Le tailleur de Panama

This brilliant actor is so reminiscent of Alec Guiness, sinking into his roles so well and in this movie merging with the character, every inch the fawning fussy tailor with other agendas on the side and a secret past. I do not care for Jamie Lee Curtis's performances normally, I find her brittle with no depth, but here she shines with a light sense of humour and a feminist conscience and fidelity that brings a true authenticity to the role. the marriage portrayed here is highly believable, lots of lovely nuances and the tailor himself fussilly tending to braiding his daughter's hair and making sure the children get to school on time. Enter Pierce Brosnan who portrays an appalling cad here. You can tell he relishes the chance to play a true unsophisticate, preying on any woman who crosses his path. I will not give away the plot which spins very much like "Our Man in Havana" another wonderful movie. some of the roles were prettied up for Hollywoodland, Marta was more tragic and mute than she needed to be, Jamie Lee far too soignee and elegant. All in all a 7 out of 10. John Boorman never lets me down.

The Tailor of Panama is an atmospheric, well-crafted thriller in which the actors have an infectiously good time with their characters, especially an excellent and hilarious Pierce Brosnan as Andy Osnard, a roguish British spy who is sent to Panama (superbly described as "Casablanca without heroes") to keep out of trouble and get back his government's trust. However, even in post-Cold War diplomacy you have to play the game and earn your wage. The diplomats still have to listen to their sources. Osnard selects British ex-pat tailor Harry Pendel (Geoffrey Rush) to be his information source, using Pendel's hidden past to get his cooperation. Pendel is well-placed as his wife works for the director of the Panama Canal Company, but he also has friends formerly in the anti-Noriega ranks. Osnard passes on what Pendel tells him to his superiors. These two characters start to spin a web of exciting misinformation that they start to revel in, but this has consequences which escalate beyond their control. The background of Panama, from its "laundromats" (banks) to its seedy nightclubs, suits the characters and the story perfectly, and gives the film an atmospheric richness of the type director Boorman excels in. It is a treat for those who love international political intrigue and who may have traveled or lived in such places. This is a thriller which relies not on hi-tech filmmaking gimmicks (and there are many opportunities to), but on characters interesting enough to follow all the way through the film. It has an old-fashioned feel, and an wry and mischievous humor. Some may see some implausibility in the final conseuences of Osnard's and Pendel's actions, but on the whole the shamless good time they have bring these (almost) anti-heroes to life is infectious. Great fun.

There are no heroes or villains in "The Tailor of Panama," only exploiters and victims. Some may be turned off by the cynical tone of the film. For example, Andy Osnard, the British secret agent, played by Pierce Brosnan (who else?) is a scheming sociopath, not a patriotic hero. The title character, Harry Pendel, played by Geoffrey Rush, is a liar and an ex-convict. Don't be put off by these flawed characters, though. In the great tradition of John LeCarre's characters, these devious, selfish people are endlessly interesting -- and believable. I suspect that those who did not like this film reacted as they did because of a lack of heroes and because the outcome of the machinations it depicts are sadly grotesque. Nevertheless, this is the thinking person's spy movie. Highly recommended, 8 out of 10.

How nice to see Pierce Brosnan as a rotter. Without the man-tan make up, you can actually see his freckles.

A co-production of the Irish government and Columbia Pictures, The Tailor of Panama is an old-fashioned British espionage film that is Euro-light on the violence and silhouette-discreet on the sex. No skitzy MTV editing and no hip hop trendy hits. Which may be heaven for some and limbo for others.

Starring along with the current James Bond is Geoffrey Rush and Jamie Lee Curtis. Pierce is still handsome as hell and he's still a spy. This time he's been exiled to Central America to cool his heels. Overly ambitious, he latches on to local tailor to the rich and powerful and starts to squeeze him for information becoming more ruthless and despicable with every turn. The colorful Rush obliges him with making stuff up and this leads to all kinds of intrigue. Jamie Lee reprises her wife-who-doesn't-know-her-husband-is-a-spy role that she did in True Lies, but without the little black dress. The humor is very dark and very British. The plot is reminiscent of the 1960 Alec Guinness-Ernie Kovacs gem, Our Man in Havana, an early spoof of the Bond saga.

Tailor is taken from the '96 Le Carré novel of the same name. John the spymaster shares screenplay credit along with Andrew Davies and the veddy British director John Boorman, most famous for Deliverance. Yes, this is the man responsible for Dueling Banjos. Receiving Acad noms for directing Hope and Glory and the Banjo movie, he also has a producing credit here.

This is the first film done on location in Panama so the look is fresh and it's beautifully shot by veteran, Phillipe Rousselot who is currently working on Planet of the Apes.

This film is getting almost no hype and no promotion. Again, it's very low key with no gunfire, car chases or blood. The politics of Panama are in the forefront with more than one reference to the 'Frankenstein' Noriega and how he was set him up by CIA Head, George the First, Bush that is. Ah hem.

There are some splendid character actors in the supporting cast like John Polito of TV's Homicide and Martin Ferraro of TV's Miami Vice. Playwright Harold Pinter is in the strangest cameo role you may see this year. Scoop du Jour: in the role of the Tailor's son, we get a look and the kid who will star in the Harry Potter film, Daniel Radcliffe.

There is some stock footage of the political unrest and references to the thoroughly corrupt Central American government with lines from the Tailor like, 'you know what the poor call those?' pointing to the city's skyline, 'Cocaine towers! And the 85 banks? Launderettes!' You can easily understand why the media isn't getting behind this thing. But then again Traffic didn't win best picture, Gladiator did.

Sly references to James Bond and Casablanca aside, "The Tailor of Panama" solidly stands on its own merits.

Its quirky excesses(loopy appearances of imaginary characters and serendipitious plot development) may seem, in the beginning, a little out of place for a political spy thriller.

But it doesn't take very long for one to realise that this is NOT a political spy thriller per se. Its that rare gem of a movie where one can safely suspend one's disbelief and yet not lose touch with one's intelligence along the way(Hmmmm....).

With its tongue planted so firmly in cheek(i.e. atypical casting, a sexy double edged screenplay and 'surreal' sendups of American/ British diplomatic gamesplay), I quickly gave up figuring out what's going on and instead focused on what's going to happen. In layman speak, I "went with the flow".

Which is a good thing as I soon discovered this movie to be deliciously entertaining both for the audience as well as the actors involved(noticeably having their share of fun in the quirky performances).

This is the kind of show(sadly, not many of them around anymore)that demands your attention, but will reward you threefold if you are a willing participant.

Not wanting to sound condescending, this is not a great movie. But it is an intellectually entertaining one. Sadly, with the standards of present day popcorn fare degenerating to new depths with each passing pic, I dare to hope that one day, films like "The Tailor of Panama" will again resume its rightful place - as nothing more than just a top rate pop corn flick.

But that day may never come and by default, this show will now have to assume a pedigree normally reserved for greater films. A sad predicament indeed. But that films like these still get made at all is reason enough to hope and celebrate.

I would recommend for all true movie lovers out there to go see this show and be thankful(at least for that two hours or so) that we can temporarily forget bum-numbing stinkers like "Pearl Harbor" ever existed.

I rest my case.

Thank you and good night.