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5,7/10
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Ajouter une intrigue dans votre langueA serial adventure writer with problems in his personal life lives out the adventures of his literary hero, King of Adventurers.A serial adventure writer with problems in his personal life lives out the adventures of his literary hero, King of Adventurers.A serial adventure writer with problems in his personal life lives out the adventures of his literary hero, King of Adventurers.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 1 nomination au total
Collin Chou
- The Movie Star
- (as Sing Ngai)
- …
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(1996) Dr. Wai: The Scripture With No Words
(In Chinese with English subtitles)
HISTORICAL FICTION ACTION/ DRAMA
One of Jet Lee's weaker films in terms of both action and plot which showcases the story line in different segments than to allow Jet Lee to really showcase his stuff. More drama than action and intended only for die hard Jet Lee enthusiasts. Like many martial art movies, I judged this movie by how much martial arts it has, as well as how much innovative martial art scenes it has. I must confess, I did not pay too much attention to the story, and just used the fast forward button while playing. Since I read somewhere during this time, because "action" and "comedic sequences" were the two genres that Hong Kong viewers prefer watching, I just assumed 'story' is sometimes built around comedy and action scenes.
One of Jet Lee's weaker films in terms of both action and plot which showcases the story line in different segments than to allow Jet Lee to really showcase his stuff. More drama than action and intended only for die hard Jet Lee enthusiasts. Like many martial art movies, I judged this movie by how much martial arts it has, as well as how much innovative martial art scenes it has. I must confess, I did not pay too much attention to the story, and just used the fast forward button while playing. Since I read somewhere during this time, because "action" and "comedic sequences" were the two genres that Hong Kong viewers prefer watching, I just assumed 'story' is sometimes built around comedy and action scenes.
I have to disagree with one of the previous reviewers who said that this movie would be ideal for Hong Kong cinema neophytes. I believe that only HK fanatics should even attempt to watch it - the less experienced viewers will probably turn it off after about 30 minutes (it's no wonder that no American distributor picked it up for re-release; it certainly doesn't have the wide appeal of a movie like "Meltdown" / "High Risk"). The idea is ambitious, the production is lavish, but the story is confusing and unengaging, and the result is a film too bizarre and self-indulgent for most audiences. Jet Li once again proves that he can act (in a dual role, no less), but the vast majority of the fighting is over-the-top and (intentionally) unrealistic. There are some memorable moments, however, like his brief encounter with two huge sumo wrestlers! (**)
Jet Li stars as a writer of a series based on the character King of Adventures. When an accident puts him in the hospital, friends try to continue his current storyline for him. Great fun ensues as new twists and turns spring from the different characters adding to the story; including a pair of flying sumo wrestlers (!) and some well done CGI. A change of pace for the usually intense Li that's one of the most enjoyable HK movies of '96.
Thomas Weissman, who wrote a supposedly major text on Asian cinema (which unfortunately probably blocked publication of better texts for some time) pee-ed off a lot of fans of Hong Kong cinema. One of the reasons is that he knows dam' well the difference between a good movie and a good "genre" film, but, instead of developing this difference critically, he prefers to smudge it, and thus frequently leaves readers with misconceptions.
Weissman's review of this film promised a real avant-garde transgression of time and space, of pulp and serious narrative. I'm afraid that's not what's happening here.
For one thing, we get no closer to any of this characters than we do in any other Hong Kong genre film. That's important; to make real transgressions of time, space, genre, etc., we need to see what's going on from a particular point of view. (If one doesn't care for "The Singing Detective" - and I don't - then refer to "Slaughterhouse Five".) Since this is really an "action-comedy". it can't do that. Instead, it scrambles its plot around from several different points of view; but the heart of the narrative remains action, not 'perspective'.
Well, is it a good action comedy? yeah, I enjoyed it, I'll probably watch it again. IS it the super-duper-transgressive New-wave make or break film that Weissman and a few others have touted it as? Nope. For that see Wong Kar Wai's "Ashes of Time".
But not every film has to be really really serious or 'great'. This is a fun film, with some weird displacements of time and space, just to make it interesting. Enjoy it as such.
Weissman's review of this film promised a real avant-garde transgression of time and space, of pulp and serious narrative. I'm afraid that's not what's happening here.
For one thing, we get no closer to any of this characters than we do in any other Hong Kong genre film. That's important; to make real transgressions of time, space, genre, etc., we need to see what's going on from a particular point of view. (If one doesn't care for "The Singing Detective" - and I don't - then refer to "Slaughterhouse Five".) Since this is really an "action-comedy". it can't do that. Instead, it scrambles its plot around from several different points of view; but the heart of the narrative remains action, not 'perspective'.
Well, is it a good action comedy? yeah, I enjoyed it, I'll probably watch it again. IS it the super-duper-transgressive New-wave make or break film that Weissman and a few others have touted it as? Nope. For that see Wong Kar Wai's "Ashes of Time".
But not every film has to be really really serious or 'great'. This is a fun film, with some weird displacements of time and space, just to make it interesting. Enjoy it as such.
This movie is a fascinating film. First of all, the plot is very original. I liked the story-within-a-story approach to the plot. It deals with an adventurer going up against the Japanese for a mythical scripture. The events of the story parallel the life of the author of the story. What I liked about this film were the fight scenes. Most of them were short, unfortunately. However, they were fairly original. The viewer gets a chance to see Jet Li use tai chi, a chain, flaming swords, and his lethal feet. My only complaints were the fights scenes weren't that long. Otherwise, it's an entertaining film.
Le saviez-vous
- AnecdotesDuring production, a fire destroyed HK$10 million worth of sets, resulting in severe budget problems. In an attempt to limit the damage, the script was revised and many modern plots were added, resulting the film to have two different endings.
- Versions alternativesAlternate cut exists deleting the sequences set in current time and adding more sequences set in the adventure story.
- ConnexionsReferences Le magnifique (1973)
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- How long is Dr. Wai in the Scripture with No Words?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Dr. Wai in the Scripture with No Words
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 31 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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