Rob Roy

Rob Roy is directed by Michael Caton-Jones and written by Alan Sharp. It stars Liam Neeson, Jessica Lange, John Hurt, Tim Roth, Eric Stoltz, Andrew Keir and Brian Cox. Music is by Carter Burwell and cinematography by Karl Walter Lindenlaub.

Neeson is Rob Roy MacGregor, an 18th Century Scottish historical figure who borrows £1,000 from the Marquis of Montrose (Hurt) with the plan to improve his clan's way of life. But the money is stolen in transit by the dastardly Archibald Cunnigham (Roth), so unable to repay the loan, Roy is forced to live as an outlaw. From such seeds are legends born.

Beautifully shot on location in parts of the Scottish Highlands, Rob Roy somewhat got lost in the slip stream of Mel Gibson's Braveheart. A shame, for although not as epic or as rousing as Gibson's Oscar grabber, Caton-Jones' film is a different and more reflective type of historical piece. Thematically the film is a play on virtues, in fact it's a trumpet playing fanfare for such. Honesty, honour, loyalty, fidelity and love nestle in nicely with the wonderful landscapes, born out by Sharp's intelligent script. But that's not to say that the director hasn't got the requisite thrust of stirring adventure within, he has, and Rob Roy rewards in that department as well. The films crowning glory is a climatic sword fight, no tricks or hard to believe heroics, just an expertly shot long sequence that's choreographed sublimely by William Hobbs and Robert G. Goodwin. While Carter Burwell's score sits nice with the visual treats - even if the Gaelic strains within the orchestration sound more Irish than Scottish...

Cast work well. Although Neeson looks the part as the robust Roy, there's no need for being dashing here, character calls for strength of mind and body, as well as emotional fortitude with the love of his family, and thus Neeson plays it with ease. Lange, an interesting casting choice as the missus, shorn of make up, yet still naturally sexy, she gives Mary MacGregor believable strength. However, it's undeniably Tim Roth's movie, part effeminate fop, part calculating bastard, his villainous turn as Archibald Cunningham has to be seen to be believed. He was rightly nominated for an Academy Award for his efforts. The rest impact well, Cox and Hurt, great pros as always, and Stoltz too isn't found wanting. There's some iffy accents at times, so what's new there? And if I'm to be churlish, then it often feels wrong in period. Yet they are small complaints in what is otherwise a smart and lovely splinter from the swashbuckling tree. 8/10

Well done, scenic, finely made film, Liam Neeson is great here and shoulda had the same basic part in Phantom Menace, he is a force of nature here. Roth is a great nasty, Hurt too. I thought the assault scene on Jessica was tough to watch but that crap did happen. The British were tyrants up in the High Heather in the 1700s even as they were in the 1300s in 'Bravehearts' day.

I see this as a bit of a forerunner to Braveheart, though they came out at about the same time, it shoulda done better at the box office and ditto at the Oscars.

***1/2, and boys...that final fight between Roth and Liam...my o my.

This is a very good, under-rated action/drama/and slightly historical movie.

The basic story concerns Rob Roy's borrowing of 1000 pounds, its theft, and the problems it causes for his family and indirectly his clansmen.

Cunningham( Tim Roth) is an amazing villain and character in this story. Brutally cold and if you watch his face he seems to be able to turn his eyes off and look completely evil.

Rob Roy (Liam Neeson) is excellent too, but i think the writers used the word "honour" 1 too many times.

The rest of the cast is strong, and the whole movie is very well acted and filmed.

The Action is exciting and the sword play very realistic, but not too gory. The story is good and you really want Rob to win.

All in all just shy of a classic.

It's 1718 in the Scottish highlands. Rob Roy MacGregor (Liam Neeson) is a honorable man who tries to lead his village and extended family. The society is changing as honor loses its meaning. He borrows money from Lord Montrose (John Hurt) to buy cattle, but his man McDonald (Eric Stoltz) is ambushed by Montrose's evil henchman Cunningham (Tim Roth) with the help of scheming Killearn (Brian Cox). Cunningham has debts to pay. Rob Roy is given all the blame as McDonald is assumed to have run away with the money to America. Montrose offers consideration if Roy Roy bares false witness against Duke Argyll. He refuses and Montrose hunts him down. He must battle to keep his honor, avenge his wife Mary (Jessica Lange) and save his people.

The legendary Rob Roy is brought to the big screen. I don't really care about accuracy. It's simply a great epic about honor, love, and family. Liam Neeson is dripping with stoic goodness. Jessica Lange is nobility and dignity. Tim Roth is wonderfully villainous in his controversial performance. All of it leads to one of the most compelling duel ever seen on film. The meaning and its effects goes beyond a simple action scene.

Overshadowed by "Braveheart" released the same year, the two costume dramas beg comparison. I admit my bias against Mel Gibson, yet I maintain a rational preference for "Rob Roy." Both "Braveheart" and "Rob Roy" compellingly depict Scots history in bloody, romantic fashion. "Braveheart" is an epic paean to individual honor and courage and a fine revenge fantasy. It's also melodramatic, anachronistic and maudlin. Note its cornball usage of slow motion filming. Its violence is both ugly and glorious. It is the latter quality which makes it more appealing to the adolescent mindset. While "Braveheart" surpasses "Rob Roy" in sheer levels of carnage (not to mention its indulgent running time), the latter film is ultimately more mature and satisfying. Its action is more understated, yet more surprising and clever. Its sex is less showy, yet more erotic. "Rob Roy" also has a better realized romantic interest. Its dialog attempts to approximate the poetry of the period. Its rotted teeth in the mouths of the actors attempt to approximate the dentistry of the era. And Tim Roth is a superlative villain. Also recommended: "The Last of the Mohicans" and "The Patriot." You may find the latter more akin to "Braveheart" with its emphasis on blood lust, with the former more similar to "Rob Roy" in tone. All the of the aforementioned movies merit their R ratings for violence.