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Ajouter une intrigue dans votre langueSuperintendent Dalziel and partner DI Pascoe investigate murder, and find a bond forming between them despite their blatantly different personalities.Superintendent Dalziel and partner DI Pascoe investigate murder, and find a bond forming between them despite their blatantly different personalities.Superintendent Dalziel and partner DI Pascoe investigate murder, and find a bond forming between them despite their blatantly different personalities.
- Récompenses
- 2 victoires et 3 nominations au total
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Something happened to those fabulous British crime and cop shows. Most of them finished and other than repeats, nothing much has taken their place.
I'm talking about the movie length series where we had coppers that no matter how tough the exterior, underneath was a genuine understanding of the human condition. There was usually just one murder to investigate, but they were always realistic investigations.
I don't count the Miss Marple's or things like "Midsomer Murders" with their endless novelty murders, and not "Death in Paradise", which depends a lot on the exotic location, an eccentric British detective and Josephine Jobert in shorts.
The ones I am talking about started out based on novels. "Morse" morphed into "Lewis" and now "Endeavour", but we also had "Wallander", then a throwback to another era with "Inspector George Gently". However we still have "Vera".
"Dalziel and Pascoe" belongs with this group. In a way it was one of the most complex. The best series are buddy movies. More effective than the lone hero, I am surprised more shows don't use the format. In a way Andy Dalziel (Warren Clarke) and Peter Pascoe (Colin Buchanan) are almost like brothers. Peter is more refined than Andy who can be rude and crude, and they often fall out usually with disapproval written across both their faces, but these guys are there for each other when it counts. Their relationship, almost co-dependence, even outlasts Peter's marriage.
Some of the stories are better than others, but the writers have nailed what makes these characters so appealing. It's their empathy, and their exposure of hypocrisy in high places. Humour was definitely a strong point.
Nearly all those series ended for various reasons and it wasn't necessarily low ratings. Sometimes the stars had had enough, and sometimes it was through whim. Occasionally a series "jumped the shark". You can usually tell when that happens; one story gets stretched across a whole season. "Hinterland" did this and is now gone. "Shetland" is doing it; a series that was slow, is now slower. "Dalziel and Pascoe" didn't do that; it actually left us hanging. But of course Warren Clarke is now gone.
There are few heirs to those shows. "Manhunt" with Martin Clunes, but episodes are few and far between. "Endeavour" and Vera plough on, but I can't help feeling an era has ended.
I'm talking about the movie length series where we had coppers that no matter how tough the exterior, underneath was a genuine understanding of the human condition. There was usually just one murder to investigate, but they were always realistic investigations.
I don't count the Miss Marple's or things like "Midsomer Murders" with their endless novelty murders, and not "Death in Paradise", which depends a lot on the exotic location, an eccentric British detective and Josephine Jobert in shorts.
The ones I am talking about started out based on novels. "Morse" morphed into "Lewis" and now "Endeavour", but we also had "Wallander", then a throwback to another era with "Inspector George Gently". However we still have "Vera".
"Dalziel and Pascoe" belongs with this group. In a way it was one of the most complex. The best series are buddy movies. More effective than the lone hero, I am surprised more shows don't use the format. In a way Andy Dalziel (Warren Clarke) and Peter Pascoe (Colin Buchanan) are almost like brothers. Peter is more refined than Andy who can be rude and crude, and they often fall out usually with disapproval written across both their faces, but these guys are there for each other when it counts. Their relationship, almost co-dependence, even outlasts Peter's marriage.
Some of the stories are better than others, but the writers have nailed what makes these characters so appealing. It's their empathy, and their exposure of hypocrisy in high places. Humour was definitely a strong point.
Nearly all those series ended for various reasons and it wasn't necessarily low ratings. Sometimes the stars had had enough, and sometimes it was through whim. Occasionally a series "jumped the shark". You can usually tell when that happens; one story gets stretched across a whole season. "Hinterland" did this and is now gone. "Shetland" is doing it; a series that was slow, is now slower. "Dalziel and Pascoe" didn't do that; it actually left us hanging. But of course Warren Clarke is now gone.
There are few heirs to those shows. "Manhunt" with Martin Clunes, but episodes are few and far between. "Endeavour" and Vera plough on, but I can't help feeling an era has ended.
RIP Warren Clarke November 2014. I am finishing watching this series this Holiday Season in a tribute to Warren's recent passing. Warren Clarke is absolutely BRILLIANT in this series. I first found it via Masterpiece Mysteries on my US PBS channel back in the 90's. After that, it was hard to find, until nice folkes uploaded episodes. I have watched Series 1-11 at least once a year for the past 5 years. I have waited for it to be available in the US and now you can order via Walmart.com...wonderful site. Will be purchasing for my birthday in January 2015. This, New Tricks and my other favourite UK Series will be added as $ allows. Back to Dalziel & Pascoe. I am 62, a film/TV buff since a wee child. Soupy Sales comes to mind when thinking of Andy Dalziel. Out of thousands of TV Characters seen over the years. Andy is truly in my Top 10. His thick Gaelic Brogue and his "true-to-reality" male behaviour are EPIC. You must watch a few episodes to realize Andy's HEART...some may be appalled with his "nose-picking", ball-scratching, lip-smacking" humouristic, characteristics. This is perhaps THE MOST REAL CHARACTER ever seen on TV. He is not your typical "Lovable Barnaby" DI, and not for fans of "Nicely Nice" DIs, calmly moving toward the obvious suspects. Dalziel will venture wild accusations, then apologize if he's wrong, and "gloat" as Peter Pascoe chides him, when he is found to be right. Dalziel is not a Politically Correct PC, he is unapologetically irreverent and brash. However, if you watch long enough, you will see Dalziel CRY soft sobbing tears in the face of loss and tragedy. I have never seen Barnaby cry. I guess the best way to put it, is...(Midsomer Murders which I love, finds an Adorable 1 Dimensional Barnaby) ANDY DALZIEL, is a MULTI-faceted character, a 3F man with flaws, failures & foibles. I have found him to be an admirable character. He is WISE, LOYAL, "A Dog With A Bone (me too)" and KIND with consideration. The Dalziel & Pascoe Series teaches that some crimes are resolved with "FATE" and lives lived with melancholy, instead of "booty". I love the supporting characters as well, although I hated "Ellie", Peter's wife...She was stunning to watch, beautiful and acted well, however, sad to watch her belittle Peter. Wieldy, the big silent softy, is a joy to watch and he provides a great supporting character to the mix. The female supporting cast members were fairly great as well...currently watching Posh Spicer, and she is good in her part and plays in 20 episodes. I haven't said much about Peter, sometimes I love Peter and sometimes, I simply want to smack him...His character is much more flawed than Andy's...While Andy loyalty is constant, Peter vasillates and has periods of doubt and suspicions. He is a brooding character, quite melancholy, but no Dalziel & Pascoe without Pascoe. There have been several characters that I have hated they killed off. Well enough...A QUITE WORTHY WELCOME Series and again, Andy stands alone with Alum Armstrong as Brian Lane in New Tricks as the MOST OUTSTANDING UK characters EVER! and to the person dissing this for A Touch Of Frost...I love that show as well...and the character FROST...he might be my 3rd., 4th or 5th. favourite DI.. WATCH IF YOU DARE! Not a sugar cookie, but a MACAROON!
I love Reginald Hill's novels upon which these shows were based and having read the lot, I have to agree with others in saying that the cast is less than accurate, though Warren Clarke and David Royle come closer in spirit to their book counterparts, if not physically. Colin Buchanan is too insubstantial to make Pascoe as strong as he is in the books and Susannah Corbett, while getting Ellie's smug self-satisfied know-it-allness down pat, looks and acts too hard - she fails to relay the bits of vulnerable sweetness of the book Ellie that makes it clear why Pascoe adores her. That being said, the stories remain fairly true to the novels, if far less bawdy and they retain much of the dark Northern humor that makes the books so enjoyable. With Clarke lacking the sheer bulk and crudity of the book Fat Andy, the scenes demonstrating his brilliance as a detective and perspicacity about the human condition are far less surprising than when they emerge in the novels. Even after you've read several of the stories, Hill makes Dalziel so obnoxious and primitive, you can visualize the scrapes on his knuckles from dragging them on the ground, when his genius and sensitivity lead to the truth - and that is what Dalziel is all about, getting to the truth - it still startles. However, judging the TV versions without considering the novel versions, the series is a cut above the standard fare in the UK, let alone the US, and is literate, funny, intriguing and thoroughly enjoyable. The acting, direction, pacing and scenery are completely credible and it is a treat to suspend reality to watch this - and the other UK coppers like Barnaby, Frost, Morse, et al.
10korvexe
We are in the middle of season 7 at the moment in Sweden, and I've been watching it since season 4. And I must say that I've liked what I've seen so far. Every summer they show Midsomer Murders on Swedish television, and I USED to enjoy that show until I found this masterpiece. Here the characters and environments are more realistic, the plots are more complex and interesting, and the endings are not alway crystal clear, which, for the thriller-interested viewer, is quite satisfying. The ongoing Dalziel-Pascoe relationship is probably the best in its genre, and Dalziel's one-liners sometimes make you laugh your head off! I hope they will continue to show Dalziel and Pascoe in Sweden, although I don't think it's well known here. It's as good as Frost, and much better than the latest seasons of Midsomer Murders. UK can certainly make my evenings a lot more fun.
I am an avid fan of Reginald Hill's Dalziel and Pascoe series (I own all the books, most in hardback; I even know the correct way -- Andy's way, at least -- of pronouncing Dalziel..."Dee-al") and have been able to view a few -- a VERY few -- episodes of the British series here in the USA. But certainly not 12 seasons' worth -- even if they had only 2 or 3 episodes per season. And I can understand -- from comments made by contributors to IMDb -- that once they ran out of Hill's stories the writing very well may have suffered. But does anyone know if more ever will be broadcast in the USA; and whether the DVDs (in appropriate formatting for the USA) ever will be offered for sale here? Please...someone help me. I need a "DalzielandPascoe" fix!
Le saviez-vous
- GaffesThe first name of the pathologist played by James Puddephatt changed during series 7. For all episodes up to and including For Love Nor Money (2002), his name was listed in the credits as Dr Paul Ashurst; for all episodes from Dialogues of the Dead: Part 1 (2002) onwards, his name was credited as Dr James Ashurst.
- ConnexionsEdited into Total Cops (2003)
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- How many seasons does Dalziel and Pascoe have?Alimenté par Alexa
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