This film is a portrait of a gangster boss. We witness the downfall of the once so cool and untouchable Milo that we got to know in the first Pusher film. Milo is trying to maintain his position in the competitive dopemarket of Copenhagen, but times are changing and younger generations are taking over. On top of this, Milo is trying to quit using dope himself and is attending meetings in Narcotics Anonymous, and he is trying to be a good father to his daughter and make her birthday party a good one.
Nicolas Winding Refn has a way of making my stomach twist and turn like no other director. I can watch gore and splatter films no problem, but the cold and cynical violence in the Pusher gets to me, because it is set in a, for me, very realistic environment. I'm not sure that I like it, but one thing is for sure; it works. The character descriptions are, as always, very believable. The mixing of a lot of the different languages of the different gangs is a funny feature, that I like. Technically, the hand-held camera works okay, but it's not the best. Music and lighting effects are great.
The film is not as good as the first Pusher film, but it has its moments, Zlatko Buric is enjoyable every second, gore is for gore-lovers, the Pusher "mood" is there and it is a fine ending of a remarkable and original trilogy that the danish film scene can be proud of.
