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IMDbPro

At the Devil's Door

  • 2014
  • Not Rated
  • 1h 31min
NOTE IMDb
4,8/10
7,6 k
MA NOTE
Ashley Rickards in At the Devil's Door (2014)
When ambitious young real estate agent Leigh is asked to sell a house with a checkered past, she crosses paths with a disturbed girl whom she learns is the runaway daughter of the couple selling the property.  When Leigh tries to intervene and help her, she becomes entangled with a supernatural force that soon pulls Leigh's artist sister Vera into its web — and has sinister plans for both of them.
Lire trailer2:31
3 Videos
12 photos
Horror

Ajouter une intrigue dans votre langueA real-estate agent finds herself caught up in something sinister when she has to sell a house with a dark past and meets the troubled teen who used to live there.A real-estate agent finds herself caught up in something sinister when she has to sell a house with a dark past and meets the troubled teen who used to live there.A real-estate agent finds herself caught up in something sinister when she has to sell a house with a dark past and meets the troubled teen who used to live there.

  • Réalisation
    • Nicholas McCarthy
  • Scénario
    • Nicholas McCarthy
  • Casting principal
    • Ashley Rickards
    • Nick Eversman
    • Michael Massee
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    4,8/10
    7,6 k
    MA NOTE
    • Réalisation
      • Nicholas McCarthy
    • Scénario
      • Nicholas McCarthy
    • Casting principal
      • Ashley Rickards
      • Nick Eversman
      • Michael Massee
    • 47avis d'utilisateurs
    • 72avis des critiques
    • 47Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 nomination au total

    Vidéos3

    Official Trailer
    Trailer 2:31
    Official Trailer
    AT THE DEVIL'S DOOR - Official Trailer
    Trailer 2:31
    AT THE DEVIL'S DOOR - Official Trailer
    AT THE DEVIL'S DOOR - Official Trailer
    Trailer 2:31
    AT THE DEVIL'S DOOR - Official Trailer
    At the Devil's Door
    Clip 2:32
    At the Devil's Door

    Photos11

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
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    + 8
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    Rôles principaux22

    Modifier
    Ashley Rickards
    Ashley Rickards
    • Hannah
    Nick Eversman
    Nick Eversman
    • Calvin
    Michael Massee
    Michael Massee
    • Uncle Mike
    Mark Steger
    Mark Steger
    • Thin Man
    Catalina Sandino Moreno
    Catalina Sandino Moreno
    • Leigh
    Naya Rivera
    Naya Rivera
    • Vera
    Wyatt Russell
    Wyatt Russell
    • Sam
    Daniel Roebuck
    Daniel Roebuck
    • Chuck
    Jan Broberg
    Jan Broberg
    • Royanna
    Arshad Aslam
    Arshad Aslam
    • Seth
    Kelsey Heller
    • Young Lori
    Kent Faulcon
    Kent Faulcon
    • Davis
    Bresha Webb
    Bresha Webb
    • Becky
    Assaf Cohen
    Assaf Cohen
    • Dr. Aranda
    Shaun O'Hagan
    Shaun O'Hagan
    • Detective
    Olivia Crocicchia
    Olivia Crocicchia
    • Charlene
    Jennifer Aspen
    Jennifer Aspen
    • Lori
    Agatha Mccarthy
    • Lori's Daughter
    • Réalisation
      • Nicholas McCarthy
    • Scénario
      • Nicholas McCarthy
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs47

    4,87.6K
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    Avis à la une

    2ArchonCinemaReviews

    Bits of nonsense does not a Horror make!

    A fragmented bundle of story pieces, At the Devil's Door doesn't add up as the sum of its parts.

    The film effectively opens with a runaway teenage girl in the arms of a teenage boy in what looks to be a mobile home in the desert. He takes her to play a shell game unlike she's ever played and wins $500. While at her home later she is viciously attacked by an unknown force. Fast forward to Leigh, a hardworking real estate agent trying to sell the very house the girl in the last scene was attacked. While surveying the house she comes across the girl, who we believe is the daughter of the couple selling the house, and becomes the target of the ominous supernatural force; unknowingly bringing her sister Vera into its sights as well.

    That convoluted summary and plot description is due to the plot being a loosely jumbled mess. To call At The Devil's Door a narrative would be an offense to all other narratives because it is so discordant from a typical plot. Nicholas McCarthy desperately and ineffectually tries to splice the tale together loosely by connecting the satanic undertone throughout. For a film marketing itself as a 'horror' it shies away from the truly terrifying aspects of demonic rage as a satanic being clamors to take a human form and is underwhelmingly tame.

    At The Devil's Door is unnecessarily overcomplicated and contrived in trying to be different from typical demonic possession films. Incoherent perplexing chunks of the film should have been amputated and reevaluated. Editors are resigned to fade to black scenes to attempt to piece together a film with no cohesive plot direction. The fragmented plot and poorly conceptualized screenplay by McCarthy is only highlighted further by the forced dialogue between the characters.

    Further, there are three protagonists. There is a formula to horrors and supernatural thrillers, a very simple formula, you must have one clear protagonist for the audience to follow. Ashley Rickards is great as the disturbed teen assaulted in the first scene who menacingly skulks about, tormented by the decision she makes to allow this dark force to enter her life. The next protagonist Leigh, played by Catalina Sandino Moreno, unfortunately gets featured far too much and further splinters the story. The film could have contained a single scene with her as a minor character in order to connect Rickards' plot to Vera, the sister, played by Naya Rivera. If it were not for the sufficient performances of Rickards and Rivera this film would be unwatchable. Once Vera is the primary focus for the film it picks up slightly but pathetically shuffles its way to a weak finale.

    At The Devil's Door is a bland and disjointed interpretation of the hellish thrillers of yesteryear when humanity was afraid of losing its soul to Satan. With no clear plot and no serious scares it expediently fast forwards through the various shorts attempting to be key plot events to an ending the audience can not care or be invested.
    5kosmasp

    Bad decisions

    Yes every other horror movie lives and dies (no pun intended) with the characters making bad decisions. And while the initial beginning of the movie is really strong (despite the pact that is being made not really making much sense), the rest does let off. More bad decisions coming along, one of them been done twice, which is really hard to swallow however you look at it.

    Home is where the heart is, but this "Home" is telling us something else. It's also not about the heart as much as it is about the soul. But horror movies are different or at least try to be. This has a few things going for it (strong beginning and ending), but also a couple of letdowns too.
    6AdamJACox

    Took a while to hit it's stride.

    The opening of this film is very slow and although it builds some important story it didn't draw me in until Vera (Naya Rivera) takes over as the main character from there it really starts to develop the story and actually becomes a pretty interesting film, it has little in the way of gore for a horror film and relies mostly on atmosphere, the occasional jump scare and some paranormal body manipulation. It must also be said that the ending is a little anti-climatic (although a simple post credit scene showcasing the future ramifications would have helped)
    Red_Identity

    Really could've been better

    I sort of appreciate what this was trying to do, honestly. I just wish it had done it better. The film really isn't the typical mainstream slasher/horror flick, and it knows how to build atmosphere... to a point. It just slogs throughout most of its running time, and it really seems like it goes nowhere. The biggest crime a horror film could make is be boring, and at times, this is incredibly dull. I like the destination and I like how it doesn't feel the need to speed up its pace, but the really thin screenplay and some questionable acting make this not very good. It's a pity too, because it really does have some nice scenes and atmosphere.
    5TheLittleSongbird

    Home with a dark past

    Saw 'Home', being fond of horror regardless of budget (even if not my favourite genre) and being intrigued by the idea which was reasonably different when it comes to recent viewings of horror. Being behind on my film watching and reviewing, with a long to watch and review list that keeps getting longer, it took me a while to get round to watching and reviewing it.

    Giving 'Home' a fair chance with being interest and apprehension, it turned out to be far better than expected. Won't say that 'Home' is a great film because it isn't and the potential, while not wasted, is not fully lived up to. Considering the large number of films seen recently being mediocre and less and wasting potential, was expecting worse and was relieved that while wanting in a fair few areas it was actually one of my better recent low-budget viewings.

    Starting with the positives, generally the production values could have been much worse. There is a real sense of eeriness, foreboding and a decently stylish atmosphere, and it makes the most of the confined and at times effectively claustrophobic setting. The music is also suitably haunting and manages to not be too intrusive, likewise with the sound not being too obvious (a bugbear of mine with low-budget viewings recently).

    There is tension, suspense and genuine creepiness. The acting is better than average, with the three leads carrying the film pretty decently.

    Would have liked however more tension and suspense and for some of the scares to be more creative and less trying-too-hard to the point of cheesiness. The dialogue is cheesy and awkward generally.

    Found that the story could have been executed better too. Too many parts are uneventful, the narrative structure is not always coherent and it can feel padded, not to mention an ending that perplexes in its anti-climactic and muddled convolution. There are exceptions to the better than expected production values, the effects are shoddy and the editing could have been tighter.

    Overall, better than expected but didn't blow me away. 5/10 Bethany Cox

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The red rain coat is an obvious nod to the horror classic "Don't Look Now" starring Donald Sutherland and Julie Christie directed by Nicholas Roeg.
    • Gaffes
      Shortly after Leigh visits her sister Vera, Leigh gets in her car to leave. When she locks the car door you can hear the locks engaging but the passenger door lock does not move down into the "locked" position.
    • Bandes originales
      Break Under Pressure
      Written by James Curd and Jessica Baldwin

      Performed by Jerry's Diner

      Published by James Curd Music

      ASCAP & Jessica Baldwin APRA

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    FAQ17

    • How long is At the Devil's Door?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 8 août 2014 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Home
    • Lieux de tournage
      • Los Angeles, Californie, États-Unis(filming-location)
    • Sociétés de production
      • Varient
      • Candlewood Entertainment
      • XYZ Films
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut mondial
      • 74 624 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 31 minutes
    • Couleur
      • Color
    • Rapport de forme
      • 2.39:1

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