NOTE IMDb
5,4/10
3,1 k
MA NOTE
Ajouter une intrigue dans votre langueThe story of the late jazz musician and classical pianist Nina Simone, including her rise to fame and relationship with her manager Clifton Henderson.The story of the late jazz musician and classical pianist Nina Simone, including her rise to fame and relationship with her manager Clifton Henderson.The story of the late jazz musician and classical pianist Nina Simone, including her rise to fame and relationship with her manager Clifton Henderson.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 nominations au total
Zoe Saldaña
- Nina Simone
- (as Zoe Saldana)
Avis à la une
The high ratings must be from people unfamiliar with Nina Simone. The makeup looks like Saldana has bad skin. Saldana's acting is passable. But the film is just boring. Saldana's singing lacks the depth of Simone.
So, I'll try to not include the controversy I heard about Star Trek's Zoe Saldana, playing the Infamous Nina Simone, although that's what made me interested in buying the ticket.
Overall, Saldana's performance was just OK. It's not the worse thing I've ever seen, it's not the best performance I've ever seen. It's not a milestone in her acting career, unlike her co-star David Oyelowo's magnificent turn as Doctor Martian Luther King Jr. in the movie, Selma. Mike Epps made an interesting cameo as Richard Pryor in the movie which left me something more than Saldana as Simone.
Nina is a focus on the last eight or so years of Simone's life, which was odd as Saldana (and the make up job they did on her) did not convince me she was a 70 year old woman. Mainly, it centers around the relationship Nina had with her new manager, Clifton Henderson.
It's another one of these films that tells us more about the type of personality the artist is rather than anything about the person's life. It's similar to Don Cheadle's take on Miles Davis in the film Miles Ahead, but that film had some magic in it that this movie does not.
Saldana and the film did an OK job letting us know the type of artist Nina Simone was, but you did not feel the passion behind it. I know it's near impossible to create a motion picture about Nina that would visually do what Simone could do with her musical talents, but I did not feel any effort towards it at all.
So overall, at the moment Saldana still has playing the most ionic woman in Sci-Fi on the top of her resume, while playing the greatest singer of all time will not even register. The make-up was fine and her voice was satisfying, but like I said I was not expected her to sound like Nina Simone, but this movie is not passionate like her music.
Overall, Saldana's performance was just OK. It's not the worse thing I've ever seen, it's not the best performance I've ever seen. It's not a milestone in her acting career, unlike her co-star David Oyelowo's magnificent turn as Doctor Martian Luther King Jr. in the movie, Selma. Mike Epps made an interesting cameo as Richard Pryor in the movie which left me something more than Saldana as Simone.
Nina is a focus on the last eight or so years of Simone's life, which was odd as Saldana (and the make up job they did on her) did not convince me she was a 70 year old woman. Mainly, it centers around the relationship Nina had with her new manager, Clifton Henderson.
It's another one of these films that tells us more about the type of personality the artist is rather than anything about the person's life. It's similar to Don Cheadle's take on Miles Davis in the film Miles Ahead, but that film had some magic in it that this movie does not.
Saldana and the film did an OK job letting us know the type of artist Nina Simone was, but you did not feel the passion behind it. I know it's near impossible to create a motion picture about Nina that would visually do what Simone could do with her musical talents, but I did not feel any effort towards it at all.
So overall, at the moment Saldana still has playing the most ionic woman in Sci-Fi on the top of her resume, while playing the greatest singer of all time will not even register. The make-up was fine and her voice was satisfying, but like I said I was not expected her to sound like Nina Simone, but this movie is not passionate like her music.
Nina Simone was a huge public figure in the black civil rights movement and one of the most popular jazz musicians of all time. She remains to this day very influential and unique. This film managed to capture none of it. It decides to focus entirely on her romantic relationship with her assistant during the last years of her life and - even though it does address her mental health issues and her problems with showbiz - it briefly skims over all the good and important influence she had over culture and music. Zoe Saldana may have been able to pull off her demeanour while in daily life, however her 'on stage' performances were underwhelming. I don't have a problem with her doing her own singing while impersonation an actual person, because a voice-over would probably not have worked well, however, Zoe's auto-tuned performance failed to capture the spirituality, strength and powerful presence that Nina had. Obviously, no one can be as good a Nina as Nina was, but if I didn't know who Nina Simone was before this movie, I certainly would not have cared about her afterwards. Overall, I was not impressed by this film's portrayal of Nina's life, her music and her importance in history. If you want a better portrayal of Nina, watch What Happened, Miss Simone (her documentary) or listen to her actual music.
Everything you wouldn't want to see in a film about Nina Simone. While Zoe Saldana might get a C+ for effort, one wonders if there were any mirrors anywhere on set or if she figured CGI would fix her appearance; although, the problems with this abysmal film are greater than Zoe's horrific makeup. The story is disjointed and focuses on absolutely arbitrary parts of Nina's life. There is no depth or realness to Cynthia Mort's vision of Nina and - considering the subject matter - that's an injustice. It could be considered an accomplishment that Mort was able to create a film about Nina Simone that leaves the viewer feeling nothing at all. Perhaps the worst part of the film is how ugly they made Nina. While she might not have been what's considered conventionally pretty, Nina possessed an elegant beauty that was a powerful part of her performance. Nina Simone was a beautiful woman and to turn her into a creature from the blackface lagoon in a biopic is unforgivable.
Probably only 25 minutes that I'm watching this biopic about one of my idols:Nina Simone -> "What a bad television film"."A disaster" ... Zoe Saldana, clearly not up to the character! The allusions to Nina; a revolutionary musician are too few"... I don't care about Mrs Simone torments at the end of her life ! Mostly her relationship with her domestic/manager. (If at least it was "done properly). Plus, all the reproductions of her interviews and concerts : "We do not talk about it "... The film budget is what? $ 200 or something ... Roughly speaking, this full-length feature is a flop ... Let's watch a good documentary :)
Le saviez-vous
- AnecdotesLisa Simone Kelly, Nina Simone's daughter, disavowed the project on grounds it was a dishonest look at her mother's life, particularly the turbulent romantic relationship between Nina and Clifton Henderson. In real life, Henderson was gay; he was Nina's confidant, but never her lover. As a result, Simone's family was not consulted during production. While the family said publicly they didn't have any personal issues with Saldana, they didn't agree with her casting because Nina Simone had much darker skin than Saldana and they felt the choice was an attempt to erase what Nina Simone herself called "essential blackness" from the movie.
- ConnexionsReferenced in The Cinema Snob: Marci X (2018)
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- How long is Nina?Alimenté par Alexa
Détails
Box-office
- Budget
- 7 000 000 $US (estimé)
- Durée1 heure 30 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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