Passengers
- 2016
- Tous publics
- 1h 56min
Un vaisseau spatial voyage vers une planète lointaine en transportant des milliers de personnes. En raison d'un dysfonctionnement dans les chambres de sommeil, deux passagers sont réveillés ... Tout lireUn vaisseau spatial voyage vers une planète lointaine en transportant des milliers de personnes. En raison d'un dysfonctionnement dans les chambres de sommeil, deux passagers sont réveillés 90 ans plus tôt que prévu.Un vaisseau spatial voyage vers une planète lointaine en transportant des milliers de personnes. En raison d'un dysfonctionnement dans les chambres de sommeil, deux passagers sont réveillés 90 ans plus tôt que prévu.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 2 Oscars
- 2 victoires et 12 nominations au total
- InfoMat
- (voix)
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Pros - The production is immaculate. The cinematography, set design, CGI, all of it is top notch, as expected from a movie starring two of the most popular current actors. - Although I'm not crazy about Jennifer Lawrence, and I only really like Chris Pratt as Starlord, I will go ahead and list them as a pro, since they did a good job with these characters. Michael Sheen is also welcome in any movie.
Cons - The science of the movie is a bit slinky at times, obviously to serve narrative motives. Other reviewers have detailed these inaccuracies, so I won't get into it, here. - The movie mostly leans toward a romantic drama vibe, and I personally think there should have been more of a sense of dread and danger throughout the movie, not just near the end. - Given the high profile status of the leads, the sex scenes are predictably tame and brief. Along with the lack of danger, the lack of eroticism is another way in which the movie plays it too safe. - The catharsis at the end that stems from the main moral dilemma (which I won't spoil) does not occur satisfactorily in my opinion. It didn't move me at all, and made it feel like it was never that important to begin with.
In summary, this is an entertaining, but light sci-fi romance. It feels like a 70's sci-thriller that has been thoroughly processed for a general audience. It makes a good rental, but I couldn't help but lament that it wasn't the riskier, edgier film that it wanted to be.
Seeing it with my flatmate last night, who had seen the film before, really liked it and had recommended it to me, 'Passengers' turned out to be a much better film than expected. It's not perfect and can see where some of the criticisms are coming from, but it was to me a beautiful and thought-provoking film that raised some interesting questions and thoughts. Unlike a lot of people on the internet and particularly on IMDb, critics get a lot of respect from me and often we are on the same page. There have been a fair share of times where our opinions have been different, when a praised film didn't do much for me and a panned one surprised me in a good way. 'Passengers' is one of the latter examples and a lot of the problem with its less than enthusiastic critical response is to do with advertising which didn't indicate that it would be as unconventional as it was.
For one thing 'Passengers' looks wonderful, the advertising didn't lie in this regard. It's beautifully shot and crisply edited while the lighting and sets have a lot of atmosphere and are imaginative in their scope, showing the beauty, wonder and mysteriousness of outer space. It is easy to see why the production design garnered an Oscar nomination The special effects at their best make the jaw drop.
Don't think that Thomas Newman's score has been talked about enough despite being nominated for an Oscar (losing out to 'La La Land'), it's understated and hauntingly beautiful in a distinctive Newman. 'La La Land' deserved the win but of the other Best Original Score nominees (which included 'Jackie', which should never have been nominated) 'Passengers' for me was one of the better ones.
There are many moments where 'Passengers' provokes a lot of thought and is intriguing, raising some very interesting questions and ideas. The story on the most part didn't lose me, while it is not your conventional thrilling sci-fi film with lots of special effects and action it has its fair share of poignancy and intrigue. The initial fiery animosity turning into a beautiful love story was convincing thanks to the chemistry between Pratt and Lawrence. The direction isn't mind-blowing but is competent before not knowing what to do with itself in the final quarter or so.
Pratt is more understated than usual, in a cast against type dramatic role for an actor better known for comedy. He handles it very well and commands the screen. Lawrence gets a lot of hate here, but to me she is one of the better actresses today under 30 (her acting actually has a beyond her years feel to it). Here she is luminous and touching. Believed these two as lovers and found myself caring for their love story due to their success in keeping it alive. It's not just them though, Michael Sheen is amusing as Arthur and while his screen time is short (too short) Laurence Fishburne gives his characters pathos and dignity.
On the other hand, 'Passengers' doesn't live up to full potential. Its biggest flaw is the last 30 minutes, it would have worked better as something more suspense or action-oriented but instead felt like a tacked on logic-free anti-climax where too many things felt unresolved and it was too over-the-top and ridiculous.
While the writing did intrigue and provoked a lot of thought, it didn't always work. Some of it did get confusingly over-complicated, with things needing to be made clearer and less vague, and other parts were forced. Pacing also could have tightened in places, the beginning while interesting in what was explored takes a little long to get going but the film really gets going properly once Lawrence's character wakes up.
In conclusion, was not sure what to expect but got a well above-average, to me it was good despite a few problems. 7/10 Bethany Cox
We do have some great actors involved in this, but you can imagine that there are moments in the movie where some may feel the movie could offer more. But that would not be keeping it real. Of course there are some decisions that are questionable at best, but that's life and that's how people work sometime ... Really good character piece surrounded by Science Fiction, but only watch it if you like human drama mixed with it!
The only part of the film that doesn't really work is the bit in the middle with Laurence Fishburne. I could see three reasons why his character was needed, but it all felt very contrived. He has one important line though, so I can forgive it (just about). I just wish the writers had thought about that part a bit more, as the rest of the film was really great. Chris Pratt, Jennifer Lawrence and Michael Sheen were brilliant too.
Passengers is clever, thoughtful, science fiction, and I would highly recommend it.
Le saviez-vous
- AnecdotesThe voice of The Starship Avalon belongs to voiceover artist Emma Clarke, who is also one of the iconic 'Mind the Gap' voices on London Underground.
- GaffesWhen Aurora is trapped in the water bubble, she appears to be unable to swim out of it. Even in zero gravity Newtons third law of action equaling reaction still applies. Pushing water backwards (through swimming movements) would easily push her forward to the surface and out of the bubble.
- Citations
[last lines]
Aurora Lane: [voice over] A friend once said, "You can't get so hung up on where you'd rather be that you forget to make the most of where you are." We got lost along the way. But we found each other. And we made a life. A beautiful life. Together.
- Crédits fousThe first half of the end credits feature images of celestial objects in space, such as nebulas and galaxies.
- ConnexionsFeatured in Film '72: Épisode #45.8 (2016)
- Bandes originalesLike a Rolling Stone
Written and Performed by Bob Dylan
Courtesy of Columbia Records
By arrangement with Sony Music Licensing
Meilleurs choix
- How long is Passengers?Alimenté par Alexa
Détails
Box-office
- Budget
- 110 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 100 014 699 $US
- Week-end de sortie aux États-Unis et au Canada
- 14 869 736 $US
- 25 déc. 2016
- Montant brut mondial
- 303 144 152 $US
- Durée1 heure 56 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1