Daddy Cool

'INFINITELY POLAR BEAR': Three and a Half Stars (Out of Five)

A comedy-drama flick, about a bipolar dad, struggling to raise his two young daughters; while his wife tries to support their family, in business school. The film was written and directed by Maya Forbes; and it's based on her own life experiences (as a young girl, with a bipolar father). The movie stars Mark Ruffalo, Zoe Saldana, Imogene Wolodarsky and Ashley Aufderheide. It's an interesting, and well made film study; on mental illness, and how it effects loved ones.

The story takes place in late 1970s Boston. Cameron Stuart (Ruffalo) is married to Maggie; and they have two young daughters together, Amelia (Wolodarsky) and Faith (Aufderheide). When Cameron has a bipolar breakdown, he's fired from his job and put in a mental hospital. Maggie moves their daughters into a cheap apartment, in a poor part of town. When Cameron is released from the hospital, Maggie asks him to take care of their kids; while she goes to business school, in New York full time. Cameron agrees, and then struggles to maintain his sanity; while also trying to be a good father.

The film is a great examination of bipolar disease; and how mental illness effects family. Ruffalo is exceptional in the lead, and the two young girls are outstanding (as well); especially Wolodarsky, playing Forbes (as a young girl). Forbes' script is clever, and very thoughtful. Her direction is decent, but not anything too memorable. Still, it's a pretty impressive directorial debut.

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"Infinitely Polar Bear" (2014 release; 90 min.) brings the story of Cam Stewart (played by Mark Ruffalo) and his family. As the movie opens, we get a clever montage of 8 mm. footage from 1967 (how Cam and Maggie met in Boston and eventually married) on to the present (i.e. 1978). Cam is a manic depressive and he just got fired (again) on the first day of his latest job. It leads to an outburst and eventually Cam is put away. We then move to "six weeks later', where Cam is in a halfway house. Maggie is desperate to improve their financial situation and decides to do an MBA on a full scholarship at Columbia, leaving Cam to take care of their 2 daughters Amelia and Faith. At this point we're about 15 min. into the movie but to tell you more would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

Couple of comments: first, this movie is a labor of love from writer-director Maya Forbes (best known for her work on The Larry Sanders Show). She bases the story on her own upbringing and as such the movie is pretty much autobiographical. To make things even more authentic, she cast her 12 yr. old daughter (Imogene Wolodarsky) as her younger self (Amelia). I noticed in the movie's opening credits that J.J. Abrams is one of the executive producers. Second, I don't know to what extent the portrayal of the Cam character is an accurate reflection of being manic-depressive or bi-polar. Yes, there are the highs and the lows, and yes, there is the habit/need to never throw out anything and instead collect like hamsters do, but is that enough? I do not know. But it all looks quite innocent on the big screen, and no 'bad' things happen to anyone in this. Third, the four leading acting performances (Ruffalo, Wolodarsky, Zoey Baldana as Maggie, and Ashley Aufderheide as Faith) are all enjoyable, and the interaction between them feels authentic. Fourth, the movie, set in the late 70s, contains a treasure trove of period cars from the 60s and 70s. Check out the Peugot station wagon Cam has at some point, but that's just one example. Truly a eye candy for car aficionados. Last but not least, there is a terrific soundtrack, including both the original score (by Theodore Shapiro) and a bunch of songs (best of all, George Harrison's Run of the Mill, which plays at the conclusion of the movie and over the closing credits; and also China Forbes (of Pink Martini, and sister of Maya Forbes) bringing an excellent new tune called "The Northern Line", also playing over the closing credits).

This movie made quite a splash at the 2014 Sundance Film Festival. No idea why it's taken another 18 months for this to get a national release. "Infinitely Polar Bear" opened some weeks ago at my local art-house theater here in Cincinnati, and apparently is enjoying a good run. The recent early evening screening where I saw this at was attended nicely. If you are in the mood for something that could be quite heavy but in fact is brought with a light touch and a smile never far away, and you want to see something light years away from Hollywood's standard summer fare of action heroes, I might suggest you give this a try, be it in the theater, on VOD, or eventually on DVD/Blu-ray.

Maya Forbes writes and directs a personal story of bittersweet childhood living in livid conditions with her sister, mother and eccentric bipolar father. A landmark first feature that has enough laughs but loads of conflicting emotions.

Zoe Saldana is a strong presence with her loving/loathing/longing and everything in between character. The ideal mother of her time and circumstances and the wife a man would fight for.

Mark Ruffalo is at the centre of it all with his charming, childlike and exuberant portrayal. He masters the manic episodes, the frailty, the fears, the hopes, the joys and the underlying deep love for his wife and kids.

The kids, one played by Maya Forbes's own daughter, are really adorable and act at a very high calibre. Creative, funny, aware and awkwardly accepting their weird family antics with a touch of rebellion.

Ultimately most of the credit is due to Maya's inventing and passionate storytelling in its form, content, message and lasting meaning. A film that is very human and difficult, but finds glimpse of beauty in little things that we should all hold dear.

An easy but complex crowd-pleaser with much meat and mastery for the critics and film aficionados.

Mark Ruffalo stars in "Infinitely Polar Bear" along with Zoe Saldana, Imogene Wolodarsky, and Ashley Aufderheide, from 2014, directed by first-time director Maya Forbes. Forbes is a very talented woman I hope to be seeing more from as a director - she's already an established writer and producer.

The story takes place in Boston in the late 1970s, where Cam Stuart (Ruffalo) lives with his wife Maggie (Saldana) and their children, Amelia and Faith.

Cam is bipolar and job problems lead him to a nervous breakdown. He is institutionalized and then moved to a halfway house. Though he comes from a wealthy family, the money is in a trust. Maggie has a tough time making ends meet. She decides to get her MBA and wins a scholarship to Columbia.

Cam is doing okay on lithium and is more on an even keel, so Maggie has him move in with the kids while she goes to New York for eighteen months, returning home on weekends. Her plan is to return to Boston after school and get a good job, which has eluded her thus far.

It's a tough adjustment. The place is in disarray, Cam constantly embarrasses his kids for either being too friendly with the neighbors or hanging out with them and their friends, not to mention driving around in a pathetic car.

What a wonderful movie told with such warmth and humor. The acting is wonderful all around. Both Ruffalo and Saldana are totally likable, and the kids are great - not cloying at all. The title comes from the kids misunderstanding the term "bipolar."

Definitely worth viewing - a wonderful film.

Despite being a little too by-the-book and repetitive,"Infinetly Polar Bear" is a pleasing piece of narrative that succeeds thanks to a brilliant portrayal and definition of characters.

As stated above the film isn't that fascinating or riveting of a drama. It hits the same note again and again and does not stray away from it almost anytime. It is generally predictable and the dramatic texture isn't as intense as it wants to be,it kind of hits you very light. Moreover there are situations that are overplayed a little too much in the beginning which gave the movie a hard time at getting started and being believable, yet fortunately it picked up immediately as soon as these couple of scenes ended. So to sum it up, it simply doesn't give the necessary gravitas and intensity (both comedic and dramatic) to the situation for it to be as riveting as a drama as it could have as it could have been and I should add that I think that the cinematography partially contributed to this: it doesn't have enough style or distinction for it to stick out, leaving it in super generic dramatic territory and palette and it has a variety of camera movements that get distracting and aren't integrated well enough in the story. It could have really sparked had their been some distinctive look and approach in my opinion.

Despite all of negatives above, this movie really succeeds in making you care about the characters, sticking with them and ultimately giving you a true emotional link. That is undebatable thanks to very good work from both Saldana and Ruffalo and especially the two girls playing their daughters. But even more than that I believe that in the end it is the script that makes you really care because of how well it defines characters, situations and overall story arch. There maybe not enough originality in storytelling or some non-clarity in the bipolar aspect of the film, but man do the characters stick out and make for a pleasant view and journey, culminating in a finale that got me more than I imagined.