NOTE IMDb
6,3/10
160 k
MA NOTE
Un drame romantique où un soldat tombe amoureux d'une étudiante conservatrice pendant sa permission.Un drame romantique où un soldat tombe amoureux d'une étudiante conservatrice pendant sa permission.Un drame romantique où un soldat tombe amoureux d'une étudiante conservatrice pendant sa permission.
- Récompenses
- 4 victoires et 8 nominations au total
Jose Lucena Jr.
- Berry
- (as Jose Lucena)
Keith D. Robinson
- Captain Stone
- (as Keith Robinson)
Mary Rachel Quinn
- Mrs. Curtis
- (as Mary Rachel Dudley)
Histoire
Le saviez-vous
- AnecdotesOn its opening weekend in the United States, it went to number one, becoming the film to finally end the reign of James Cameron's Avatar (2009), which had sat at the top of the box office for seven consecutive weeks.
- GaffesWhen John is in Hungary when he hears about 09/11 (as indicated by the signs on/near the coffee shop: Tigris Kavehaz, Muvesz...), and the TV news are in Serbian (even using Cyrillic - not Latin - script). This scene is not necessarily a mistake. Although not well explained in the movie, in the book John was stationed in Kosovo. He could simply have been standing outside a Hungarian-style coffee shop there, which explains the Hungarian language on the store front. Serbian is recognized as an official language of Kosovo, which explains the TV news being in Serbian.
- Citations
John Tyree: No matter where you are in the world,the moon is never bigger than your thumb.
- ConnexionsFeatured in Trailer Failure: Dear John, The Squeakquel and Bad Lieutenant (2009)
- Bandes originalesAmber
Written by Nick Hexum
Performed by 311
Courtesy of Volcano Entertainment III, LLC and The RCA/Jive Label Group, a unit of Sony Music Entertainment
By Arrangement with Sony Music Licensing
Commentaire à la une
Lasse Hallström, the Swedish director who gave us Chocolat (2001), Gilbert Grape (1993) and Hachi: A Dog's Tale (2009) is at it again - making chick flicks for guys. This means, unlike your stereotypical chick flick whose leading man is a hollow beefcakey stud with as much personality as the scenery, here we get a complex beefcakey stud whom the chicks can swoon over whilst the bros say "duuuuude he's cool."
In this case the protagonist is "John" (Channing Tatum) who plays an Army Special Forces character who can kill you with a toothpick but has total control over his emotions. Until, of couse, he meets "Savannah" (Amanda Seyfried) over his 2 week furlough before going back to war.
As you might guess, the story explores the ultimate long distance relationship as John completes his 1 year tour as a soldier while Savannah waits at home. Sounds boring? Well wait, there are complications. John's father is autistic and his mother abandoned them years ago. So John is forced to be the responsible one, but the whole war/love thing throws him out of whack.
Meanwhile Savannah has a few secrets of her own (and I gotta admit I totally didn't see it coming). And on top if it all, 9/11 hits and this forces John to make a decision whether to stay with his platoon and most likely get his butt blown off, or retire once his initial tour is over. Oh, and the movie begins with John getting blasted by gunfire, meaning the story unfolds in a huge flashback leaving us wondering the whole time if John dies or not.
This is a very sentimental flick, much like the other Hallström movies I mentioned, but it doesn't get sappy or predictable. In fact at least 3 plot twists took me by total surprise. And I'm talking like "whoa duuuuude I never saw THAT coming" surprise.
"Dear John" focuses on interpersonal relationships when duty comes into play - and I'm not just talking about duty toward your country (a cleverly woven parallel), but duty to parents, children and those who need help. This is juxtaposed against selfish happiness, or the storybook love. Pay close attention to the characters' choices & sacrifices, and how these choices are based on duty/selflessness rather than "getting the girl". I think that's what makes this a unique romance. Whereas most Hollywood romance flicks focus on the problems of 2 lovers, "Dear John" presents us with an ideal love that is complicated by external loyalties.
The trademark of Hallström movies is some other issue (not just love) driving the characters, and that's why these films aren't sappy or predictable. Another trademark is is use of gorgeous scenery, in this case the beaches of Charleston SC. He achieves a very nostalgic beach feeling, even for those of us who have only been to the beach once or twice in our lives (see also his film "Safe Haven" filmed in Southport, NC).
"Dear John" is a quiet, sentimental film, so don't expect action, car chases & robots. But it delivers a few tricky plot twists, so it's never boring. If you're not familiar with Hallström's style, I'd say it's artistic without being over-the-top artsy. Think of Kieslowsky (Blue, White, Red trilogy) or Wim Wenders (Paris Texas, Wings of Desire) or possibly even Steven Soderbergh (Sex Lies & Videotape, Solaris, Magic Mike) and you'll have a general idea of how this film feels.
In this case the protagonist is "John" (Channing Tatum) who plays an Army Special Forces character who can kill you with a toothpick but has total control over his emotions. Until, of couse, he meets "Savannah" (Amanda Seyfried) over his 2 week furlough before going back to war.
As you might guess, the story explores the ultimate long distance relationship as John completes his 1 year tour as a soldier while Savannah waits at home. Sounds boring? Well wait, there are complications. John's father is autistic and his mother abandoned them years ago. So John is forced to be the responsible one, but the whole war/love thing throws him out of whack.
Meanwhile Savannah has a few secrets of her own (and I gotta admit I totally didn't see it coming). And on top if it all, 9/11 hits and this forces John to make a decision whether to stay with his platoon and most likely get his butt blown off, or retire once his initial tour is over. Oh, and the movie begins with John getting blasted by gunfire, meaning the story unfolds in a huge flashback leaving us wondering the whole time if John dies or not.
This is a very sentimental flick, much like the other Hallström movies I mentioned, but it doesn't get sappy or predictable. In fact at least 3 plot twists took me by total surprise. And I'm talking like "whoa duuuuude I never saw THAT coming" surprise.
"Dear John" focuses on interpersonal relationships when duty comes into play - and I'm not just talking about duty toward your country (a cleverly woven parallel), but duty to parents, children and those who need help. This is juxtaposed against selfish happiness, or the storybook love. Pay close attention to the characters' choices & sacrifices, and how these choices are based on duty/selflessness rather than "getting the girl". I think that's what makes this a unique romance. Whereas most Hollywood romance flicks focus on the problems of 2 lovers, "Dear John" presents us with an ideal love that is complicated by external loyalties.
The trademark of Hallström movies is some other issue (not just love) driving the characters, and that's why these films aren't sappy or predictable. Another trademark is is use of gorgeous scenery, in this case the beaches of Charleston SC. He achieves a very nostalgic beach feeling, even for those of us who have only been to the beach once or twice in our lives (see also his film "Safe Haven" filmed in Southport, NC).
"Dear John" is a quiet, sentimental film, so don't expect action, car chases & robots. But it delivers a few tricky plot twists, so it's never boring. If you're not familiar with Hallström's style, I'd say it's artistic without being over-the-top artsy. Think of Kieslowsky (Blue, White, Red trilogy) or Wim Wenders (Paris Texas, Wings of Desire) or possibly even Steven Soderbergh (Sex Lies & Videotape, Solaris, Magic Mike) and you'll have a general idea of how this film feels.
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Dear John
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 25 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 80 014 842 $US
- Week-end de sortie aux États-Unis et au Canada
- 30 468 614 $US
- 7 févr. 2010
- Montant brut mondial
- 114 991 723 $US
- Durée1 heure 48 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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