Ajouter une intrigue dans votre languePopeye becomes a sheriff of a lawless Western town.Popeye becomes a sheriff of a lawless Western town.Popeye becomes a sheriff of a lawless Western town.
- Réalisation
- Scénario
- Casting principal
Jackson Beck
- Bluto
- (voix)
- (non crédité)
Jack Mercer
- Popeye
- (voix)
- (non crédité)
Mae Questel
- Olive Oyl
- (voix)
- (non crédité)
Avis à la une
. . . films fully exploiting Olive Oil's sects appeal. For one thing, she plays an Old West Dance Hall strumpet, belting out the suggestive lyrics of "Jingle Jangle Jingle." Furthermore, the musical theme whenever "Wild Bill Brute-O" glances her way is "Frankie and Johnny," a ditty about a love triangle or menage a three. Finally, Olive gets both pickled and piped during the action of TAR WITH A STAR. Plus, her harlot outfit for the stage of Cactus Pete's saloon includes a very buxom false front, presenting Olive as a true female mammal sporting her species' namesake glands for one of the few times of her screen career.
Cactus Corners is a lawless town in the old west. Popeye arrives when it's looking for a new sheriff. He eagerly takes the job but not the guns. Olive Oyl is singing at the saloon. Just when Popeye has the criminal element under control, Wild Bill Bluto rides into town.
It's a Famous Studios cartoon. The animation is getting better but the classics remain the best. The story is basic Popeye. This is good for being Famous.
It's a Famous Studios cartoon. The animation is getting better but the classics remain the best. The story is basic Popeye. This is good for being Famous.
Fleischer's Popeye cartoons tended to be funnier, more imaginative and better made in my view. Meanwhile, Famous Studios' on the most part entertained though their later Popeye, and overall filmography actually, cartoons had tighter deadlines and lower budgets evident which accounted for the animation not being as good, less surprises and the material not as imaginative. Speaking as someone who likes the character himself and many of his cartoons.
With 'Tar with a Star' we are in the middle of the 1949 output of the Popeye series, an again inconsistent year but actually not as patchy as the previous year. 'Tar with a Star' is familiar in setting (which is handled quite nicely), but it is one of the better 1949 Popeye cartoons. As well as one of the funniest and more interesting in premise. It is not great and there are much better cartoons in the series, but with the late 40s being an up and down period this fares fairly favourably.
'Tar with a Star' has flaws. Once again, Olive for my tastes has too little to do in an underwritten role and her material is fairly weak and forgettable.
Like a good deal of Famous Studios' Popeye output, the pacing is not always perfect either, the first portion a touch slow and takes a little long to find its groove. One predicts the ending with certainty and correctly very early on, if you are familiar with most of the Popeye series and know how they end you'll know how this does as it is essentially the same but in a different setting.
On the other hand, the animation is very nicely done. Very colourful, meticulous in background detaill, the fluidity in drawing and movement having gotten smoother all the time and the expressions freer. The western setting is vividly done and far from wasted, it actually looked like the whole crew were having a lot of fun with it, and Popeye's expressions and body movements are as ever a joy. As is the music score from regular Famous Studios composer Winston Sharples, always one of the best done components of their cartoons and even the best thing in some. The playful character, how dynamic it is with everything and the beautiful orchestration make it one of 'Tar with a Star's' strongest assets.
While the gags are not hilarious, there are a lot and they are funny. The fly gag and the ending are great, with a wonderfully wild final third. The asides and puns are also great fun, enhanced by the delivery, and don't come over as too cheesy. Popeye and Bluto are both very well characterised, especially Popeye, with a great bond between them.
Summing up, nicely done. 7/10.
With 'Tar with a Star' we are in the middle of the 1949 output of the Popeye series, an again inconsistent year but actually not as patchy as the previous year. 'Tar with a Star' is familiar in setting (which is handled quite nicely), but it is one of the better 1949 Popeye cartoons. As well as one of the funniest and more interesting in premise. It is not great and there are much better cartoons in the series, but with the late 40s being an up and down period this fares fairly favourably.
'Tar with a Star' has flaws. Once again, Olive for my tastes has too little to do in an underwritten role and her material is fairly weak and forgettable.
Like a good deal of Famous Studios' Popeye output, the pacing is not always perfect either, the first portion a touch slow and takes a little long to find its groove. One predicts the ending with certainty and correctly very early on, if you are familiar with most of the Popeye series and know how they end you'll know how this does as it is essentially the same but in a different setting.
On the other hand, the animation is very nicely done. Very colourful, meticulous in background detaill, the fluidity in drawing and movement having gotten smoother all the time and the expressions freer. The western setting is vividly done and far from wasted, it actually looked like the whole crew were having a lot of fun with it, and Popeye's expressions and body movements are as ever a joy. As is the music score from regular Famous Studios composer Winston Sharples, always one of the best done components of their cartoons and even the best thing in some. The playful character, how dynamic it is with everything and the beautiful orchestration make it one of 'Tar with a Star's' strongest assets.
While the gags are not hilarious, there are a lot and they are funny. The fly gag and the ending are great, with a wonderfully wild final third. The asides and puns are also great fun, enhanced by the delivery, and don't come over as too cheesy. Popeye and Bluto are both very well characterised, especially Popeye, with a great bond between them.
Summing up, nicely done. 7/10.
Le saviez-vous
- AnecdotesThe population of Cactus Corners starts out at 1864 but the gunfights rapidly decrease the number to 930. This must have overwhelmed the undertaker, Berry M. Deep.
- GaffesWhen the entire sign for Cactus Pete's Saloon is first seen, "Saloon" is centered below "Cactus Pete's" (also centered). When the sign is seen again several minutes later, only the right end is visible, with 4 differences: the apostrophe is missing; the top line is flush against the right end of the sign, and "Saloon" is centered under "tus Petes", the only visible letters in the top line; although "Cac" is not seen, there is enough space to the left for at least one additional letter (the 2nd "c" in "Cac") to be included.
- ConnexionsFeatured in Friend or Phony (1952)
- Bandes originalesJingle Jangle Jingle (I Got Spurs)
(uncredited)
Music by Joseph J. Lilley
Lyrics by Frank Loesser
Sung by Mae Questel as Olive Oyl
Meilleurs choix
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Détails
- Durée7 minutes
- Rapport de forme
- 1.37 : 1
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By what name was Tar with a Star (1949) officially released in Canada in English?
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