NOTE IMDb
6,8/10
7,7 k
MA NOTE
Francesco hérite d'un vieux palais d'une tante turque et s'installe à Istanbul pour le rénover.Francesco hérite d'un vieux palais d'une tante turque et s'installe à Istanbul pour le rénover.Francesco hérite d'un vieux palais d'une tante turque et s'installe à Istanbul pour le rénover.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 12 victoires et 15 nominations au total
Alessandro Gassmann
- Francesco
- (as Alessandro Gassman)
Avis à la une
First off the bat, the homosexual suggestive advertising of this film is misleading: it was not the central theme nor occupy any more than a second's brief moment.
This film actually has a very poignant way of telling a story, which is set in Istanbul (this was what drew me to see this film as I remembered my visit to Turkey and fascinated by the city of Istanbul), and Istanbul is really the central backbone of this movie. Story unfolds in a very ordinary everyday way, and through out the film, yes, things just unfold and nothing is presented elaborately no fuss no emphasis they all come across in subtle nuances. One recurring activity is eating: breakfast, family dinner at home, dining at a restaurant -- the colorful food on the table, and the people at the table --- it's all happening in a casual simple everyday manner. Yes, it's like you're there with them -- the regular' streets and neighborhood of Istanbul the city that tourists do not see. Meanwhile layers of emotions subtly unraveling and the central characters: Francesco and his wife, Marta, each of their own feelings go through stages of change through each of their experiences of Istanbul and Francesco's aunt Anita's words It all come together and you will enjoy this film. An ordinary extraordinary film this is.
This film actually has a very poignant way of telling a story, which is set in Istanbul (this was what drew me to see this film as I remembered my visit to Turkey and fascinated by the city of Istanbul), and Istanbul is really the central backbone of this movie. Story unfolds in a very ordinary everyday way, and through out the film, yes, things just unfold and nothing is presented elaborately no fuss no emphasis they all come across in subtle nuances. One recurring activity is eating: breakfast, family dinner at home, dining at a restaurant -- the colorful food on the table, and the people at the table --- it's all happening in a casual simple everyday manner. Yes, it's like you're there with them -- the regular' streets and neighborhood of Istanbul the city that tourists do not see. Meanwhile layers of emotions subtly unraveling and the central characters: Francesco and his wife, Marta, each of their own feelings go through stages of change through each of their experiences of Istanbul and Francesco's aunt Anita's words It all come together and you will enjoy this film. An ordinary extraordinary film this is.
This is a wonderful film about happiness and love, not some sex film. Finding your true place in life physically as well as emotionally is the theme. Everything is beautiful about this movie, the people, the love between the two men and the between the family and Francesco. Great performances by the cast, especially Alessandro Gassman. Beautiful scenes of Istanbul, which I am sure is not seen by the usual tourist.
I loved this movie and highly recommend it.
I loved this movie and highly recommend it.
In the US, this film is being 'pitched' as a film about sexuality. In truth, that is not the film's focus. The main character travels to Turkey and undergoes an unexpected personal transformation. Part of this transformation has to do with same-gender sexuality. But you will enjoy the film much more if you forget about that entirely, and let the story unfold.
I think that the film's main characteristic is that it is subtle. The main character is not shouting his confusion from the rooftops; the viewer is left to draw conclusions from glances and actions (or the lack thereof). Some self-reflection comes in the form of letters that his aunt wrote to his mother, with the implication that he feels the same way.
Steam, or Hamam, is about suddenly finding one's "home", and being willing to accept that discovery and embrace it.
I think that the film's main characteristic is that it is subtle. The main character is not shouting his confusion from the rooftops; the viewer is left to draw conclusions from glances and actions (or the lack thereof). Some self-reflection comes in the form of letters that his aunt wrote to his mother, with the implication that he feels the same way.
Steam, or Hamam, is about suddenly finding one's "home", and being willing to accept that discovery and embrace it.
This film is really a very subtle, literate story. Nothing hits you over the head, there's nothing to win or lose at the end, it's just characters and events unfolding and interacting within a languid pace. It's really a beautiful film, both in scenery, sentiment and depth of feeling.
If you've ever visited Istanbul you should see this film. I expected to see the Hagia Sophia and Blue Mosque right off, but you never see them-- the film chooses to see Istanbul through the charming back alleys and everyday people. The traditions of the country and the warmth of the people are ever-present in this film. Istanbul itself is like a character here, and its special charms are at the center of the story. If you have visited there, you will understand why the characters become so captivated.
But this film only uses Istanbul and the Hamam as a vehicle for showing its characters ways of finding happiness and tranquility in one's life. The story is much more general and eternal. It shares that quality with literature-- it is at once about these specific characters, and also about everyone, everywhere.
Here in New York this film is called "Steam" and is being sold as a major homoerotic experience. It's sad that they have to cheapen this wonderful movie in that way, and people going expecting to get their jollies will be woefully disappointed-- and entirely missing the point.
One tends to think of Turkish/Italian cinema as not being as technically sophisticated, but this film is vary carefully and intelligently written and directed. This really is one of those special, beautiful movies, not as flashy or intense as some, but I think I will remember this film for a long time.
--- Check out website devoted to bad, cheesy and gay movies: www.cinemademerde.com
If you've ever visited Istanbul you should see this film. I expected to see the Hagia Sophia and Blue Mosque right off, but you never see them-- the film chooses to see Istanbul through the charming back alleys and everyday people. The traditions of the country and the warmth of the people are ever-present in this film. Istanbul itself is like a character here, and its special charms are at the center of the story. If you have visited there, you will understand why the characters become so captivated.
But this film only uses Istanbul and the Hamam as a vehicle for showing its characters ways of finding happiness and tranquility in one's life. The story is much more general and eternal. It shares that quality with literature-- it is at once about these specific characters, and also about everyone, everywhere.
Here in New York this film is called "Steam" and is being sold as a major homoerotic experience. It's sad that they have to cheapen this wonderful movie in that way, and people going expecting to get their jollies will be woefully disappointed-- and entirely missing the point.
One tends to think of Turkish/Italian cinema as not being as technically sophisticated, but this film is vary carefully and intelligently written and directed. This really is one of those special, beautiful movies, not as flashy or intense as some, but I think I will remember this film for a long time.
--- Check out website devoted to bad, cheesy and gay movies: www.cinemademerde.com
Istanbul has always been my favorite city. Not just because I live there. But I guess the reasons are best "felt" in this movie. Hamam, not only tells us what traditions originally are (not restricting rules, but guidelines to keep senses, the family and the body together), but also reminds us the mystique remains of a city, where nothing is considered wrong, where life just floats along the steam of the Hamam.
Beautiful and sensual, Hamam is a soft and relaxing movie, like its title suggests.
Beautiful and sensual, Hamam is a soft and relaxing movie, like its title suggests.
Le saviez-vous
- AnecdotesFrancesco stays at the Pera Palace Hotel, the same where Agatha Christie wrote one of her novels.
- Crédits fousEnding credits roll from top to bottom, the reverse of what is usually done.
- Bandes originalesIstanbul uyurken (Tema di
Hamam")"
Written by Pivio and Aldo De Scalzi
Performed by Trancendental with vocals from Rosie Wiederkehr
Meilleurs choix
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- How long is Steam: The Turkish Bath?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Steam: The Turkish Bath
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 384 793 $US
- Montant brut mondial
- 384 793 $US
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