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IMDbPro

Meurtre à Alcatraz

Titre original : Murder in the First
  • 1995
  • 12
  • 2h 2min
NOTE IMDb
7,3/10
32 k
MA NOTE
Kevin Bacon and Christian Slater in Meurtre à Alcatraz (1995)
Legal ThrillerDramaThriller

Un jeune avocat enthousiaste et idéaliste défend un prisonnier d'Alcatraz accusé d'avoir assassiné un codétenu. Il peut invoquer des circonstances atténuantes : son client vient de passer pl... Tout lireUn jeune avocat enthousiaste et idéaliste défend un prisonnier d'Alcatraz accusé d'avoir assassiné un codétenu. Il peut invoquer des circonstances atténuantes : son client vient de passer plus de trois ans en isolement.Un jeune avocat enthousiaste et idéaliste défend un prisonnier d'Alcatraz accusé d'avoir assassiné un codétenu. Il peut invoquer des circonstances atténuantes : son client vient de passer plus de trois ans en isolement.

  • Réalisation
    • Marc Rocco
  • Scénario
    • Dan Gordon
  • Casting principal
    • Christian Slater
    • Kevin Bacon
    • Gary Oldman
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,3/10
    32 k
    MA NOTE
    • Réalisation
      • Marc Rocco
    • Scénario
      • Dan Gordon
    • Casting principal
      • Christian Slater
      • Kevin Bacon
      • Gary Oldman
    • 147avis d'utilisateurs
    • 44avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 victoires et 2 nominations au total

    Vidéos1

    Murder In The First
    Trailer 2:04
    Murder In The First

    Photos22

    Voir l'affiche
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    + 14
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    Rôles principaux80

    Modifier
    Christian Slater
    Christian Slater
    • James Stamphill
    Kevin Bacon
    Kevin Bacon
    • Henri Young
    Gary Oldman
    Gary Oldman
    • Associate Milton Glenn
    Embeth Davidtz
    Embeth Davidtz
    • Mary McCasslin
    William H. Macy
    William H. Macy
    • William McNeil
    • (as Bill Macy)
    Stephen Tobolowsky
    Stephen Tobolowsky
    • Mr. Henkin
    Brad Dourif
    Brad Dourif
    • Byron Stamphill
    R. Lee Ermey
    R. Lee Ermey
    • Judge Clawson
    Mia Kirshner
    Mia Kirshner
    • Adult Rosetta Young
    Ben Slack
    • Jerry Hoolihan
    Stefan Gierasch
    Stefan Gierasch
    • Warden James Humson
    Kyra Sedgwick
    Kyra Sedgwick
    • Blanche
    Alex Bookston
    • Alcatraz Doc
    • (as Alexander Bookston)
    Richie Allan
    Richie Allan
    • Jury Foreman
    Herb Ritts
    • Mike Kelly
    Charles Boswell
    Charles Boswell
    • Simpson
    David Michael Sterling
    • Inmate Rufus 'Ray' McCain
    • (as David Sterling)
    Michael Melvin
    • Inmate Arthur 'Doc' Barker
    • Réalisation
      • Marc Rocco
    • Scénario
      • Dan Gordon
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs147

    7,332K
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    Avis à la une

    sdbean

    Not what it appears to be

    My comments are directed to the claim that this film is based on a true story. The true facts of Henri Young's case are significantly different from the story told in the movie. For instance, Young was not just a petty thief when he came to Alcatraz -- he was already doing time for bank robbery and murder. Nor was he kept in an underground dungeon for three years as punishment for an escape attempt -- his punishment was served in an isolation cell on the prison's first floor with the normal facilities that all prisoners' cells had. His case did not lead directly to the closing of Alcatraz; it continued as a Federal prison for over twenty years after his trial. Of course, there were some abuses at Alcatraz (as at virtually all prisons). Young's trial had some impact on correcting those abuses, but not to the extent suggested by the film.

    If you're interested in another view of the Henri Young case, visit the Bureau of Prisons web site (I can't give the URL because that would violate the comments posting guidelines) and search for "Murder in the First".

    In any film based on a true event, some license must be granted to the screenwriter. There's no way they can know exactly what was said in every conversation, so representative dialogue has to be written. Some minor characters will probably be composites. These things are understandable. But when the film blatantly distorts the main characters and the main events of the story, I can't help but think that the point the film is making is probably built on shaky ground. "Murder in the First" may be entertaining in some people's opinion, but no one should come away from this film thinking they have seen history portrayed accurately.
    tedg

    Architectural

    This movie didn't do well, in fact drove a talented filmmaker away from directing.

    Its because it has powerful characters and powerful actors that viewers snap to one of the six viewing modes they have and read it as a "character-driven" drama. Others were upset that the story deviates from real events rather drastically.

    My own view is that this is one of the very few films we have that features a building as a character. This is a traditional trial form, where conflicting and synthesized realities are understood to exist by ordinary viewers. Usually this form is used to support battling stories, or versions of reality. Powerful characters can exist ("Mockingbird," "Few Good Men"), but they are there only as representatives of conflicting realities.

    What makes this so interesting is that it is the building itself that is on trial. This is exploited by Rocco to an extraordinary extent. Fincher tried to take this notion to the next level in "Panic Room," but got fired. Too bad, because it is a cinematic thrill of sorts to see someone try to present a space as a character.

    Sure, it is unusual and many viewers thought the man was going crazy with his odd camera angels, his swoops, his unusual blocking. But I ask you to watch this and see how the prison is introduced to us, and the supposed core, its antebellum dungeons. Then see the contrasting "open" space of the courtroom where it is to be tried. Slater's opening statement is an amazing exploration of space with one multi-encircling movement.

    Ted's Evaluation -- 3 of 3: Worth watching.
    7whpratt1

    Not Exactly the True Story

    This was a very entertaining film about the horrible treatment of a certain prisoner at Alcatraz named Henri Young who robbed a store for five dollars ($5.00) and was sent to prison. Henri Young was played by Kevin Bacon who did a fantastic job of acting and captured your attention through out the film. There were many scenes filmed on the Island of Alcatraz and some old time footage of the first time Warden of Alcatraz, James R. Johnston. Christian Slater, (James Stamphill) was the lawyer assigned for Henri Young's defense, who had a hard job trying to rehabilitate his client so he could stand trial and even speak a few words. Young was in such bad shape mentally from being put into the solitary confinement for three (3) years, he was like an animal instead of a human being. This Hollywood version is not all completely true about Henri Young, he really had a long history of crime and mental problems. However, this film is very entertaining and Kevin Bacon put his heart and soul into this role. Enjoy.
    8WJArvay

    A Terrific, Inspiring and Entertaining Movie.

    I had not heard of his movie before. I caught it in mid-broadcast on cable, while channel surfing, eleven years after its release, and after the first few moments, decided to watch it to the end. It is now one of my favorites, right up there with "To Kill a Mockingbird." This film succeeds both as star turns and as an ensemble piece. But more importantly it succeeds in portraying American society in the 1930s as a whole, and involving the audience emotionally in both the the greater social issues as well as the smaller, more tender, personal issues. Despite its sensitivity, it is far from a chick flick. Despite it's theme of violence, it is far from a macho action flick. It is a courtroom thriller based on real events, and it is worth watching more than once.

    The script writing and direction are calculated to be moving, and they succeed. Every actor in the film, every detail of the art direction, every camera angle plays on your heart and sense of moral indignation. To do so successfully, as I think this movie does, is the definition and purpose of art.

    Kevin Bacon shows the most range in his film that I have ever seen from him. His physical performance was very demanding, his character work even finer. His chemistry with each actor in every scene is both bold and subtle, raw and complex. He reminds me of DeNiro's performance in the "Cape Fear" remake.

    Christian Slater's character provides the viewer's point of view in the film, and he plays with great emotion and passion, and yet with a touch of reserve and detachment. I am strongly reminded of Kevin Costner's performance in "The Untouchables." Needless to say, Gary Oldman is a master at his craft, and always amazing to watch. Every character Oldman plays is memorable, and the antithesis of type-casting. His portrayal of the warden in this film is a brilliant balance of a socially acceptable monster.

    This movie has received a lot of criticism for portraying historical facts inaccurately, and for taking sides in a political debate. I would remind the open-minded viewer that "To Kill A Mockingbird" also took great liberties with the facts of the historic court case on which it was based (there were six accused rapists, not one; the person on whom Atticus Finch was based was in reality the judge and not the defense attorney, etc.) and emphatically took sides in the even more hotly contested political debate over racial discrimination in America. Both films were based on real life, but neither claimed to be a documentary. Whether you resent historical tampering and political statements for dramatic impact is something only you can decide for yourself. Personally, I support both "To Kill A Mockingbird" and "Murder in the First" as films whose merits outweigh their flaws.

    In short, this movie is worthy of your time, and will reward you, whether you want entertainment thrills, a good popcorn movie, a morally inspiring story or the appreciation of a well-crafted piece of work. It falls a little short of "The Shawshank Redemption," but not far. Despite what this or any other review says, start this movie without any preconceived notions, and just go along for the ride. I think you will be surprised, happy and satisfied.
    OlgaLednichenko

    Brilliant Movie : Truly Uplifting

    This is one of my favorite movies;; and I have a not about this on my Electrifying performances by both Kevin Bacon and Slater.

    Very few movies come across that are that gripping.Moves you up to your seat. And then there is always this tension and drama, anxiety about what's next to come.

    The fact that this is based on a true life story makes it a more powerful saga. A saga that smells courage, conviction and commitment. How many movies like this exist. This movies falls under the ranks of Shaw Shank redemption.. Pappion, The Holocaust, Its a wonderful life.. et all..

    really a bone of a movie. I have watched it so many times that each and every scene is tattooed on my brain. I can even close my eyes and see the trail unfold.

    If you haven't watched it - you are not just missing an American Classic but also you are missing examples and stories to tell your kids - what happened once upon a west.. Cheers Olga Lednichenko

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Kevin Bacon lost twenty pounds to play Henri Young.
    • Gaffes
      Henry Young didn't go to Alcatraz for "stealing 5 dollars." In real life, he was both a bank robber and a murderer, and had already been in at least two state prisons before landing at Alcatraz.
      • - - - -
      Henri Young is different from Henry Young (see Wikipedia). Henry did indeed go to prison for stealing 5 Dollars.
    • Citations

      James Stamphill: Did you kill Rufus McCain?

      Henri Young: I was the weapon, but I ain't no killer.

    • Crédits fous
      This Film is Inspired by a True Story
    • Versions alternatives
      The Blu-ray has the opening 2003 Warner Bros. Pictures plaster.
    • Connexions
      Featured in Siskel & Ebert & the Movies: Memo to the Academy - 1995 (1995)
    • Bandes originales
      Tuxedo Junction
      Written by Erskine Hawkins, William Johnson, Julian Dash, and Buddy Feyne

      Performed by The Andrews Sisters

      Courtesy of MCA Records

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    FAQ20

    • How long is Murder in the First?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 13 septembre 1995 (France)
    • Pays d’origine
      • France
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Murder in the First
    • Lieux de tournage
      • Alcatraz Island, San Francisco Bay, Californie, États-Unis
    • Sociétés de production
      • Warner Bros.
      • Canal+
      • The Wolper Organization
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 17 381 942 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 4 719 188 $US
      • 22 janv. 1995
    • Montant brut mondial
      • 17 381 942 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      2 heures 2 minutes
    • Couleur
      • Color
      • Black and White
    • Mixage
      • Dolby Digital
      • Dolby SR
    • Rapport de forme
      • 1.85 : 1

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    By what name was Meurtre à Alcatraz (1995) officially released in India in English?
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