Babylon A.D.

I should say first that I don't know the book this movie is adapted from, so I just mean to give an opinion on the movie itself and the way it's handled.

Director Mathieu Kassovitz has been in the business for a while now and is a well complete actor as well and still something about this project went wrong. The story itself seems solid - and somewhat I can imagine the book being just great - but the movie looks rushed with only the most important and visual parts shown.

Actually, it's a kind of annoying experience as you can see how really good it could have been if they only did a better job on the background and the storytelling instead of mixing everything from the book in an action packed movie. Now being totally honest, the action isn't great at all thanks to the shaky hand cam effect (The Bourne Legacy I guess ...) and uninspired choreography. Same goes for the acting : Depardieu and Wilson are easily the worst : they would have read the script for the first time it wouldn't have surprise me.

Considering all the good material it certainly feels like a misproduction, someone said the director and actor Vin Diesel were having different opinions and I do hope the latter won because if Kassovitz did it the way he wanted I'd be really disappointed.

We've been awarded with such great movies around the same kind of subject (Children of Men to name one) that this one seems pale compared to those.

Toorop is a "bad-ass" who does things in line with his chosen lifestyle. When he is "approached" by the shadowy but powerful Gorsky to transport a girl from his home in Russia across into New York (where he is wanted on charges) he accepts the job. He collects the angelic Aurora from an ancient monastery along with her guardian, Sister Rebeka and the journey begins. Many are the dangers ahead but soon Toorop realises that the greatest danger may be Aurora herself.

This film got roundly bad reviews and, if you manage to make it through 90 minutes then you will find out for yourself why that was the case – it is not something that the film hides from view. With any sort of "full world" sci-fi, the risk is always that your design of that world will make it look ridiculous and also lack any sort of logic as to why things would be that way. There is an element of that here but the bigger problem is much tighter to the core of the film – the story itself. The vast majority of the film is a journey where the dangers and the stakes are increasing at each step. We don't learn a lot as we go but for me there was enough to keep me going because I wanted to see where it was going. However as it reaches a point where things should start coming together and the "bigger picture" take over the narrative flow from all the running and shouting that it has been for the majority, well, well then it just falls apart.

Except "fall apart" is not the best description for it because really what happens is that it becomes incredibly tangled. Last week I had the pleasure of using two sets of tweezers and a very bright light to untangle a tiny silver necklace belonging to my partner – no part of it stood out as different, it took a lot of work to make sense of the different parts of this massive knotted ball of a chain and it took me ages to translate that knot into a chain again. I mention this because in a way this film is the same by the end because just where you want it to be coming together in a big way, all that happens is it becomes more knotted and more nonsensical. Sadly there is nobody working to make it anything other than this and the closest thing to a "chain" that we end up with is a horrible ending that feels like the makers holding their hands up and saying "Look, I think we all agree that we should probably just bring this whole thing to a close without any fuss and all go our separate ways. Sorry". Some who love this film (and there are some – there are always some) will explain it to you and help you see what you missed; this is never an easy conversation because even those defending the film have to work with their tweezers and such to pull sense out of it. And once they do – once you and I understand the plot and more or less what was going on, we will still be left with one undeniable fact – we still don't care.

Caring is the problem that occurs due to the terrible narrative. At the start I was interested as I was just starting out but, the more it went on, the less I cared. It didn't engage me or give me reasons to keep being interested and by the time the awful ending came round I simply didn't care enough to be angry by how little closure it gives the story. I'm not sure where the fault lies but I suspect it should be evenly spread. The script is poor and the delivery of that script is poor. The cast must have seen something better than I did because there are some solid names in here – certainly it wasn't a matter of "oh, Vin is on board? Sign me up then" because that ship has sailed. Diesel himself is his usual solid screen presence. I'm still not a fan but he can hold the attention and is physically imposing. I won't waste your time considering his performance outside of that but suffice to say that with the material as poor as it is, he had little chance anyway. Yeoh deserves better while Thierry seemingly has no idea what her character is, so she settles for just being irritating for most of the time. Rampling, Depardieu, Strong, Wilson and others all show their faces but nobody knows what they are doing and it all feels like everyone was hoping that the action and sci-fi spectacle would cover this.

Visually I did quite like the film even if some of the scenes are unconvincing "near-future" clichés such as the club which is all scaffolding and violence (but yet rammed) or massive explosions for no real reason. Overall though Babylon A.D. is a mess. It has your bangs and your tough swaggering but it is not big or fun enough to just get by on that. Indeed by its own hand it puts a lot of pressure on the plot to drive the film and then delivery at the end – neither of which it does. It starts simple and gets more and more tangled and then, as a final scene, you are presented this knotted mess and expected to say "thanks". The only saving grace is, by the time that happens, you will probably care so little about the film that it won't matter.

I'm not much of a Vin Diesel fan, I'll be the first to admit. I will admit, that I enjoyed the first Fast/Furious movie and The Pacifier, as well as Triple X. He's exactly what you ask for in an action hero...but here, in this jumbled mess of a futuristic thriller, Diesel sinks his own vehicle with bland, unlikable, and just flat out detached performance.

First off, Babylon begs three questions: 1) what did director Mathieu Kassovitz do to make the studio so mad, 2) what is Gerard Depardeau doing in this movie, and 3) what happened to Vin Diesel's career? I'll answer all of those. Except number 2. I have no idea what he was thinking.

Director Kassovitz is certainly talented - there's no denying that. There are some moments where the film shines with beautiful shots, decent visuals, and some daring moves from the director of Gothika, but in the end, the editing process is so obviously influenced by the studio wanting to tone down the movie and keep it 'simple' that it really hurt the movie in the end, and it's very easy to see why the director is mad. If the movie has a director's cut, I'll give it another shot on DVD.

Vin, Vin, Vin...what happened, buddy? Five years ago you were the KING of action, and now...ugh. Diesel needs the next Fast and Furious movie to be awesome...for his credibility's sake. Scratch that. He just needs it, okay? I really felt no attachment to his character in this, even though you're supposed to go on this transcontinental adventure with him and feel what he feels, that's totally impossible because Diesel allows no room to feel what he's thinking. Michelle Yeoh, always the bright spot of movies, is a healthy addition to the film, while Melanie Thierry is absolutely gorgeous (so no complaints here). Again, I have no idea what some people were thinking. *slaps Gerard Depardeau and Charlotte Rampling*

The film is more of an apocalyptic thriller than an action thriller, and delves in to the realm of science fiction more than a few times. I especially liked Kassovitz's vision of a futuristic New York. Though not as scary as Francis Lawrence's vision in 'I Am Legend', it was still pretty dark, brooding, and intense. What action is in the movie is exciting. Though the snowmobile chase sort of came out of nowhere, it was still well done. It seems as if Vin has to have something like that in all of his films.

All in all, Babylon A.D. serves as a great example as to why studios are losing their minds *glares at the people who made Disaster Movie*, and should just let the directors and actors do their jobs correctly. There's a longer cut of this movie, I'm sure of it, and that cut will have better action, more development, and more explanation for the seemingly mind boggling events in the film. If said longer cut comes out, I'll give it a chance, and you should too. My real meaning? Wait for the DVD if you're interested at least a little.

Wow, i don't even know where to start. I'd first like to say that,im usually generous and optimistic when i see movies, and usually films my friends say suck, i say they are okay, or when my friends say they are okay, i say it was great...This one failed in 2 very important aspects of storytelling. One, they were confused as to what the climax really was and two, there's no resolution or their pathetic excuse for one was terrible. I don't know whether they are setting up for a sequel or what but the ending was laughable(literally people laughed at the ending). Its all disappointing because the movie looked liked it had potential. the acting was average, but i didn't expect much from vin diesel and Michelle Yeoh did a decent job, other then that wait to this hits USA or TBS, don't even rent it from blockbuster, its not worth it.

Wow. I didn't have high expectation, but thought I'd at least enjoy Babylon AD. I like just about anything science fiction and most B movies. Babylon AD seriously got the Homer Simpson treatment which I explain later in my review.

The setting is the world in ruins after nuclear war. Vin Diesel comes in as the anti-hero, terrorist hired to deliver a "package" to the US. Enter Michelle Yeoh as the protector and chaperone to the package. She's excellent in her role as a nun in a seemingly peaceful cult spouting lines such as, "just because we are peaceful, doesn't mean we are weak." There are some nifty special effects and enough mystery at the beginning to make me believe the film is going to get 7 stars.

Except for some futuristic technology, that's about it for the good parts of the film.

As for the bad parts, have you ever seen The Simpsons episode with Mel Gibson? The last half hour of Babylon AD is treated like Homer Simpson's version of Mr. Smith Goes to Washington. I'm not kidding. It was shockingly bad and truly follows Homer's vision.

I'm still not quite sure what point the movie was trying to make. The story becomes so muddled and the acting is so bad at times that I had no idea what was going on. About 3/4 through the movie, one of the most awkward sexual tension scenes is thrown in for the hell of it. There's no build to it and it makes absolutely no sense, which unfortunately becomes the recurring theme until the end.