यह दैनिक टेलीविजन अनुष्ठान सुबह उठने में अमेरिका की मदद करने वाले लोगों के जीवन को दर्शाती है, जहां उन्हें कई चुनौतियों का सामना करना पड़ता है.यह दैनिक टेलीविजन अनुष्ठान सुबह उठने में अमेरिका की मदद करने वाले लोगों के जीवन को दर्शाती है, जहां उन्हें कई चुनौतियों का सामना करना पड़ता है.यह दैनिक टेलीविजन अनुष्ठान सुबह उठने में अमेरिका की मदद करने वाले लोगों के जीवन को दर्शाती है, जहां उन्हें कई चुनौतियों का सामना करना पड़ता है.
- 4 प्राइमटाइम एमी जीते
- 20 जीत और कुल 122 नामांकन
एपिसोड ब्राउज़ करें
फ़ीचर्ड समीक्षाएं
I was never a big fan of either Anniston or Witherspoon but they are really, really good in these roles. Production values are excellent (product placement aside) and kudos to the writers for the nuanced approach to delicate social issues... and Billy Crudup has the best lines!
The show is amazing, but wow, what a remarkable performance by Billy Crudup. He totally kills it! I love his character, so funny. We need more of him! Great work! Of course, the rest of the cast is also amazing! Great job everyone!
My girlfriend and I were discussing this and we've come to this conclusion. Overall, there were a couple episodes that were top-tier, would rate them in the high 9s. They were thought-provoking (mainly season 1), great cinematography, great acting, great score (esp season 3). But the other episodes would fall around a six or seven which is pretty solid. However the hour long run-time on those meh episodes just made it feel like it was dragging on for the majority of the episode just to reveal some big cliffhanger at the end (this is my gf's opinion not mine, i thought it built suspense nicely). So rounds out at a weak eight overall. Season one was the best, then three, then two.
The Morning Show is set in the ostensibly glamorous world of America's most popular (fictional) breakfast TV show, with Jennifer Aniston's character Alex at the center of the action as the anchor who has made the show a huge hit over 15 years.
But the real theme of this series is anything but glamorous: it is a dramatic exploration of the issues that underpinned the #MeToo movement from 2017 - workplace sexual harassment in the entertainment industry, and the culture that permits it; the cancel culture that followed it; and the reaction to that cancel culture.
That's not a spoiler. The series begins with the TMS crew in shock after Alex's much-loved co-anchor Mitch (Steve Carrell) is marched out of the building, accused of inappropriate sexual behaviour. How true those accusations are or aren't, and what that means to everybody associated with the show, is the main narrative thread that is slowly unravelled over the course of Season 1. And it's quite a ride.
Reese Witherspoon enters as Bradley Jackson, a maverick reporter for another - much smaller - show who accidentally becomes a viral sensatiom, then a studio guest on TMS, then part of the show. So far, so predictable - although even this Act 1, establishing the main characters and ideas over the first 3 or so episodes, is packed with highlights. By that point, we the audience have enjoyed the fireworks around Bradley, learned and accepted that Jennifer Aniston really can act (who knew?) and found ourselves liking and empathizing with Steve Carrell's Mitch, unsure whether it will turn out that he is the (not entirely blameless) victim of cancel culture, or whether he's in fact more of a creep than he seems.
Such drama and ambiguity is possible thanks to some of the best dialogue writing and best acting I've seen since shows like the West Wing or early seasons of Billions. Seriously, it's a terrific job by everybody involved - no exceptions. Aniston and Carrell are both revelations in serious roles, actors like Jack Davenport and Mark Duplass are very well-cast, and Billy Krudrup kinda streals the show as the enigmatically brilliant Corey. Reese Witherspoon we've seen be excellent before - so it's no surprise that she's excellent here. Interestingly, she begins as the mian focus, but increasingly creates space for others to take centre stage as the story progresses.
It's near-perfect drama - brilliantly delivered and tackling a major theme of our time with deft integrity and plenty of intrigue.
Even if you have the self-discipline required to have avoided binge-watching the whole first Season in a single sitting, don't even think sbout starting the season finale unless you have time to finish it and absorb it. You have been warned.
Obviously, the following Seasons won't be as good. We know that, right? So this review is for Season 1. If you want to keep watching thereafter, that's up to you, but perhaps be realistic in your expectations.
But the real theme of this series is anything but glamorous: it is a dramatic exploration of the issues that underpinned the #MeToo movement from 2017 - workplace sexual harassment in the entertainment industry, and the culture that permits it; the cancel culture that followed it; and the reaction to that cancel culture.
That's not a spoiler. The series begins with the TMS crew in shock after Alex's much-loved co-anchor Mitch (Steve Carrell) is marched out of the building, accused of inappropriate sexual behaviour. How true those accusations are or aren't, and what that means to everybody associated with the show, is the main narrative thread that is slowly unravelled over the course of Season 1. And it's quite a ride.
Reese Witherspoon enters as Bradley Jackson, a maverick reporter for another - much smaller - show who accidentally becomes a viral sensatiom, then a studio guest on TMS, then part of the show. So far, so predictable - although even this Act 1, establishing the main characters and ideas over the first 3 or so episodes, is packed with highlights. By that point, we the audience have enjoyed the fireworks around Bradley, learned and accepted that Jennifer Aniston really can act (who knew?) and found ourselves liking and empathizing with Steve Carrell's Mitch, unsure whether it will turn out that he is the (not entirely blameless) victim of cancel culture, or whether he's in fact more of a creep than he seems.
Such drama and ambiguity is possible thanks to some of the best dialogue writing and best acting I've seen since shows like the West Wing or early seasons of Billions. Seriously, it's a terrific job by everybody involved - no exceptions. Aniston and Carrell are both revelations in serious roles, actors like Jack Davenport and Mark Duplass are very well-cast, and Billy Krudrup kinda streals the show as the enigmatically brilliant Corey. Reese Witherspoon we've seen be excellent before - so it's no surprise that she's excellent here. Interestingly, she begins as the mian focus, but increasingly creates space for others to take centre stage as the story progresses.
It's near-perfect drama - brilliantly delivered and tackling a major theme of our time with deft integrity and plenty of intrigue.
Even if you have the self-discipline required to have avoided binge-watching the whole first Season in a single sitting, don't even think sbout starting the season finale unless you have time to finish it and absorb it. You have been warned.
Obviously, the following Seasons won't be as good. We know that, right? So this review is for Season 1. If you want to keep watching thereafter, that's up to you, but perhaps be realistic in your expectations.
I was skeptical and this show wasn't even on my radar, but after watching the first episode, I was hooked. I binged the next 4 in 2 days. Great show! The acting is superb. The story is interesting. It touches on issues of the day with finesse and doesn't preach. Which is hard to find these days. The casting is pretty perfect. Billy Crudup steals the show. Awesome work, Apple!
क्या आपको पता है
- ट्रिवियाJennifer Aniston and Reese Witherspoon both received a $2 million fee per episode, but it does not include fees for executive producing and points on the series' back-end, as both are serving as executive producers on the series. Apple has already ordered 20 episodes of the series, split into two seasons.
- भाव
Hannah Shoenfeld: We're The Morning Show. We can do anything.
- कनेक्शनFeatured in Jimmy Kimmel Live!: Jennifer Aniston/Dave Matthews/Blanco Brown (2019)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- चलने की अवधि1 घंटा
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.00 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें