos' and whoever, coming in several times a week for coffee, and a filmed reading. It had it's nice comforts...currently, very comfortable and genial about 4am in synd if you channel it up by chance, and need encouragement to sleep.

Bad = Televised airspace placeholder....Good = Cosby, and light-hearted lullaby and drone. Venerable late-night/very early morning fare when you're trying to sleep.

This is a good series and it is sad to see it go next season but there is just something missing in the series. It's not as funny as The Cosby Show but the cast members on there this last season are grown up and we all liked seeing Cosby as "America's Favorite Dad" as the TBS Superstation says. I guess that's it or there's something else. I just don't laugh as much as I do at The Cosby Show. But all in all, it was a good series and it's sad to see it go. Perhaps Bill Cosby and Phyllicia Rashad will do more work together since they have made a great team on both series.

No, this show is not as good as The Cosby Show and its quality has been varying in the past few years. However, four years away from weekly TV screens did not diminish Bill Cosby's ability to make us laugh, or his chemistry with Phylicia Rashad. Both are in fine form. Doug E. Doug is funny in this often, as well, but by far the most invaluable member of the cast was the late, great Madeline Kahn, who has apparently been overlooked for her work here as she was overlooked so many times in her life. Her effortless, hilarious form of ditzy comedy really helped the show a lot, especially in the first season. It was great to see the cast pay tribute to her in a recent episode, which featured many hilarious clips showcasing her. Without her, who knows how the show will end up?