Ajouter une intrigue dans votre langueSatoru (Kanata Hongo), a wheelchair-bound elementary student, locks himself away from the outside world after his mother dies. His father designs a remote-controlled robot to go to school fo... Tout lireSatoru (Kanata Hongo), a wheelchair-bound elementary student, locks himself away from the outside world after his mother dies. His father designs a remote-controlled robot to go to school for him, allowing him to interact with people and do normal things.Satoru (Kanata Hongo), a wheelchair-bound elementary student, locks himself away from the outside world after his mother dies. His father designs a remote-controlled robot to go to school for him, allowing him to interact with people and do normal things.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires au total
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The film opens with Hinokio making its entrance into an otherwise mundane homeroom class consisting of such students as the nerdy Joichi, the hyperactive Kenta, and the teacher's pet Sumire. Also in the classroom is the moody Jun who, although a bit intrigued with the new "student", is not overly impressed by the new arrival. We soon learn that Iwamoto Satoru a young boy who is rehabilitating from a car accident controls Hinokio. The robot allows him to attend school and interact with other students while he recuperates at home. However, instead of being warmly embraced by his new classmates, Satoru, or Hinokio, is the victim of pranks. However, after he refuses to tattle on Jun, Kenta, and Joichi, the four soon become friends.
While Satoru's relationship with his friends, especially with Jun, is the primary story, Satoru's relationship with his father, who the boy blames for the death of his mother, is also central to the film. Because of his reluctance to interact with the outside world and muteness with his father, Satoru resembles a Hikikomori, or shut-in, a social ill that has spread in modern Japanese society.
At times humorous and at times quite moving, Hinokio is a good film to watch for those immersed in the violent films of Miike Takashi or the nostalgic oeuvre of Ozu Yasujiro. It reminds us that there are other films that while not overly artistic can really move an audience or just make one smile.
The story involves a young boy who lost his mother and was confined to a wheel-chair from a car accident. He spends his time locked in is room, using a robot that he can communicate from his computer as his eyes to the outside world.
Some moments in the film could be considered to many audiences as quite corny, however, the darker elements manage to balance the film as a whole quite nicely. At times the film feels it gets a bit long too, however this is only because there are so many ideas crammed into it that sometimes you really have no idea where it is going and are wanting to find a resolution all too soon. The ending, however, is far more than satisfying enough.
Use of cg is really great too, although it is usually saved for the right moments so that it is most effective. The use of first person perspectives and computer game footage was masterfully utilized to make interesting comparisons between reality and virtual-reality. Much more interesting than it was in say, Doom.
I think the most important thing about this film though, is that the characters are presented in ways that you can only feel compassion for them. You get the sense that the makers also felt the same way.
Verdict: You'll laugh, you'll cry.
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Hinokio: Inter Galactic Love
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut mondial
- 121 296 $US
- Durée1 heure 51 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.78 : 1