Lo spettro

I recently watched this film, which was part of a 10 pack horror collection that was put out by Brentwood. Unfortunately the source print for this dvd was a print that was in terrible condition, and barely watchable.

The first thing that struck me about this film was the music. Even during the opening credits I was watching the credits carefully to see who the composer was, half expecting it to be Ennio Morricone, (which it wasn't). If the music wasn't enough to hook me completely, seeing Barbara Steele on the screen, whom I immediately recalled from "Black Sabbath" definitely made me want to continue watching this film, bad print and all.

The setting of this film is a gloomy Scottish mansion, around the turn of the century. The young wife (Steele) of the creepy, crippled and rich Dr. Hitchcock, conspires with her handsome lover, to murder her husband. Her lover happens to be her husbands physician who is treating him by administering a lethal poison which is immediately followed with the antidote. Needless to say they decide not to administer the second part of the treatment one day and are able to fulfill their burning desire to be together, happy ,rich and rid of the husband. Unfortunately for them, things don't quite work out so well, and things begin to unravel during a succession of supernatural events that take place after the murder.

While this is a fairly predictable plot of greedy people being punished from beyond the grave, the director manages to create a suspenseful and atmospheric film, with some occasional well placed shockers. I thoroughly enjoyed this film and would love to see an uncut well preserved print of it.

This film perhaps holds up better than the first Dr. Hitchcock film and can be seen with or without that film. It stands on its own. A good film for people to be introduced to director Freda's work with. It gets better with repeated viewings and the music score is very good. This is not, just as none of his films are, a supernatural movie. So just know that going in. The film still has a good Gothic feel to it. Sadly there is no really good DVD release version of the film. There is a key and very graphic murder scene that is either cut down or cut completely out of several versions available. Without that being intact the impact of the later part of the film is really reduced. Think about Psycho if you basically cut out the shower scene. Not that this is in Psycho's league but this scene I'm talking about really makes this film work. It would be nice if Freda's films got a box set release of proper versions of his film. He started Mario Bava's career and Argento says Freda had more of an influence on him than Bava was. For now you have to really look hard and watch pretty lousy versions of his films to try to discover him as a director. It's worth the effort but would be nice for him to get some decent releases.

I remember getting my drivers' license. It allowed me to travel to towns a few miles from mine and see movies (only one was shown at a time in those days) at small local theaters. In the sixties we had Vincent Price, Peter Lorre, Sebastian Cabot, and others entertaining us with lightweight, scary little films. Many were based loosely on the works of Poe. Though I never saw this until a few minutes ago, it fits in with that genre. It has wonderful atmosphere. The heroine is not blameless, but has a case for murdering the old meany. Of course, she's going to pay a price, as is her doctor lover, when the old guy comes back to haunt her. There's a little Rebecca and Gaslight here, but it all works nicely to a satisfying conclusion. He who laughs last, of course. The performances are good and the atmosphere of the castle and its bleak goings on is a lot of fun. There is an intensity at work here that build, till people become paranoid and suspicious. See this. It's not a bad ghost story.

Barbara Steele is great as the conniving wife of Dr. Hitchcock in this, Freda's sequel to The Horrible Dr. Hitchcock. She conspires with Dr. Hitchcock's physician (who is also her lover) to do away with her old, sick and wealthy husband, which leads to the old revenge-from-beyond-the-grave storyline. While clichéd and (mostly) predictable, this film remains a must-see for fans of atmospheric horror and, in particular, Italian horror films of the 1960's. Riccardo Freda's excellent work combining lighting, sound and camera movement creates an eerie and foreboding atmosphere which overcomes the films weaknesses and gives healthy punctuation to the films shocks. This movie is well worth tracking down, and is certainly deserving of wider recognition than it has thus far received.

As you might expect, this film is really quite similar to Riccardo Freda's earlier horror flick "The Terror of Dr Hitchcock", although for my money; I'd say this one is slightly better. The two films share a director and a lead actress in common, as well as a lead character name. This film firmly fits into the 'Gothic' side of Italian cinema, which Steele often starred in, and Freda makes excellent use of this style with some real standout cinematography. It became clear that Riccardo Freda was, in fact, a hack; as it turned out that the great Mario Bava did most of the work on a lot of his films, and his later stuff - Tragic Ceremony and The Iguana with the Tongue of Fire to name a couple - was a million miles away from being brilliant. This film would appear to be Freda at his best, therefore, and it's actually not bad. The plot centres on Dr. John Hitchcock; a cripple who wants to die. His wife is, naturally, having an affair with her husband's doctor, and pretty soon the two of them conspire to murder Dr Hitchcock for his money. However, they didn't bargain for him haunting them after his death...

The film's title suggests that it's a ghost story, but I would say that The Ghost is more of a mystery chiller. There's not a great deal of real bona fide horror, and to be honest; I felt the film was a little too talky and would have proffered it to be a bit more visceral. The film's main draw is, obviously, Barbara Steele and the 'Queen of Horror' looks great throughout the film. The decor and set design is great too, and these allow Freda to build an oppressive and macabre atmosphere, which benefits the plot line quite well. The main problem with the film is the fact that a lot of it feels really amateurish. The dubbing is atrocious (even more so than usual) and some of the things the characters say are ridiculous. Whether or not that's down to the translation, I don't know. The climax is the best part of the film for me. Of course, it's not a completely sense-making ending and there are a few holes left; but it's a nice twist at least, and it does justify the shortfalls of some of the rest of the movie. Overall, I won't go as far as to say that The Ghost is a horror classic; but it's good entertainment, and fans of Gothic horror will enjoy it.