Luna de Avellaneda

"Luna de Avellaneda" it's a good movie. Sometimes it reminds some Italian ones where "nostalgia" was used. The idea of the movie -talking about a social and sports club as a symbol of the Argentinian situation during the 90's is good, specially if it takes human feelings to explain the loss of some people values in the last decade. Exploring in feelings and contradictions of the human being is one of the best characteristic of Campanella's movies. Ricardo Darín, Mercedes Morán y Eduardo Blanco are very good in their characters specially Blanco. It's not a depressing movie although the topic can be sound like that. Actually, it has a hopeful message that tell us: "Never say that everything is lost". Nevertheless, "Luna de Avellaneda" isn't the best Campanella's movie. It repeats some concepts we saw in "Son of the Bride" or "Same love, same rain" -perhaps the best one.

Campanella is great! The simplicity and humanism of this film really got to me. I have watched many movies starring Ricardo Darin and most of them I liked but with Campanella's direction he shines even more (same as Valeria Bertucelli who I believe to be the best argentine actress since Norma Aleandro). I strongly recommend it. I wish there were more films like this one. I also wish Campanella would direct more often since everything I've watched from him I liked a lot (El Hijo de la Novia, Vientos de Agua, etc). I see he's been directing or writing scripts for House M.D., 30 Rock, Law & Order, etc. I would like to see him directing argentine movies more often instead. Greetings from Cordoba, Argentina.

This movie reflects the reality of a decadent Argentinean present, after the golden year when immigrants would find a land full of opportunities. "Luna de Avellaneda" is about the neighbors of a club(very popular social recreational Argentinean icons) in the suburbs of Buenos Aires trying to save it from an becoming a casino. The characters will have to decide whether they let the club (and its history of prosperity) go in order for them to have a job opportunity.

This film reflects the sad moments Argentina is going through, and the despair of a group of people trying to hold back their dignity. As an Argentinean I cannot help having a bittersweet taste after watching this excellent movie.

I am a great admirer of Juan Jose Campanella's films and this was the main reason why I decided to watch this film in first place. I did watch Son of the Bride and The Secret of Your Eyes, both great films. Ricardo Darin was another reason why I decided to watch it. I think he is now the greatest actor in the Hispanic cinema. It's amazing how the Capanella-Darin contributions worked so well in this "trilogy".

What is really cool about those films is that Campanella can create from a different situation many parallel stories. Like here for example, the main plot in "Luna..." is the administration board trying to save their beloved 70 year club from bankruptcy and to avoid the club to be sold and to build in his place a casino instead. From that plot Campanella shows not just the effort that the club employees do in order to save the club but he also shows the family and love relationships in the life of those people.

The trademark in the Campanella films is that he can balance the comedy with the drama. The soundtrack is beautiful as well like in all his films always with a great presence. The chemistry between Darin and Eduardo Blanco is always moving.

Although the film could it be a little bit shorter and sometimes the story does not develop as it should, its another great film by Juan Jose Campanella and Ricardo Darin that I definitely recommend it!

At once universal, in its complex Dickensian portrait of a society, and extremely timely - narrating in microcosm the recent economic crisis in Argentina - Luna de Avellaneda is a beautiful, eloquent film that will resonate deeply with both Argentine viewers and audiences worldwide. Very funny and very moving, the film is rich in human drama, its characters ranging from a small boy whose braces are killing him to an old man on his deathbed, with all sorts of variations in between - a man who discovers his wife is having an affair, a son who wants to escape the catastrophic situation by emigrating to Spain, a drunk who falls in love and tries to reform, a girl from a shanty town who wants to learn ballet. Small miracles occur throughout the film. The dialogues are brilliant, the acting consistently strong. As in reality (though not often depicted in films), economic concerns are never far from anyone's mind, yet at the same time the emotional life persists. Rarely have I seen such a felicitious melding of the two, as when the central character, Roman, whose marriage is failing, goes to buy cologne to try to spice things up and, after perusing the range of possibilities, can only afford the cheapest, and most acrid-smelling, scent on the shelves. Or when a still infuriated divorcee invites her ex to a romantic dinner in a five star restaurant and, after ordering numerous bottles of the best champagne, then slips away leaving him to foot the bill. I cannot recommend this film highly enough.