Worked for Tom Kelly, the photographer whose iconic late 1940s nude shot of a very young and unknown Marilyn Monroe made history. Sue was asked to do the same shoot but refused at the time because, as a wife and mother, she felt it wrong to be seen in this kind of light. Sue and Marilyn also worked for the same modeling agency -- the Snively Agency. -- at one point.
I am very surprised that this film has such a following because it is just awful. I remember being interviewed by somebody a few years ago who was writing a book on the one hundred worst movies ever made. I can say that certifiably that it is one of the worst movies ever made. It was so comical. I did it because I though, 'What the heck. Maybe somebody will see it.' Actually, I got a couple of jobs out of it. I couldn't believe it. The roles were all in these crummy movies but it was work. -- SC, referring to her cult movie The Beach Girls and the Monster (1965).